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Drew is a nerdy teacher that can’t even control the students in her classroom. When threatened by the classroom bully, Drew does what she knows best… back down. Not even words of wisdom from the principal can muster a show of strength from a wimp who seems destined for a second-rate life. And this is before the zombie apocalypse. With populations being overrun by the rapidly spreading plague of zombies, Drew flees to the sanctuary of the country where she is quickly overcome by a lack of survival skills, the relentless Texas heat and, of course, zombies. But Drew must learn that that running from her problems is much like running from zombies. They find you. They always find you. Along her odyssey, Drew encounters a cast of characters that both help and hamper her path to finding the strength within herself that will make or break her ability to survive these terrible new times of unending death… and her annoying new companions.
The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”
The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.
Filmed in front of a sold-out hometown crowd in New York City, “SMD” is the first Comedy Central stand-up special from Saturday Night Live’s Pete Davidson. The special is filled with Davidson’s unfiltered, brutally honest anecdotes about smoking a Snoop Dog amount of weed, texting his mom dick pics, and his issue with male porn stars. From his stint in “prehab” to this one time at a Justin Bieber concert, Davidson proves that even at 22, he and his friends have had some high times and heavy experiences.
Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.
When we are young, we sometimes feel that the world is stacked against us. This is the case for 16 year-old Steeve Simard (Lévi Doré), who is entering his last year at Gaston-Miron High School in St-Lambert. A cynical intellectual with a critical view of himself and the world, he struggles to establish bonds with his parents and peers. He only has one friend: Virgil (Jonathan St-Armand). In order to evade his loneliness and fill a void in his imagination, he seeks refuge in his books and music. However, an incident with the star of the Spartans football team, will force Steeve to come out of his shell and face his destiny…
Eleven year old Masha Kulabokhova is about to be adopted into fourteen year old Cami Diaz’s family. Masha grew up in a Russian orphanage; Cami was born and raised in Wisconsin and has been the exclusive focus of her parents’ love her whole life. The process of Masha becoming part of the Diaz family is going to change both girls forever. The Dark Matter of Love follows Masha as she leaves Russia to the spend her first year as part of the Diaz family, who have also adopted five year old twin boys Marcel and Vadim. When the reality of bonding with children who have grown up in institutions turns out to be more difficult than they ever imagined, the Diaz’s hire two of the world’s best developmental psychologists to help them build their new family – through science. Sometimes hilarious, sometimes heartbreaking, The Dark Matter of Love melds the story of the Diaz family learning to love, with rare archive footage of science experiments exploring parent-child love.
Bernard, an accountant in an upscale jewellery store, suffers from daily psychological abuse by his boss Vendôme. Thanks to his pal Robert, also victim of harassment by this cruel man, Bernard will toy with the consequence of a well-deserved retaliation at the expense of his boss. However, as not everything is perfect in this world, Bernard will also have to experience the sometimes less pleasant after effects of this ruthless act of revenge.
Imagine if you’d had a six-foot tall monster to help you through the rough times when you were 11! Willy is terrified about moving into the family’s new house. He’s convinced it’s filled with evil space aliens out to get him. In response to his wish for someone to save him, Gooby comes to life as a loveable, full-size, scraggly, orange, furry creature who in fact seems more frightened of the world than Willy. The two have hair-raising adventures and learn something about the power of friendship. In the end, Gooby fulfills Willy’s initial wish by bringing Willy and his dad together in a touching and exciting climax.
Collateral damage….sometimes it’s unavoidable. Paul Varlo’s attempt to kill the man who is going to rat him out by poisoning his water supply leads to an outbreak of zombie carnage. To make matters worse, these zombies are different, they’re faster, meaner and they’re armed. With the town being over run by fast zombies with guns, one group of people are attempting to make their escape to Chicago to survive. Meanwhile, Jake and his girlfriend Laura are on their way to Spring Grove to bring Varlo a priceless heirloom and collect their 2 million dollars. They make it to Spring Grove and discover an empty town, its streets paved in blood. Will the group survive the terror that has befallen them? Will Jake and Laura get their 2 million? Will the zombies run out of bullets?
Plimpton! tells the story of writer, editor, amateur sportsman and friend to many, George Plimpton. Using Plimpton’s own narration – along with thoughts and stories from friends, family and contemporaries – the film is a joyful celebration of a life lived fully, richly, strangely, and, at times, a life that is hard to believe was actually lived by just one man.
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
The Egyptian Queen Cleopatra bets against the Roman Emperor, Julius Caesar, that her people are still great, even if the times of the Pharaohs has long passed. She vows (against all logic) to build a new palace for Caesar within three months. Since all her architects are either busy otherwise or too conservative in style, this ambivalent honor falls to Edifis. He is to build the palace and be covered in gold or, if not, his fate is to be eaten by crocodiles. Edifis calls upon an old friend to help him out: The fabulous Druid Getafix from Gaul, who brews a fantastic potion that gives supernatural strength. In order to help and protect the old Druid, Asterix and Obelix accompany him on his journey to Egypt. When Julius Caesar gets wind of the project succeeding, he has the building site attacked by his troops in order to win the bet and not lose face. But just like the local pirates, he hasn’t counted on Asterix and Obelix.
On Skeet’s twelfth birthday his older brother Randy buys him his first surfboard. Suddenly his summer turns to the endless search for the perfect wave, wild times and beach parties and eventually, finding his own daring adventures when Randy’s attention turns to a girl. Beyond his wildest dreams, Skeet is taken under the wings of surfing legend Jim Wesley who gives Skeet first-hand lessons in hot-dogging. Meanwhile, Randy, still dealing with the loss of his father and trying to fill his shoes, is jealous of Jim’s influence on Skeet and isn’t thrilled when Jim begins a relationship with their single mom. Tangled by the conflict between his brother and his newfound father figure, Skeet retreats to his room while longing to surf.
Legendary heavy metal musician, author, and television personality SCOTT IAN had a lot to say on the European and United States legs of his groundbreaking Speaking “Swearing Words” Tour. After decades-worth of international touring with Anthrax, bumping elbows with illustrious (and sometimes ridiculous) characters all over the media spectrum, and undergoing general “you won’t believe this” experiences– SCOTT IAN certainly had some hilarious and surprisingly personal stories to share.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80’s she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn’t want to leave without getting her daughter back.
Set in Hawaii, All For Melissa is a touching, beautiful feature film that tells the story of a young man’s coming to grips with the reality of his everyday life. It shows that even though you may not get the girl of your dreams, the movie star fantasy; sometimes the girl next door, your best friend, is better than any dream girl ever could be. What sets All For Melissa apart from other films of this genre is the role the landscape, culture, and spirit of the Hawaii plays in the film. This is a love letter to Hawaii, a big aloha, and mahalo to the land and the people of this state.
After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.
Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.
Underneath Times Square, there’s a strip club filled with beautiful women. Behind the club’s bathroom door is Shoes, a bathroom attendant. For three years, Shoes gives advice, compliments or a sympathetic ear to his visitors, getting occasional tips. But on the night of his three-year anniversary at the club, Shoes’ customers and coworkers start to make him look into his own life.
Siberia. Late autumn. In taiga, in the deserted village there lives an old man Ivan & his seven-year-old grandson Leshia. A pack of feral dogs devours everything alive in the neighborhood. One of these dogs is Leshia’s best friend. Sometimes their relative uncle Yuri brings food to them. Once on his way back from Ivan’s village uncle Yuri is attacked by dogs & perishes. Ivan & Leshia stay without supply. Once Leshia witnesses Ivan shooting at ‘his’ dog & runs away. The old Man finds him in a dry well, but he fails to get him out on his own. Ivan sets out through taiga in search of help. Now the dogs are hunting him… And the boy is waiting for his father…
Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.
More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.
Whitney, a spoiled pre-teen from Philadelphia, is forced to move to the country when her parents feel the squeeze of economic hard times. A fish out of water, far from her comfort zone, she befriends an amazing horse, and undertakes a misguided journey back to her old life, only to discover that her family is her home.
Dr. Ichito Kuriharai (Sho Sakurai) works at a clinic in Nagano Prefecture. He rarely has any free time due to the clinic’s shortage of doctors and the constant influx of patients. Ichito even sometimes diagnoses patients out of his area of speciality and sometimes goes days without sleeping. He hopes to work at a major hospital where he can get more free time to spend with his wife Haruna (Aoi Miyazaki) and also specialize in his field of study. However, Ichito is also reluctant to add to shortage of doctors at the clinic and break his relationships with the patients. One day, Dr. Ichito Kuriharai clears out the belongings of a terminal cancer patient who passed away. During this time, he discovers a letter made out to him thanking him for the care he provided to her, even though he could not cure her sickness. Dr. Ichito Kuriharai then has a revelation about the medical chart he keeps in his hand – filled with personal observations and concerns …
The husband-and-wife team of Charles and Ray Eames were America’s most influential and important industrial designers. Admired for their creations and fascinating as individuals, they have risen to iconic status in American culture. Eames: The Architect & The Painter draws from a treasure trove of archival material, as well as new interviews with friends, colleague, and experts to capture the personal story of Charles and Ray while placing them firmly in the context of their fascinating times.
A re-imagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement.
The life of a young, happy-go-lucky bartender turns topsy-turvy when he encounters two girls in his life at different times.
Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.
Years after moving to Tokyo with her parents, Hinako returns to her hometown in rural Shikoku. She soon learns that her childhood friend, Sayuri, died several years ago and that Sayuri’s mother, who used to perform seances and exorcisms, has gone almost insane with grief. After seeing Sayuri’s ghost several times during the night, Hinako consults with some local experts on the paranormal and discovers that Sayuri’s mother has something planned for her daughter…
The film follows randy college boys Zack and Brian on a trip to Malibu for a party where there’s a shortage of boys but a bevy of buxom girls. Beset on the way by car trouble, and various other distractions, the film also follows the journey of Zack and Brian’s girlfriends, who follow the boys to Malibu but end up having their own lusty adventures.Something of note is that the original airing and the DVD were/are interactive. Meaning there are times when you get to pick the direction the characters take.
Song Yeon-Hwa, a reporter of a weekly entertainment magazine, is 27 years old. Though she is almost kissed by her boy friend several times, she has refused without particular reasons. Then she lost her boy friend. Now knowing her shilly-shally is the reason of her lost love, Song Yeon-Hwa loses daily rhythm all in a furry. One day Han Kyeong-Hyeon, who seems to be a playboy, came to work with her as a photographer. Seating next seat Kyeong-Hyeon nags her chattering all kinds of things and wedging in every occasion. Yeon-Hwa, who suffers from aftermath of lost love, submits resignation with a burst due to nagging and scolding of editor-in-chief.
The story of the legalization and subsequent rise of the porn industry in New York’s Times Square from the early ’70s through the mid ’80s, exploring the rough-and-tumble world that existed there until the rise of HIV, the violence of the cocaine epidemic and the renewed real estate market ended the bawdy turbulence of the area.
Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.
Jeremy Clarkson, Richard Hammond and James May are back with a show about adventure, excitement and friendship… as long as you accept that the people you call friends are also the ones you find extremely annoying. Sometimes it’s even a show about cars. Follow them on their global adventure.
SHE AND SHE tells stories about 4 young people who used to be best friends but also had some unimaginable secrets. In a series of accidents,everything changed in their lives. In the name of love,they did something over the line unintentionally.Blinded by love,they made the others step into dangerous unconsciously…They were so desperate to be loved by the others,but sometimes they forgot to love themselves.Love makes the beloved breathless…Then,someone died,someone was missing,someone was in trouble.Finally,they saved each others by understandings and forgiveness.It seemed everything was back to the right way,but in fact something even darker just started…
Serial commitment-phobe, Dave, is reeling from his decision to break up with his near perfect, now ex-girlfriend. As he tries to forget her, his battling inner voices come to life and cloud his mind with conflicting desires. Meanwhile, Carrie’s own disjointed inner voices push her to move on with someone less complicated. Sensing time is short, Dave embarks on a sincere and sometimes fumbled personal journey to conquer his fear of commitment.
