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Song Yeon-Hwa, a reporter of a weekly entertainment magazine, is 27 years old. Though she is almost kissed by her boy friend several times, she has refused without particular reasons. Then she lost her boy friend. Now knowing her shilly-shally is the reason of her lost love, Song Yeon-Hwa loses daily rhythm all in a furry. One day Han Kyeong-Hyeon, who seems to be a playboy, came to work with her as a photographer. Seating next seat Kyeong-Hyeon nags her chattering all kinds of things and wedging in every occasion. Yeon-Hwa, who suffers from aftermath of lost love, submits resignation with a burst due to nagging and scolding of editor-in-chief.
Eccentric inventor Prof. John Richards seems to have hit pay dirt when he designs a contraption which can move large objects instantly by breaking them into atoms which can be streamed from one place to another. This new machine seems like a sure-fire hit, which has attracted the attention of Richards’ less-than-scrupulous assistant Martin, who wants to steal the new invention and sell it himself. In order to make it easier for Martin to do just that, he uses the machine to create a duplicate of Richards, which will do his evil bidding. The professor’s son, Jack, and wife, Barbara, learn about Martin’s underhanded doings, and Barbara uses another one of her husband’s gimmicks to get revenge against Martin — she turns herself invisible.
While running a travel agency in Macau, Ji-yeon is ripped off by her business partner. One day, the attractive and benevolent Sung-yeol gives her an irresistible offer: $5,000 monthly salary to live on a luxurious yacht and be the personal care aide of the owner of Cenado, a prominent shipping and casino operator company. Without another option to fall back on, she complies and nurses the ailing man, who is impossible to deal with. Ji-yeon slowly gains the attention of both Sung-yeol and the magnate, and wavers between an opportunity that will secure her future and love. As tension rises among these figures on the yacht, no one can predict its outcome.
11-year-old Nicolas lives with his mother in a seaside housing estate. The only place that ever sees any activity is the hospital. It is there that all the boys from the village are forced to undergo strange medical trials that attempt to disrupt the phases of evolution.
Dante and his girlfrend Micky run a very profitable drug operation in a seaside town, aided and abetted by a host of teens who sell the smack at discos around town, as well as by Lucas, a corrupt cop who’s on the take. Their downfall comes when they suspect one of the boys, Pep, of ripping them off, and his accidental death causes disloyalty among the teens, who suspect Dante offed them. All of this is perfect for the return of Gabriel, a one-time partner of Dante, who has just been released from jail, and has an almost angelic demeanor and the certainty that he can fix everyone’s lives.
Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.
Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.
young prince is taken for tuition at a seaside hotel but there quickly bores and wanders off to visit a nearby lighthouse. Befriended by the keeper, he learns of a secret world he can see inside the light of the lamp – the world of Taxandria ruled by the dictatorship of the ‘eternal present’ where all machines, progress and time have been banned. However, a naive but creative printing clerk unwittingly causes a revolution when he upsets a printing press and tries to replace the spilled letters only to have his new words taken for a subversive code. On the run he falls in love with a palace princess, discovers the forbidden art of photography and sets out to fulfill his dream of building a flying machine. Written by L.H. Wong
Six men, one woman (and her brother) come together with one goal – to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
London, modern day: Joe, a mild mannered young man is bored by his life. When his beloved brother is murdered Joe finds solace in Piggy, one of his brother’s old friends. Piggy helps Joe to cope with grief, intent on saving him and helping him get justice for his brother’s killing. As their friendship grows Joe finds himself in an increasing dangerous and murky world of violence and revenge. As Joe life collapses around him he starts to question who Piggy really is, and how honest he’s really been with him. When Joe confronts Piggy a series of events are put in place that lead to a disastrous climax. Written by Anonymous (IMDb.com).
What happens when you take a Young Gun, a veteran, some chick and this other guy and drop them off in the middle of the snow-coated Canadian wilderness with a few boards and enough lenses to make even Marilyn Monroe blush? We wanted to find out. And so we did all that. Then we made Depth Perception. The film invites you to join Austen Sweetin, Travis Rice, Robin Van Gyn and Bryan Fox on an expedition. It’n to learn about nature. An expedition to ride some of the best backcountry on the planet. And, occasionally, an expedition to violently fall down a mountain to the peaceful hum of a violin. Mmm. Yeah. Depth Perception is somehow as earnest as it is tongue-in-cheek.
A few years back tragic events tied the fate of three Catholic priests. From then on they meet on every anniversary of the disaster to celebrate their survival. On an everyday basis they have their ups and downs. Lisowski works at the curia in a big city, has a career and is dreaming of the Vatican. Problem is, archbishop Mordowicz, an opulent church official who uses his political influence to build the largest sanctuary in Poland, gets in his way. The second priest, Trybus, is a village parson. He ministers to a poor community and gives in to human weaknesses more and more often. Kukuła is not faring well either. Despite his fervent faith, he loses the trust of his parishioners actually overnight. Soon the stories of the three clergymen are going to join once again.
An easily frustrated and wise-cracking charter bus driver from the mid-west loses everything after being fired. Desperately, he moves in with his crazy cousin to become a mailman in the rough urban area of Cleveland, Ohio.
Doreen is about to marry the man of her dreams, Hank, a mild-mannered guy who is equally as excited about marrying Doreen. However, Doreen’s older brother, a wild man named Travis who’s been estranged from her for several years, shows up to make amends, but instead he accidentally curses her. Doreen is now possessed by the devil. In Las Vegas is a homeless man known as Johnny Priest, who is the last known person to perform an exorcism in America. It’s up to Travis and Hank to put aside their differences and travel from Chicago to Las Vegas to get Doreen an exorcism before it’s too late and her soul is lost forever.
On the way home from an art gallery featuring her work, a talented artist, Ali, her husband and their young child get into a car accident. The woman’s husband and child die on impact, while the woman survives, but loses her eyesight. At her doctor’s suggestion, Ali hires a caretaker named Jeff to help her adjust to life as a blind woman, and upon returning home, Jeff’s aid proves to be indispensable in helping her acclimate; Ali even meets and quickly befriends her new neighbor, Linda. It is soon apparent, however, that Jeff is becoming increasingly possessive and jealous of Ali, and his obsession rapidly turns violent when Ali decides she needs less of his assistance because she is ready to resume living independently. Unsurprisingly, Jeff does not take the request well, and Ali is soon forced to use her remaining senses to fight for her life.
Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn’t able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.
The hunt for a killer draws a detective into an even larger mystery: the nature of the universe itself. Mike Hoolihan is an unconventional New Orleans cop investigating the murder of renowned astrophysicist Jennifer Rockwell, a black hole expert found shot to death in her observatory. As Mike tumbles down the rabbit hole of the disturbing, labyrinthine case, she finds herself grappling with increasingly existential questions of quantum mechanics, parallel universes, and exploding stars – cosmic secrets that may hold the key to unraveling the crime, while throwing into doubt her very understanding of reality. Awash in dreamlike, neo-noir atmosphere, this one-of-a-kind thriller is both a tantalizing whodunnit and a rich, metaphysical mind-bender.
Young Public Prosecutor Keiichiro Okino (Kazunari Ninomiya) is assigned to the department of Tokyo Public Prosecutors Office which deals with violent cases. He is thrilled to work with Takeshi Mogami (Takuya Kimura) whom he admires. One day, an elderly money lender is killed and Shigeo Matsukura is identified as a suspect. He borrowed money from the victim. In his past, Shigeo Matsukura testified in a female middle school murder case. Takeshi Mogami is aware of the heavy grief carried by the deceased girl’s family and he tries his best to prove Shigeo Matsukura’s guilt. –asianwiki
Ann is consumed by the fantasy of finding true love. Just when she thinks she’s found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.
From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.
Shmuel, a Hasidic cantor in Upstate New York, distraught by the untimely death of his wife, struggles to find religious solace, while secretly obsessing over how her body will decay. As a clandestine partnership develops with Albert, a local community college biology professor, the two embark on a darkly comic and increasingly literal undertaking into the underworld.
