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Savannah Delongpre is a wealthy fashion model living in New York City who returns to her small town in Georgia to visit her wealthy grandmother Belle as well as walk down memory lane to remember her childhood with some of her friends still living there. During that time, Savannah meets Jake Gilbert a rugged drifter/artist living on the property called Two Moon Junction owned by Belle and whose family has a feud with Savannah’s for decades. Desperate to forget her stressful life, Savannah eventually begins a sordid affair with Jake, despite opposition from Belle claiming the man is not right for her or anyone. But Savannah’s strongest opposition comes from her possessive boyfriend Robert Lee who later arrives and plans to break Savannah and Jake up by buying the Two Moon Junction property to evict Jake from the area.
When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a drifter working as a grounds keeper on a derelict army base, who takes them in. While Violet falls for him, Rosie becomes increasingly angry and hostile, and the sisters’ childhood bond is eventually destroyed forever.
Katia (Kostrzewa), a young Polish woman adrift in London, meets Bob (Brake), an American tattoo artist. Katia is drawn to his mysterious aura and the taboo culture of body modification, but Bob has a dark, secret desire to leave his mark on the world and little does Katia know that her fascination with him will put her life in danger.
Drawing from a deep, red well of evil toy terror comes DEADLY DOLLS: DEEPEST CUTS, the second installment in FULL MOON’S BUNKER OF BLOOD, a gory new “Greatest Hits” film series featuring some of Full Moon’s strangest and sickest sequences framed by an all new, all outrageous narrative! Once more, we follow the mind-bending adventures of a nameless drifter with an impossibly high pain tolerance.
With a tour in Afghanistan behind him, war-torn Chris Jensen struggles to assimilate back to life in California. Drifting and living out of his car, he soon discovers that few are willing to deal with the remnants of a damaged career military man. Chris is self medicating; desperate to silence the echoes from the front lines. When an opportunity finally presents itself, he makes the hard decision to employ his most coveted talents honed in special ops. A job is a job and Chris knows civilian life can be just as cut-throat as time on active duty. But just how close does he have to get to Andrew Warner to secure the kill?
When Anna Thompson gets mixed-up in a convenience store robbery, she makes a split-decision to walk out of her life and into the unknown. On her travels, she meets Travis, a teenage drifter on his own journey of self-discovery.
When the body of a drifter is discovered the same day a photographer arrives in a small farming community, the local sheriff is left to piece together a string of events that don’t quite add up.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
A romantic drama set in 1930’s England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.
A story of a fragmented friendship finding new ground, director Daniel Stine’s feature film debut Virginia Minnesota begins with a young woman at a crossroads. Her direction in life a question mark, Lyle (Rachel Hendrix) heads off on an impromptu road trip, running into a former friend, Addison (Aurora Perrinau). Addison is also adrift, and the two find themselves on the road together. Separated by a childhood trauma, Addison and Lyle must face their shared history in order to move on as adults. Through the trip they learn not only the influence of their lost friendship on their current lives, but how their new bond will shape their future as young adults.
A mysterious drifter bonds with a boy with tales of the West. Past and present collide when a lawman appears seeking long-lost gold.