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In this sometimes disturbing documentary, the drugs and alcohol problems of the American working class are studied from the perspective of an Irish redneck.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
Hiroshi, a 30 year-old businessman, has traveled back in time 20 years. He encounters Kazumi, a young woman who was gravely ill. Hiroshi regarded this as an opportunity to help the young woman from his past, the memory of whom he had always cherished.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
Vicky, an ambitious young bomshell living in Hollywood, gets hired to be the “Toy” of her favorite rock star, Stu, who is in desperate need of inspiration. Starry-eyed and reckless, she enters a world of fantasy fueled by addiction and an abusive thirst for fame.
The story bases on four Finnish brothers, nicknamed ‘the Eura Daltons’ who received nation-wide notoriety for tearing gas pumps apart when they needed cash. The cast is an impressive one: the brothers are portrayed by Peter Franzen, Lauri Nurkse, Niko Saarela and Jasper Pääkkönen while their really evil father is played by Vesa-Matti Loiri, one of the grand old men of Finnish cinema.
Josh has been experiencing reoccurring dreams of a tall, faceless being stalking him. As the dreams become more constant, he confides in his friend to help understand why they are happening.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women. But as his best friend Krantz would say to him, “Why do you always ask questions you already know answers to?”. Leo believes firmly in what he invents from one day to the next. Images, impressions, stories fill his head. That’s just how he is: life, for Leo, is just a game. Behind this childlike attitude, hides the very essence of his own life’s quest.
NO CAMERAS ALLOWED is a documentary that follows James Marcus Haney’s journey of breaking into music festivals and inserting himself into the world of some of the biggest names in the industry – Mumford & Sons, Jay-Z, and Edward Sharpe & the Magnetic Zeros. But Marcus isn’t your average “festie” kid. He’s a guy with a love of photography and filmmaking and a deep passion that drives him to do nearly anything to see his favorite bands perform.
When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn’t sure how to convince the boy that he’s making a crucial mistake. Ana’s client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana’s dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.
When David Lindholm, Sweden’s most famous police officer, found shot in bed identifies herself quickly with his young wife Julia. Julia is threatened with life imprisonment for murder, both her husband and her missing four year old son Alexander. However, Julia refuse. It was not her. There was another woman who shot her husband and kidnapped her son. While life is falling apart around Annika digs herself deeper into the murdered police’s violent past.
Impressive debut feature from writer director Inon Shampanier. A man needs to convince his kidknappers that they have got the wrong person before they deliver him to his death.
Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.
Drama – A career woman stuck in an unhappy marriage struggles to find happiness. – Chuti Tiu, Kipp Shiotani, Dana Lee
After being denied an American visa, a Bolivian professor becomes involved in a web of criminal activities, holds-up the American consulate and falls for a beautiful prostitute from the Bolivian lowlands.
In a bleak Inverness midwinter, Luisaidh is careering off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.
Margaret Powers, a middle aged, middle class doctor of pathology, seeks a path of vengeance when she captures and tortures the young man she believes murdered her son, but in a bid to extract a confession, that path to vengeance leads to tragedy and unearths deeply troubling truths.
Lizzie, a high-end event planner, lies awake nightly while her devoted fiancé Josh rests peacefully. When a sleep-deprived incident causes her to run into Billy, a low-key bartender who is just as sleepless and frustrated as she is, they discover that they can only fall asleep while next to each other.
UFC featherweight champion Max Holloway will make his Octagon return after a frightening health scare earlier this year to fight top 145-pound contender Brian Ortega. If “Blessed” is unable to answer the call, however, the Hawaiian risks getting stripped of his division strap. In addition, former bantamweight title contender Valentina Shevchenko will battle ex-strawweight champion Joanna Jedrzejczyk for the vacant 125-pound strap, recently stripped from the inactive Nicco Montano.
An anthology horror movie featuring four stories. Die Laughing is about a psychotic killer clown stalking a young woman. In The Horror Hostess a movie scream queen gets more than she bargained for when she is interviewed by a TV talk show hostess. The Bad Flower is a nature run amok tale, and The Hunt tells the story of an FBI agent investigating a series of brutal murders in a small town.
Leigh’s comedy short follows Gary’s (Lee Ingleby) attempt to buy a second-hand car. What should be a straightforward task is turned into something of a quest by various people, including dodgy East End car dealer Perry (Eddie Marsan), Perry’s taxi-driver dad (Sam Kelly), a garage owner called Derek (Robert Putt) and, not least, Perry’s wife Debbie (Samantha Spiro). Oh, and a couple of twins (Danielle and Nichole Bird) are thrown into the mix to cause further confusion. The narrative’s series of gags are shot through with sporting references and images of everyday folk taking part in grassroots sports. The swimmers, joggers, cyclists, five-a-side footballers and the rest underline the importance of sport, however casual, to the population in general and the East End of London in particular in this Olympic year. [Source — Channel 4]
In Ispahan, Persia, Hajji Baba is leaving his father’s shop to seek a greater fortune, while the Princess Fawzia is trying to talk her father, the Caliph into giving her in marriage to Nur-El-Din, a rival prince known far and wide as mean and fickle. Her father intends Fawzia for Fawzia to marry a friend and ally, and makes plans to send her to him.
When Jonas was 14 he met the charismatic but mysterious Nathan. In addition to guiding him in his sexuality, Jonas soon confronts something dark and even dangerous about his new friend. Now an attractive, sexually assured adult, memories still haunt him. Trying frantically to put the missing pieces together, Jonas becomes determined to break the shackles of the past and finally set himself free.
In Nebraska, in pioneer days, a woman who knows she is going to die asks a prostitute to replace her with her husband and four children in order to make it possible for them to keep their family farm.
The true story of We Copwatch, an organization whose mission is to film police activity as a non-violent form of protest and deterrent to police brutality. Around the country, a network of regular people take up cameras to bear witness to police actions and hold law enforcement to accountability.
A policeman investigating a peeping Tom becomes obsessed with the married victim.
At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
Two listless brothers fall for the same girl.
Neil Lawrence (DJ Qualls) is sent to a boarding school by his father. During his first couple days he meets T.J. (Rachel Blanchard) who he falls in love with. After being assigned a paper on Holden Caufield – the main character in J.D. Salinger s Catcher And The Rye – Neil decides to go on a journey to meet Salinger, who he feels has played a huge role in his life. Both Neil & T.J. take off on a journey to New York City. A journey that leads to more then they both ever could have imagined – and changes both their lives forever.
RiffTrax gives the classic riff treatment of the cult film ‘Sharknado’, a film about sharks – in a tornado.
For years, Archie has been pining for Alice, the wife of his law partner, Sam. When Archie impulsively sends Alice an anonymous love note, she assumes it to be a playful gesture from her husband, and replies with her own unsigned letter. After Sam hides the note, Alice’s sister, Felicity, convinces her that he must be having an affair. As the extent of Sam’s infidelities becomes clear, Alice turns to Archie for support.
The return of a vengeful ex-girlfriend sets into motion a series of gruesome events for a hapless Irish bachelor in director Robert Quinn’s grim black comedy. Tommy (Andrew Scott) had thought he had seen the last of Jean (Katy Davis) after their recent breakup, but when she returns to stake her claim on Tommy’s apartment, the confrontation that ensues makes their previous quarrels look petty by comparison. After leaving the apartment in the head of the fight to cool his head and gather his thoughts, he returns only to find that Jean has died and enlists the aid of his friend Noel (Darren Healy) in ditching the body and ensuring that no one ever finds out what happened.
Russian political elite hires American consultants to help with President Yeltsin’s re-election campaign when his approval rating is down to single digits.
America’s only missing nuclear weapon is leaking radioactive material into the ocean just off the coast of Tybee Island, GA. The trifling existence of a hapless cast is disrupted by a vicious force of nature that shows no mercy.
During the run of a particularly awful interpretation of Richard III, the star, Anthony O’Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he’s never met a considerable sum of money. Seeing an opportunity to make some fast money, O’Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
