Evil wreaks pure havoc and bloody murder upon Leslie Van Hooten, a beautiful young girl, and her unsuspecting fellow grad students as they make their way to her family’s extravagant and yet isolated estate.

A magical tale about a young photographer who falls madly in love with a woman he can never have, except in his dreams. Late one night, Isaac is summoned by a wealthy family to take the last photograph of a young bride, Angelica, who mysteriously passed away. Arriving at their estate, Isaac is struck by Angelica’s beauty, but when he looks through his lens, something strange happens – the young woman appears to come to life. From that moment, Isaac will be haunted by Angelica day and night.

Down-on-their luck brothers, Lars and Ernie Smuntz, aren’t happy with the crumbling old mansion they inherit… until they discover the estate is worth millions. Before they can cash in, they have to rid the house of it’s single, stubborn occupant: a tiny and tenacious mouse.

Young orphan Heathcliff is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Edgar Linton, a man of means who befits her stature. Heathcliff vows to win her back.

Werner Ernst is a young hospital resident who becomes embroiled in a legal battle between two half-sisters who are fighting over the care of their comatose father. But are they really fighting over their father’s care, or over his $10 million estate? Meanwhile, Werner must contend with his nutty supervisor, who insists that he only care for patients with full insurance. Can Werner sidestep the hospital’s legal team and do what’s best for the patient?

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

Princess Beatrice’s days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to their palace. Prince Albert has searched all over Europe for a bride and he’s bored by the whole courtship routine. He is more interested in the estate’s dairy than Alexandra’s rose garden. And then he starts playing football with the tutor and Alexandra’s brothers. Invite the tutor to the ball that night and watch how gracefully Alexandra dances with him.

Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.

Andy and Thelma, an urbanite couple living in Madrid, leave their apartment for a pleasant day around the city with their dog. They cross paths with Bruno and Anne, a strange couple who invite them to their foreboding country estate. A storm hits that evening and the two stay overnight. The couples engage in a bit of harmless communication with spirits via ouija board, but soon past conflicts arise Thelma had an affair with Andy’s brother, and Anne criticizes Bruno over his attempted suicide. This is only the beginning of all the horrors that will haunt them in the house.

Like his father, Tom is a real estate agent who makes his money from dirty, and sometimes brutal, deals. But a chance encounter prompts him to take up the piano and become a concert pianist. He auditions with the help of a beautiful, young virtuoso pianist who cannot speak French – music is their only exchange. But pressures from the ugly world of his day job soon become more than he can handle…

A house sitter bites off more than he can chew when a dead body mysteriously shows up at the estate he’s watching.

A large family meet at the family estate for the reading of their father’s will. Each expects to be the recipient of a tidy sum, but apart from the local constable and a few other small awards to the help, the entire estate goes to the favorite daughter.

When hotel event planner Rachel breaks up with her boyfriend John for cheating on her, she decides to go looking online for a new boyfriend. In the expanse of cyberspace, she meets a charming, wealthy man named Craig, who at first, seems perfect. He’s attractive, fun, romantic, and he’s been successfully running his mother’s global real estate company while his mother, Doris travels the world. But Craig is far from perfect. He’s obsessive and controlling, and once he sets his sights on Rachel, he has no plans of ever letting go…

After multi-millionaire Ted Ammon is found bludgeoned to death at his East Hampton estate, the fingers point to his estranged wife, Generosa Rand, and her lover, an electrician named Danny Pelosi.

Aiman is a 28-year-old Malay correctional officer who is recently transferred to the territory’s top prison. Aiman lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim. Soon, it is revealed that the charismatic Rahim is actually the long-serving chief executioner of the prison. Rahim also takes notice of the principled and diligent Aiman. When Rahim’s assistant suddenly quits, he asks Aiman to become his apprentice. Aiman tells Suhaila of his new job position, but Suhaila becomes upset, as their father was actually executed by Rahim. Aiman knew this all along. Can Aiman overcome his conscience and a haunted past to possibly take over as the next chief executioner?

After fast-paced New York City high-end real estate broker Fiona Rangely (Lacey Chabert) gets dumped by her boyfriend, she escapes to her family’s quaint Vermont Inn for a few days to slow down and evaluate her life. When her ex-boyfriend Nate shows up at the Inn with a brand new girlfriend, Fiona quickly devises a plan to win him back: pretend the handsome and very laid- back head chef Derek (Carlo Marks) is her new boyfriend! Much to the surprise of Derek –and to Fiona herself– in pretending to be in love, she realizes that she’s been thrown a curveball: sometimes the best things in life are worth the wait.

The passionate affair of a young woman trapped in a marriage of convenience unleashes a maelstrom of murder and mayhem on a country estate.

Hot Property is an (un)romantic comedy about love, greed and estate agents. Melody Munro is a corporate spy with a big problem – she’s spending everything she has and a few things she hasn’t on her lavish lifestyle. But when she gets caught embezzling money from her company she is fired on the spot. No more car, no more credit cards, she can’t even afford Nespresso capsules. When her (now ex) friend and landlord calls to throw her out of the flat, it is the final blow. She will take no more. Melody vows to defend ‘her’ home at all costs. She uses her spy skills to take on her landlord, a raft of hipster tenants and a psychotic estate agent

Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”

Haunted by memories as a child soldier in 1980s Iran, Behrouz finds himself in bustling, neon-soaked Los Angeles, working to become a real estate agent and live a simple life with his girlfriend Oksana. But Behrouz’s attempts at a normal life become increasingly difficult as his opium addiction and gambling habit rear their ugly heads, and he struggles to leave behind his past with the Iranian mafia. Soon Behrouz and Oksana find themselves caught between the feuding heads of the Iranian and Russian mobs.

When strong-willed Summer Pratt takes a job at a beautiful estate as the new nanny to a sweet but sad little girl named Sophie, she soon starts to suspect something is very wrong with the beautiful, wealthy couple who call themselves her parents.

After a whirlwind courtship, retired movie star Eve Wilde prepares to marry her fourth husband, the renowned English writer Harold Alcott. Sparks soon begin to fly when Eve’s first ex and other guests arrive at her estate for a weekend get-together.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Of ghost hunting, real estate speculators and vanity projects.

A group of young professionals decides to play a practical joke on one of their ex-girlfriends who married a rich man who is about to close a major real estate deal. They plan to kidnap her and mess up the deal. Unfortunately, the joke becomes deadly serious.

The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.

Veronica Love seems to have it all…she’s smart, sassy and sexy and has a career as one of the most successful real estate entrepreneurs in California. Affectionately known as Love by her girlfriends Beverly and Charity, Love also happens to be happily single and loving every minute of it. She has no shortage of flings with the many boy toys and playthings that cross her path all because she doesn’t believe in true love. Enter the sexy and mysterious business acquaintance Lance Peterson. Love has never felt this way about any man before and thinks that he could possibly be “the one” as their feelings for one another grow deeper by the moment. Lance is harboring a few tightly-wound deep secrets of his own that soon unravel and are revealed to her. Will his shocking revelation be enough to bring Love’s world crashing down around her or will Love be able to survive his secrets with her heart still intact?

Real estate rising star Molly, who breaks up with Jackson, a smitten but seeming underachiever, on Valentine’s Day because he may have lied to her. Molly moves to New Mexico for a high-profile promotion and soon finds herself close to being engaged to the generous but immature Greg. In a twist of fate, a proposed business deal for a trendy winery puts Molly face-to-face again with the remorseful Jackson, who has a few more surprises for the woman he still loves.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge.

Daniel Carr was sure his life could not get worse. After all, he was in a dead-end job his wife’s real estate business was non-existent, they argued constantly and the only thing that everyone told him would be the answer to all of his problems, he could not do. His late father bequeathed him a valuable piece of commercial property while making him promise not to sell it until the time was right… but his father gave no due as to when that time might be. Then his life did get worse. He lost his job, prompting his wife to decide she could no longer handle the pressures of their marriage. But, a chance meeting with a local Pastor convinces Daniel he must be obedient to God’s plan for his life. The result of that obedience proves that God’s Plan is our purpose.

Young real estate agent Clara Morales encouraged risky loans to her clients during the housing boom. She must now rescue her father’s home from foreclosure – a consequence of the loan she advised him to take.

Young and wide-eyed, Kathie falls in love with charming yet quirky real estate scion Robert Durst, only to find their marriage turning stranger, darker and more disturbing as time passes.

Lizzie Richfield is at a crossroads when she lands a job as house manager for the exquisite Ashford Estate in the Virginia countryside. While preparing the place for sale, Lizzie plans one final Christmas Eve gala for the Marley family, though they seem to be a family in name only. There’s Kip Marley, who never met a party he didn’t like; Robert, the handsome but all-business executor of the estate; Sloane, who arrives with her two young children, sans husband, and the 90-year-old matriarch, Pippa, a spitfire who doesn’t want to put the house up for sale at all. As Lizzie is inserted into the home and the lives of the Marley family, she finds herself drawn to Robert — even as Kip pursues her. Can she navigate her suddenly complicated love life, while helping mend family feuds and maybe teaching all the true spirit of Christmas?

In this playfully provocative story set amidst the often-turbulent backdrop of gentrification, things get hot when an openly gay white couple moves into an East L.A. neighborhood where the locals have more than skeletons in their closets. The arrival of the Anglo newcomers rocks the quiet world of Diego Campos (Rene Alvarado), a handsome young local who is tired of being played for a boy toy by his closeted real estate agent lover Pablo (David Beron). Will Diego stay at home and fulfill his Mexican grandmother’s desire for him to inherit the family restaurant – or will he follow his heart and become a chef in the big city? Award winning producer Carlos Portugal makes his directorial debut with a winning combination of quirky characters, rich storylines and suggestive situations that will appeal to fans of Latino telenovelas and popular series such as “Sex and the City,” “Ugly Betty” and “Queer As Folk.”

While settling his father’s estate, Finn Conrad becomes suspicious as to why the man left a nurse $50,000. His dad knew her for less than two months before he died. Just before Christmas, Finn wants what to reclaim what he considers his family’s money, going undercover to investigate the bed and breakfast the nurse has recently taken over. When Finn meets Willa, he discovers she’s not a conniving gold digger at all, but a woman in need who put the money to good use. When she discovers his true identity, will it keep Willa from ever trusting him again?

A private investigator helps a former flame solve the murder of her wealthy grandfather, who lived in a sprawling estate surrounded by his idiosyncratic family.

A Mexican Indian spirit possesses a heartless real estate developer.

A real estate developer is given the opportunity of his career to transform an old shopping complex into a prime location. Unfortunately, there is one tenant who is holding out—the Christmas shop owner he met by happenstance just days ago.

Several employees on a nobleman’s estate show up at a former abbey, reputed to be haunted, to search for a hidden treasure. Howver, a mysterious hooded figure begins killing off those who may have figured out where the treasure is hidden.