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“The Untold Story of Hip-Hop” Narrated by Chuck D. Tells the colorful true stories of the people, places and sounds behind the mainstream names we know and love. We start in Detroit, host of one of the most important and influential music movements of the 21st century.
In 1825, Claire, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
In this adaptation of the best-selling roman à clef about Bill Clinton’s 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician’s colorful world and looks on as Stanton — who has a wandering eye that could be his downfall — contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.
Inspired by true events, the story begins with Japanese rugby officials dwelling on a humiliating anniversary, a 145-17 defeat by the New Zealand All Blacks in the 1995 World Cup. Officials question their decision to appoint Eddie Jones, to coach their national team for the 2015 World Cup. Jones plans to defy convention in order to put a stop to Japan being the laughing stock of world rugby.
After serving 50 years in prison, a reformed high-profile serial killer is recruited by a homicide detective to catch his own sadistic copycat. In 2003, 70 year old Charlie Sorland is conditionally released from death row for good behaviour and societal contributions after serving 50 years for serial murders. With a news story on his release and his dedication to deter others from violence, impressionable Jason Lutra sees the story and takes an unhealthy interest in Charlie which leads to Jason emulating Charlie’s past. As new murders begin to occur by way of Charlie’s old m.o., Detective Brent Lowe takes notice of the similarities and employs Charlie’s help in getting into the mind of his own copycat killer with promises of a full pardon for the catch.
It’s 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the “Rumble in the Jungle” is set, including a musical festival featuring some of America’s top black performers, like James Brown and B.B. King.
If These Walls Could Talk follows the plights of three different women and their experiences with abortion. Each of the three stories takes place in the same house in three different years: 1952, 1974, and 1996.
The Deported follows four long term residents of the United States, each with an Order of Deportation over their head, and their families as they have to make critical decisions that will either keep their family together and separate them. Their choices are: 1. to self-deport. 2. To take sanctuary in a church. 3. To fight back legally. 4. To fall into denial and do nothing.
A daughter and her 60-year-old mother’s arduous 2,300-kilometre trek to Alaska is the thread that binds these intimate portraits together.
After being a mainstay on the comedy circuit for 40 years, Howie takes the stage at the comedy club that bears his name in Atlantic City for his first stand up comedy special in over 20 years.
Does privacy still exist in 2019? In less than a generation, the internet has become a mass surveillance machine based on one simple mindset: If it’s free, you’re the product. Our information is captured, stored and made accessible to corporations and governments across the world. To the hacker community, Big Brother is real and only a technological battle can defeat him.
When Marjory Stoneman Douglas High School drama teacher Melody Herzfeld heard the fire alarm on Feb. 14, 2018, she was with her students in rehearsals for their annual children’s musical. Moments later, a Code Red sounded. Herzfeld rushed her 65 students into a storage closet while a shooter killed 17 teachers and students nearby.
TIME FOR ILHAN shadows Ilhan and her scrappy group of dedicated campaign staffers throughout the entire 2016 Minnesota House of Representatives campaign’s dramatic uphill battle, as Omar, a Somali-American woman, attempts to unseat a 43-year incumbent and other challengers.
As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain
12-year-old Sue is a lone wolf. Due to a potion invented by her mother, she is suddenly able to become invisible. But when mum is kidnapped, Sue will need the help of her new friends Tobi and App to rescue her mother and hunt down the criminals.
Escapes blazes a path through mid-20th-century Hollywood via the experiences of Hampton Fancher – flamenco dancer, actor, and the unlikely producer and screenwriter of the landmark sci-fi classic Blade Runner. Fancher recounts episodes from his life — romantic misadventures with silver-screen stars, wayward acts of chivalry, jealousy, and friendship — matched with a parallel world of film and TV footage wherein Fancher plays cowboys, killers, fops, cads, and the occasional hero. Escapes shows how one man’s personal journey can unexpectedly shape a medium’s future.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
Set in the year 2199, a young woman who has lost everything finds a new life at Earth’s Space Training Academy where she learns to defend the galaxy from intergalactic threats.
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.
The film is a comedy about Rasmus and Frederik, two Danish men in their 30s, who head out on a business venture. They know each other from a boarding school back in Denmark and none of them have really been successful in life so far. Now they meet, 15 years later, both keen to set up a dog breeding centre. The two partners have learned that so-called luxury dogs are extremely popular among the Chinese upper class and therefore expect this to be their way into fast and overwhelming wealth in China. A 200 plus lb St. Bernard dog by the name of Dollar travels with them to Chongqing. Here they meet up with the mysterious Mr. Liu who owns the largest bakery in Western China and who believes that dogs are as powerful as humans. Soon, the dog business evolves in unexpected ways, while the friendship between the two Danes grows stronger.
In 1926 America’s most famous evangelist is a woman. And she’s looking for a way out. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border. Based on true events. Mostly made up.
Four Tales of The Macabre! Enter the House of The Screaming Death in this feature length anthology gothic horror film… tales of terror to chill you to the bone… One scary night….One mysterious figure, ‘The Architect’, who has some chilling stories to tell you. Story 1 – What is the mystery of The Lady in Grey? (written by Troy Dennison) Story 2 – A tale of witchcraft and the dark chilling beyond (written by Mark Lees) Story 3 – 1888: The year of the Vampyre (written by David Hastings) Story 4 – Evil is found in the most innocent of places … a child’s toy (written by Alex Bourne)
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit’s thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown’s Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined – which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
In Teen Titans Go! vs Teen Titans, the comedic modern-day quintet takes on their 2003 counterparts when villains from each of their worlds join forces to pit the two Titan teams against each other. They’ll need to set aside their differences and work together to combat Trigon, Hexagon, Santa Claus (that’s right, Santa!) and time itself in order to save the multiverse.
Bertolt Brecht, a theatre revolutionary, poet of the state, outsider, looks back on his life in 1956, the year of his death, in East Berlin: from provocations in the Augsburg of the First World War, to the early poetic and amorous height flights in Munich and Berlin in the 1920s, his escape from Hitler and US exile, followed by his later years caught in a dilemma between timeless classic and a failing GDR class fighter, an inflexible free man and a compromised Artist.
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai’s film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their “rags to riches to rags” story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
The film centres on a group of Mattayom 6 (Grade 12) students who meet in Siam Square to attend one of the cram schools. Jublek (Morakot Liu) is mad at her best friend May (Eisaya Hosuwan) and that leads them to split from the others, disappearing out of sight from their tutor school classmates. A group of boys led by the foul-mouthed Mon (Nathasit Kotimanuswanich) is also hanging round. They have a neat little racket going, uploading shows to YouTube and charging per view. They’ve heard that a ghost lives in the cram school they attend but when they try and find the spirit find themselves in hot water.
Chizuru (Anne Watanabe) is the new teacher at Umega High School. Since her school days, she has played violin in an orchestra. One day, she listens to an amateur orchestra play at the local cultural hall. She is touched by their performance and decides to enroll in the orchestra, but there are 2 orchestras in town. Chizuru mistakenly enrolls in the orchestra which consists of elderly people. The members there are thrilled to have a young person join their group. Chizuru is unable to tell them she made a mistake and becomes the conductor for their orchestra.
Imagine making a feature length film with a budget equal to the cost of a small motorcycle. With a cast and crew of 32 (plus extras) this 86 minute film was shot in 14 days at 12 unique locations within south-east Texas. This is First Step Cinematics LLC’s abridged 86 minute version of Frankenstein’s Monster. The art-house special edition was screened exclusively at over 30 film festivals, science fiction and steampunk conventions across the U.S.A., Canada, and the UK. Frankenstein’s Monster Synopsis: Drama, 86 minutes. A steampunk film adaptation of Mary Shelley’s literary masterpiece. In his obsession over Prometheus’ flame, Victor Frankenstein abandons those he loves to create a living being. Leaving behind his abominable work, Victor hopes to escape judgment and return to a peaceful life. He soon discovers all secrets have their price.
Seoul, South Korea, September 21st, 2008. Eight citizens, the first to intervene as jurors in the country’s legal history, are randomly selected to examine a matricide case that appears to have been resolved due to the existence of apparently conclusive evidence.
Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to politicians and media, this ordinary girl finds herself thrust onto the world stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions.
In full-on investigative mode, reporters from The New York Times, The Wall Street Journal and Hollywood Reporter doggedly pursue the story of US $3.5 billion missing from a Malaysian wealth fund. They trace the dirty money, via real estate deals and movie financing, back to the top tiers of the Malaysian government. Incredibly (but oh, how fitting!), the audacious swindlers chose to back the 2014 blockbuster The Wolf of Wall Street. Hollywood A-listers, including Leonardo DiCaprio, attended lavish parties hosted to launch the film. The embezzlement was orchestrated by a flamboyant fancier, Jho Low, and Riza Aziz, the stepson of the then-Malaysian Prime Minister. As the truth finally comes to light, assets are frozen and the fall-out begins.
Follows a woman named Kathy who lives with 200 pet birds.
12 boys and girls gather at an abandoned hospital to die for various different reasons. There, they find the body of a dead boy. The 12 boys and girl attempt to find the person who killed the boy. During their search, the reasons why they want to die are revealed. –asianwiki
