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A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer’s hard-ball tactics.
Rival Chicago reporters Sabrina Peterson (Roberts) and Peter Brackett (Nolte) reluctantly join forces to uncover a train wreck conspiracy and bite off more than they can chew while pursuing the story and bickering along the way – and falling in love, despite the fact that he’s many years older than she.Sabrina is an ambitious, gifted reporter willing to do whatever it takes to learn the truth about the train accident, which leads her into conflict, then reluctant partnership, with fading star newsman Peter who works for a rival paper. He is her polar opposite: he chases women, smokes cigars, and has just published his first novel. During their pursuit of the story, Peter and Sabrina clash over virtually everything – he also subjects Sabrina to indecent exposure in front of a group of boy scouts after he catches her skinny dipping.
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers’ force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? “Sweetheart, come.” Written by
In this true story, Veronica Guerin is an investigative reporter for an Irish newspaper. As the drug trade begins to bleed into the mainstream, Guerin decides to take on and expose those responsible. Beginning at the bottom with addicts, Guerin then gets in touch with John Traynor, a paranoid informant. Not without some prodding, Traynor leads her to John Gilligan, the ruthless head of the operation, who does not take kindly to Guerin’s nosing.
Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.
New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can’t control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
You’ll be shocked, amazed, and maybe just a little bit creeped out by the things you can find in your newspaper’s classified ads in this vintage sexploitation “mockumentary” from Joel M. Reed. Georgina Spelvin serves as host and guide to this exploration of the sexual netherworld, which can be accessed through discreet ads placed in “underground” newspapers and on public bulletin boards. We meet voyeurs looking for good peeping spots, homosexuals on the cruise for new partners, masked swingers clubs, nudie photographers trolling for naïve new models, a man who makes a good living providing S & M enthusiasts with leather gear, adult film societies screening stag movies for heavy-breathing fans, and “Lonely Hearts Clubs” preying on unsuspecting bachelors looking for relationships with teenage girls. Director Joel M. Reed (who would later make the bizarre horror-comedy Bloodsucking Freaks) and actress Jennifer Welles (a major star in 1970s adult films) can be spotted in cameo roles.
Newspaper reporter, Hildy Johnson is engaged and planning to move to New York for a higher-paying job. While various newsmen wait to cover the hanging of Earl Williams, a dramatic event takes place that throws the news reporters into chaos and causes Hildy to second guess his departure.
Hildy, the journalist former wife of newspaper editor Walter Burns, visits his office to inform him that she’s engaged and will be getting remarried the next day. Walter can’t let that happen and frames the fiancé, Bruce Baldwin, for one thing after another, to keep him temporarily held in prison, while trying to steer Hildy into returning to her old job as his employee.
The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph’s son, Taylor Henry, a gambler and the lover of Paul’s sister Opal, is murdered, Paul’s right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank’s wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
In order to write an expose on how cheerleading demeans women, a reporter for a college newspaper infiltrates the cheerleading squad.
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.
An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.
A businessman shows up in Washington to lobby agendas that are friendly to his construction plans. His ditsy ex-showgirl bimbo proves to be an embarrassment in social situations, so he hires a reporter to teach her how to appear more intelligent. Soon it becomes apparent to the reporter that she isn’t so stupid after all, and things become more complicated as she begins questioning the papers her sugar daddy keeps getting her to sign, and the reporter begins falling in love with her.
During autumn of 1944, an RAF Hudson carrying a VIP passenger in possession of highly secret information is shot down and ditches in the North Sea. Fighting the elements and trying to keep up morale, the occupants of the aircraft’s dinghy talk about their lives awaiting the rescue they hope will come. The film’s title reflects the motto of the RAF’s Air Sea Rescue Service, one of whose high speed launches battles against its own mechanical problems, enemy action, time and the weather to locate and rescue the downed crew and the vital secret papers they carry.
Whispers turn into screaming headlines in Earl Ciel Phantomhive’s morning paper as word of the dead being resurrected takes society by storm. But when the unsavoury details of the business reach Ciel’s ear, he and his superlative butler, Sebastian, book themselves on a luxury liner to look into these alleged miracles and the “Aurora Society” conducting them. As the waters lap and crash all around the vessel, mysterious individuals gather under the banner of the “Phoenix.” Ciel and Sebastian may be one step closer to the truth, but have they sealed their fates by conducting an investigation on what could easily become a floating coffin…?
Lizzie Borden Took An Ax chronicles the scandal and enduring mystery surrounding Lizzie Borden, who was tried in 1892 for axing her parents to death. As the case rages on, the courtroom proceedings fuel an enormous amount of sensationalized stories and headlines in newspapers throughout the country, forever leaving Lizzie Borden’s name in infamy.
Serving Sara is a 2002 romantic comedy film which stars Matthew Perry, Elizabeth Hurley and Bruce Campbell. Joe Tyler (Perry) is a process server who is given the assignment to serve Sara Moore (Hurley) with divorce papers.
Convinced he’ll graduate with honors because of his thesis paper, a stuffy Harvard student finds his paper being held hostage by a homeless man, who might be the guy to school the young man in life.
A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between journalist and government. Inspired by true events.
When social worker Shu-fen discovers that her pregnant teenage daughter Ya-ting has disappeared, her search for Ya-ting ends her with many horrifying mysteries… Meeting the mysterious Mei-hua who imprisons her own daughter inside her house covered with papers written with spells and encountering the missing and pregnant Yi-chun in an abandoned hospital, the trio returns to the Red Forest to rescue Ya-ting and Shu-fen finally realizes that the deepest fear arises from love…
Ambitious high school senior Samantha Hodges is a serious journalist, both for the school paper and for the yearbook, but she’s just as serious about her friends, Nate, Gillian, and Rudy, all of whom are vying with her for a full-ride local scholarship to college. Very close to her mother, Emily, who is the school’s guidance counselor, Samantha finds her reporting taking an investigative turn when two of her classmates–and contenders for the scholarship–are murdered.
70-year-old Mati is a passionate bibliophile whose job is his hobby – he´s got a job at the library. The rest of his little time he shares with his sweet wife. Then one sudden day death comes to his spouse. A whole life of stability crashes. Neither his adolescent daughter nor his dear books are of any help. Loneliness and indifference overrun his life and Mati plots his suicide. A strange 60-year- old wayfarer, Sass, who travels with a backpack of books and frequents public libraries to read the newspapers, brings forth a change. Bit by bit he starts to provide Mati with an interest in life again. “A Friend of Mine” is a warm expression of solitude and friendship, which helps us to overcome the bleakest periods of life.
As first year student Konoha Inoue is about to leave school campus, he presences a girl savor a page from the book she is reading. She introduces herself as second year Tōko Amano, the literature girl, and asks him to join the Literature Club so that he doesn’t expose her secret. After almost two years of being the sole two members of the club, a strange message arrives: a piece of paper with a peculiar drawing. Further investigation leads them not only to Inoue’s past, but to the reason for why he has given up on writing novels for the rest of his life.
In a near future, due to the effects of an uncompromising law on the eco-sustainability of supports, paper has become a rare item, a luxury possession, controlled by the “Big Z”: Zimurgh Corporation.
Feisty, flame-haired reporter, Kendall O’Dell is drawn into an evil web of conspiracy beyond anything she could have ever imagined when she accepts a position at a small newspaper in isolated Castle Valley, Arizona. In the mix is a vanished reporter, two dead teenage girls and an attractive cowboy. Kendall’s life hangs in the balance as she strives to uncover the horrifying secret.
“A Man Called Jon” is a light-hearted dramedy about Pastor Jon Terrell Carson’s unusual style of worship. Jon’s church is very traditional and is not accustomed to outbursts during service. One day after embarrassing the church along with his family, Senior Pastor Stannum decides to reach out to the Bishop requesting that Jon be assigned to a church more suited to his style of praise. Jon and his family find themselves at an African American Church, where he is confronted by Associate Pastor Dickens, who later informs him that he was sent to the wrong church due to mix-up in paperwork. Jon is moved to his third church where he struggles to fit in. Will Jon be able to control his celebration or will he be moved for a fourth time?
Newspaper men compete against each other to find a serial killer dubbed “The Lipstick Killer”
A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
A newspaper publisher’s daughter suffers from neglect by her parents. She and her friends turn to crime by dressing up like men, holding up gas stations, raping young men at gunpoint, and having makeout parties when her parents are away. Their “fence” gets them to trash the school on request of sinister un-American clients, and they run afoul of the law, apple pie, and God himself.
When Charlie and her girlfriend Cerina decide to have a baby together, the idea of using Cerina’s ex-boyfriend Josh as the live-in donor turns an easy on-paper idea into a much more challenging event.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
Jake Speed (Wayne Crawford) is the lead character in some of the biggest page-turners of the 1940s. A chiseled, heroic action figure, Speed saves lives on paper, but when a young girl is kidnapped and her sister (Karen Kopins) begs the real-life Speed for help, he must find a way to be as gallant as the book hero whose creation he’s inspired. Accompanied by the victim’s sibling, Speed flies to Africa to see if he’s up to the task.
Paratroopers Captain ‘Rip’ Murdock and Sergeant Johnny Drake are mysteriously ordered to travel to Washington, DC. When Drake learns that he is to be awarded the Medal of Honor, he disappears before newspaper photographers can take his picture. Murdock follows the clues and tracks him down, where he learns Drake is dead. Further investigations reveal unexpected twists. Rip learns that Johnny had been accused of murder and sets out to find out whatever he can. He falls in love with Coral whose husband Johnny is supposed to have killed.
A newspaper publisher, wanting to prove a point about the insufficiency of circumstantial evidence, talks his possible son-in-law Tom into a hoax in an attempt to expose ineptitude of the city’s hard-line district attorney. The plan is to have Tom plant clues leading to his arrest for killing a female nightclub dancer. Once Tom is found guilty, he is to reveal the setup and humiliate the DA.
