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A bride-to-be jumps to her death after becoming convinced that a tragic accident has claimed the life of her groom-to-be. But, the end of her life is the beginning of the story when her groom-to-be is alive and his false death turns out to be his and her best friend’s plan to get rid of her. Distraught by the betrayal, the spirit of the bride-to-be is craving for vengeance. This production is unusual in that it is a collaboration among twelve different Thai film directors.
Jump into the daily routines of a diverse group of New Yorkers and how they light things up. “The Guy” is a nameless pot deliveryman whose client base includes an eccentric group of characters with neuroses as diverse as the city.
Marcus Wright (Daniel Dambroff) is in love with Gabby (Elise McNamara). A devastating accident nearly kills her and renders her in a vegetative state. She can no longer walk or talk. Marcus is determined to make good on his promise to marry her. He is not only challenged by this unfortunate event but is made to jump many unexpected hurdles, including fending off Gabby’s mother Sandra (Aria Mckenna), who clings to Marcus and takes her relationship with him beyond both of their boundaries. Marcus then meets Elliot Thurston (Christopher Clawson), a published author who wrote the novel “Brilliant Mistakes,” a story about the author’s personal regret. Marcus is a big fan of Elliot’s positive energy and subsequently his writing, and a bond of common loss, dreams and goals ties them together. While Elliot brings color and life to Marcus’ seemingly uncertain future, something is wrong and Marcus’trust in others is yet again weakened.
Nordvest is a gangsterfilm set in the suburbs of Copenhagen. Casper (18), the oldest of 3 siblings, survives life on the streets by committing burglaries for the neighbourhood boss, Jamal. When Casper gets an offer to work for Jamal’s rival Björn, he jumps at the chance for a better life, making his way into a world of drugs and prostitution. As things escalate between Björn and Jamal, Casper finds himself and his family dead center of a conflict, that threatens to destroy them.
Anthony Wonke directs this documentary marking the 25th anniversary of the Piper Alpha oil rig disaster. Re-examining the events that led to the drilling platform, at the time the largest and oldest in the North Sea oilfield, exploding on the night of the 6th July 1988, killing 167 men, the film includes testimonies from rescuers and some of the 61 survivors, many of whom were forced to jump hundreds of feet into a flaming, oil-covered sea, and discovers what the physical and psychological legacy of the disaster has meant for those involved.
Jesse is approaching her 15th birthday and the only gift she desires is a horse. Unbeknownst to Jesse, her mother Brandy is in the throes of a cancer diagnosis which has Jesse’s father jumping through unexpected obstacles. He signs Jesse up for summer camp, but when summer camp falls through he decides to have her stay with her estranged grandfather, an old gruff horse trainer named Gauff. Gauff, still recovering from the death of a special horse named Grace, now faces the challenges of teen negotiation. Gauff finds he must swallow his pride and ask his daughter Brandy for forgiveness.
Hypochondriac Joe Banks finds out he has six months to live, quits his dead end job, musters the courage to ask his co-worker out on a date, and is then hired to jump into a volcano by a mysterious visitor.
When General Hotdog assembles his new pup recruits BooBear and Piper to learn all there is to know about the fascinating world of dogs, the two pups jump in their planes and go for a amazing learning adventure around the globe guided by their know-it-all friend Scuzzy Bot.
Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.