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One in four women experience violence in their homes. Have you ever asked, “Why doesn’t she just leave?” Private Violence shatters the brutality of our logic and intimately reveals the stories of two women: Deanna Walters, who transforms from victim to survivor, and Kit Gruelle, who advocates for justice.
Eighty-nine year old trumpeting legend Clark Terry has mentored jazz wonders like Miles Davis and Quincy Jones, but Terry’s most unlikely friendship is with Justin Kauflin, a 23-year-old blind piano player with uncanny talent, but debilitating nerves. As Justin prepares for the most pivotal moment in his budding career, Terry’s ailing health threatens to end his own.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.
Because of a train strike, a group of tourists, mostly unrelated to each other, get stuck in New Mal Junction. These people are honeymooners (Saheb and Mimi), family vacationers (Pallavi Chatterjee, Koushik Banerjee, Tridha Choudhury), an ailing mother and her son (Lily Chakraborty, Kaushik Ganguly), a priest (Ardhendu Banerjee), a heroine and her abnormal brother (Gargi Roy Choudhury, Rajdeep Ghosh), one trekker (Kamaleshwar Mukherjee), a bus conductor (Rudranil), and a retired teacher (Maasud Akthar). One of the tourists, the priest manages to arrange a bus from the church for them to reach North Bengal. The other tourists also join him in the bus trip, but unfortunately the bus meets with a terrible accident. It falls off a cliff into an abyss, but the tourists survive with minor injuries. Injured and traumatized, they realize that they have become completely detached from any form of human contact.
Four girls take part in illegal underground fighting event “Girl’s Blood” held at an abandoned school building in Roppongi every night. The girls have their own stories and quirks from their private lives. Satsuki (Yuria Haga) suffers from a gender identity disorder, Chinatsu (Asami Tada) ran away from an abusive husband, Miko (Ayame Misaki) is a S&M queen and Mayu (Rina Koike) has a Lolita face.
Todd and Bruce, a hapless screenwriting team, get one last shot at success thanks to Todd’s wealthy uncle, Sarge. If they pen a worthy horror script, Sarge will fund the entire project. But there is one condition – the script must be complete in two weeks. With the deadline looming and no fresh ideas, Todd and Bruce head to Shangri-La, a serene artist’s retreat, with the hope that the peace and company of fellow artists will inspire greatness… or, failing greatness, at least enough for straight-to-DVD. Shangri-La proves to be anything but serene, as the artists die off one by one, seemingly by accident. Bruce convinces Todd to soak in this morbid atmosphere to help with the writing, but soon those two are fighting for their lives as well.
After the catastrophic Dark Wave damaged every faster-than-light crystal, leaving thousands of ships stranded and drifting, a small salvage vessel arrives at a spaceship graveyard. But the crew soon discover that not everything on this Drift is dead, and as the objective changes from salvage to survival, it emerges that one crew member has a secret agenda…
For several decades, gifted and incredibly prolific forger Mark Landis compulsively created impeccable copies of works by a variety of major artists, donating them to institutions across the country and landing pieces on many of their walls. ART AND CRAFT brings us into the cluttered and insular life of an unforgettable character just as he finds his foil in an equally obsessive art registrar.
Three childhood friends, Sarah, Riley and Cat, with fond memories of Christmas at Sarah’s house, come together as adults to save Sarah’s home in the hopes of having many more beautiful Christmases together.
With Christmas just weeks away, the architecture firm Taylor works for enters her in a contest in which the teams will design and build life-sized gingerbread houses. After the contest, Taylor will likely be getting a promotion to a position in another city. The firm teams her up with Isabelle, a renowned French pastry chef with whom Taylor instantly locks horns. When Isabelle backs out, Taylor stumbles into a local bakery and meets Adam, a baker and single dad. In an act of desperation, Taylor convinces Adam to partner with her for the contest, arguing that winning would give the bakery and his designs much-needed exposure. For years Taylor has been resistant to call anywhere ‘home’ for fear it will only be temporary. But the time she spends with Adam and his daughter in their cozy home, decorating for the holidays and exploring the town at Christmas, fills her with a longing for a place to call home.
Amy begins her first night shift in a hotel with a murderous past. Witnessing terrifying events and trapped within a loop, Amy must find a way to escape the flesh obsessed murderer and save residents of the hotel.
Back in Louisiana for Christmas, Noelle Collins (Mitchell) has big plans to resurrect the town’s live nativity, a beloved tradition that her late mother used to put on. Things become complicated, however, when Noelle runs into her high school sweetheart, Nick Russell (Colletti), a rising baseball star also back home due to a recent injury. Still feeling the burn from their senior year break-up, their lives are pushed together even further when they learn their parents share an attraction and want to be more than just friends. When things begin to fall apart with the live nativity, Nick and Noelle reluctantly team up to pull off the show and find themselves growing close, uncovering a hometown love for each other and the joy of Christmas that both never really faded away.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
Earth is peaceful following the Tournament of Power. Realizing that the universes still hold many more strong people yet to see, Goku spends all his days training to reach even greater heights. Then one day, Goku and Vegeta are faced by a Saiyan called ‘Broly’ who they’ve never seen before. The Saiyans were supposed to have been almost completely wiped out in the destruction of Planet Vegeta, so what’s this one doing on Earth? This encounter between the three Saiyans who have followed completely different destinies turns into a stupendous battle, with even Frieza (back from Hell) getting caught up in the mix.
A troubled yet loving family man on a solo adventure deep in the wilderness has a gruesome accident and is the only witness to an unspeakable horror that forces him to fight for his life against a mysterious killer.
7 girls and 1 fab gay guy plan a getaway to a remote ranch for a week of gossip and grub. They start off where they always do, old rivalries in place, extreme vanity covering great insecurities, but with a true love for each other underneath the bickering, sniping and sassing. A number of drinks into night one and a dark secret is revealed. The house they rented is the site of a mass murder of teenage girls 15 years earlier. Blood still stains the floors under replacement carpets. The killer still runs free. The girls take it for what it seems – a fun story for a rainy night by a roaring fire. But after one of them disappears and is discovered dead, the story doesn’t seem so fun anymore. 1 by 1, they die, killed by their own vanity. The fun-filled week turns into a race against death. Who will make it out alive?
The story of a broken family striving to stay together while a curse and the ghosts of a haunted house try to tear them apart.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa
The film follows aspiring singer-songwriter Jed King (Alan Powell) as he struggles to catch a break and escape the long shadow of his father, a country music legend. After reluctantly accepting a gig at a local vineyard harvest festival, Jed is love-struck by the vineyard owner’s daughter, Rose (Ali Faulkner), and a romance quickly blooms. Soon after their wedding, Jed writes Rose “The Song,” which becomes a breakout hit. Thrust into a life of stardom and a world of temptation in the form of fellow performer Shelby Bale (Caitlin Nicol-Thomas), Jed’s life and marriage begin to fall apart.
At an isolated log cabin in the harsh wilderness of Indiana circa 1817, the rhythms of love, tragedy, and the daily hardships of life on the developing frontier shaped one of our nation’s greatest heroes: Abraham Lincoln. Abe is a thoughtful and quiet boy who spends his days at the side of his beloved mother while learning to work the land from his stern father. When illness takes his mother, Abe’s new guardian angel comes in the form of his new stepmother, who sees the potential in the boy and pushes for his further education.
A rookie cop starts her shift like any other but soon it will all change for the worse. A derelict with a reputation of satanic violence, attacks the officer and collars her with a dog leash which is just the start of his abusive ritual.
A retired detective Tony Zarra (Tony Sirico) is pushed into the world of crime after the murder of his younger brother.
Cenk has just arrived back to Istanbul from the United States. Suppressed love slowly begins to resurface after he encounters Ece, a woman whom he had a romantic relationship with in the past. Suddenly, there is a robbery attempt in a quiet and gloomy house, which results in a crime being committed.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80’s she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn’t want to leave without getting her daughter back.
A young farmer and his father are barely able to survive on their meagre corn harvest and so they make their way down from the mountains to the village to borrow money from their relatives working in jade mines or on opium plantations. But missing paperwork, deceit and corruption have left them impoverished too. Finally, the father pawns his cow for a moped so that his son can earn a living as a taxi driver. His first customer is Sanmei, who has returned to Myanmar to bury her grandfather. She decides not to go back to China and to get out of an arranged marriage in order to begin a new life with her son in her old country. When Sanmei accepts a job as a drug runner she persuades the young farmer to be her driver.
A man pursues his dying wish while battling lymphoma, joining pioneers of the green burial movement in conserving habitat and revolutionizing the funeral industry.
Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.
We Are Kings is a rock and roll/blues fable, a group of down and out musicians breaks through against all odds, with a little help from a friendly ghost. Starring Sammy Blue, Rita Graham, Bianca Ryan, Pryce Watkins, and Jonathon Boogie Long.
Single mom Madison finds herself scraping pennies together two weeks before Christmas after the IRS freezes her bank account, her ex fails to come through with any help and her boss fires her. Desperate to pay bills and buy gifts for her teenage children, Madison jumps into the ever-popular “gig economy.” That’s when she meets and eventually gets hired by obnoxious, sidelined former pro football player Alec Darby, also secretly on the verge of going broke. This odd couple butts heads time and time again, but they eventually forge a friendship. And, to their surprise, they learn a lot about themselves and teach one another how to be better people.
The adventures of two completely different in nature beasts – a serious and economic Beaver and restless Cat. They meet when the cat is looking for shelter from the rain in the forest. The beaver rescues the Cat, and they become bosom friends. The cat really wants to become famous and believes that everyone wants to become famous, but not everyone can admit it. One day the life of this couple changes abruptly when aliens from a distant galaxy land in the forest.
Ivan uses experimental meditation to induce out-of-body experiences that might make it possible for him to escape a mysterious illness. His training takes an unexpected turn when he finds himself getting between the marital engagement of two old friends, Emily and John. Unaware of Ivan’s secret relationship with his fiancé, John invites Ivan to go on a hiking trip with him. In order to keep up appearances, Ivan agrees to go along. On the trip, John grows ever more suspicious of Ivan’s intentions with Emily. A dangerous game of cat and mouse ensues that might provide Ivan an unexpected route to a cure.
Bitter Melon is a “home for the holidays” dark comedy where a Filipino-American family plots to kill an abusive member.
Grassroots activists in the Philippines are spurred into action when a local transgender woman is found dead in a motel room with a 19-year-old U.S. marine as the leading suspect. As they demand answers and a just trial, hidden histories of U.S. colonization come bubbling to the surface.
An unsettling feeling overwhelms a small Hungarian town when two orthodox Jews arrive with a mysterious trunk. As residents begin to speculate on the purpose of the visit of these two strangers, order starts to crumble in town with some pursuing devious plans and others finding remorse in their hearts.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
What if an extra-terrestrial force attacked Earth? What might that look like and how will the people of Earth respond? Consulting a cast of world-renowned scientists, survival experts and defense experts, National Geographic explores this frightening scenario. Experts reveal what could motivate alien invaders to attack Earth, and speculate on how the attack might play out, the strategy alien invaders might use, and the most effective ways for humans to respond.
Walking With Destiny highlights Churchill’s years in the political wilderness, his early opposition to Adolf Hitler and Nazism, and his support for Jews under threat by the Nazi regime. As historian John Lukacs explains, Churchill may not have won the War in 1940, but without him, the War most certainly would have been lost. Sir Martin Gilbert, historical consultant for the film and Churchill’s official biographer, adds that had Churchill’s warnings about Nazi Germany’s racial policies towards Jews been heeded in the early 1930’s, the Holocaust may never have occurred. The film examines why Winston Churchill’s legacy continues to be relevant in the 21st Century and explores why his leadership remains inspirational to current day political leaders and diplomats.
Who were they? What brought them to Wagner, and what brought him to them? These questions are at the heart of Hilan Warshaw’s documentary “Wagner’s Jews,” the first film to focus on Wagner’s complex personal relationships with Jews.
Tungsten deals with the idea of electricity as a metaphor, the scenery is urban, and the plot is unfolded during a single day. One day in Athens, continuous outages, and a final blackout, caused by the strike of technicians at the electricity company. A day during which, six people’s lives are being crossed and diverted.
