Search
A darkly comedic travelogue of the underworld – set against an all-too-familiar urban backdrop of used car lots, gated communities, strip malls, and the U.S. Capitol. And populated with a contemporary cast of reprobates, including famous – and infamous – politicians, presidents, popes, pimps. And the Prince of Darkness himself.
Mr. Ozaki, a Japanese conglomerate businessman living in Los Angeles, hires a beautiful young double (Maria) to protect his real daughter (Lisa) from harm. When Maria is kidnapped by a professional crime organization for a $2 million ransom, her bodyguard, Luke Campbell, conceives a plan to rescue her. By kidnapping the real Lisa Ozaki and turning her over to the kidnappers, Luke hopes to save Maria, and ultimately Lisa, as he knows her father will only pay the ransom for his daughter and not the double. However, the bodyguards hired to watch Lisa have another plan in mind. About to lose their jobs for losing Lisa when they were supposed to keep an eye on her at all times, they decide to steal the ransom money and rescue Lisa, in an attempt to be the heroes and save their jobs
King of the Travellers is a contemporary drama grounded in the traditions of the Irish traveller community and driven by emotive Shakespearean themes of love, betrayal, friendship and revenge. The story follows John Paul Moorehouse on his destructive quest to uncover the truth about the killer of his father twelve years ago. John Paul’s desire for revenge is swayed as he falls for Winnie Power, the daughter of the man he suspects killed his father. John Paul must now battle between his consuming passion for justice versus his desire to be with the woman he now loves.
An American abroad finds herself falling in with an eccentric group of fellow expatriates in Spain in this comedy. Cassandra (Judy Davis) is a nomadic American who finds herself stranded in Spain, where she’s found temporary work translating books into English. However, Cassandra’s limited translating skills are not bringing home the bacon, so when she encounters a strange woman named Frankie (Marcia Gay Harden), she’s willing to help her find a missing friend for a price
A homeless man (Kevin Kenny) begins a killing spree on the streets of New York City. Completely deranged and barely aware of his own identity, he makes little attempt at concealing his actions. But in a city with 50,000 homeless citizens, our killer finds himself effortlessly camouflaged. Steel yourself for a non-stop onslaught of violence and disgusting imagery. Blending horror, drama, and dark comedy, Crazy Murder is a disaster film at its core – featuring a tornado of death, a tsunami of blood, and a volcano of faeces.
In this modern remake of Karz, Om – an aspiring actor from the 1970s – is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Director Andrea Kreuzhage documents the 1000 Journals Project, an ongoing collaborative experiment, created by Nathan Blaney who attempts to follow 1000 journals throughout their travels. The goal of the project is to provide a method for interaction and shared creativity among friends and strangers.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
In 1963 a young woman was possessed by a demon claiming to be the Devil, a local priest was requested by the girl’s mother to perform an Exorcism. No one knows what became of them. 50 years later a group of filmmakers attempt to recreate the Exorcism but they are not prepared for the horror they will encounter. Captured on behind the scenes camera we the audience are now able to see these disturbing and unexplained events leading to the film crew’s final hour.
Gertie and Izzie are two young girls on their own. Abandoned by their father and orphaned by their mother, they are doing the best they can to stay in school, stay undetected and stay together. With assistance from their mother before her passing, the girls are financially prepared to sustain themselves for some time. Gertie, 14, takes seriously, her charge to raise her younger sister Izzie, 10, alone. Greg and Tonya are a couple whose love for one another radiates and for some time now, they have attempted to build a family and have failed. Tonya longs to share the love and nurturing she has been channeling through her job as a teacher, into children of her own. Is it God’s will that they don’t have children?
With nine #1 albums to his name, Jimmy Barnes is one of Australia’s greatest rock icons. But his success masked a life of hardship and abuse, where the music that once saved him from oblivion almost came back to destroy him. Before Jimmy Barnes was Jimmy Barnes, he was James Dixon Swan, a troubled kid from the mean streets of Glasgow – and the even meaner streets of North Adelaide – trying to survive against a backdrop of addiction, alcoholism, poverty and abuse. For Jimmy, escape was the only option and he found it with a band called Cold Chisel. But the rock’n’roll lifestyle has its own temptations and the scars of childhood are always waiting to take you home. Based on the bestselling memoir and directed by veteran Australian filmmaker Mark Joffe, Working Class Boy is both an inspiring story of rock and redemption told in Barnes’ own words and an unflinchingly honest reflection on fame, creativity and depression.
A keen observation of a sun-dappled and still-watered swamp, Uncertain contemplates a frequently overlooked and enigmatic town whose lake, and only real source of income, comes under threat from an aquatic nuisance of the botanical variety. Perhaps unsurprisingly for a site so-named, there is a lack of consensus about the Texas town’s origin: whether the result of a surveyor’s confusion when marking an early map, or steamboat captains’ belief that docking there was an unknowable, impossible task, an auspicious beginning is offered for the unsettled and yearning inhabitants.
James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
After country music starlet Tess Stapleton’s album sales keep dropping, her label forces her to record a Christmas album with ex-teen heartthrob and pop-star, Derek Copeland, in an attempt to resurrect each’s career. Reluctantly, Tess agrees. At first, they appear to be polar opposites; clashing over song styles and irritated that they were forced together. However, to their combined surprise, as the album shapes up, they find themselves growing closer over their shared love of music. As they finish the album sparks begin to fly and love blooms just in time for Christmas.
With Christmas just weeks away, the architecture firm Taylor works for enters her in a contest in which the teams will design and build life-sized gingerbread houses. After the contest, Taylor will likely be getting a promotion to a position in another city. The firm teams her up with Isabelle, a renowned French pastry chef with whom Taylor instantly locks horns. When Isabelle backs out, Taylor stumbles into a local bakery and meets Adam, a baker and single dad. In an act of desperation, Taylor convinces Adam to partner with her for the contest, arguing that winning would give the bakery and his designs much-needed exposure. For years Taylor has been resistant to call anywhere ‘home’ for fear it will only be temporary. But the time she spends with Adam and his daughter in their cozy home, decorating for the holidays and exploring the town at Christmas, fills her with a longing for a place to call home.
Last month, 82 Nigerian schoolgirls were released after 3 years of imprisonment. In exchange, 5 terrorist leaders walked free – These leaders belong to Boko Haram, the most bloodthirsty terrorist group on the planet. The group gained global notoriety after their kidnapping of 276 students in 2014, over 100 of which have not yet been released. Their objective: to establish a Caliphate and impose sharia – Islamic law – in the heart of Africa. In an attempt to understand who these terrorists are, how they operate, and what kind of a threat they represent to Africa and the rest of the world, we have investigated in Nigeria, Cameroon and on the border of Niger and Nigeria, meeting former prisoners, repented jihadists and troops on the frontline.
The film follows aspiring singer-songwriter Jed King (Alan Powell) as he struggles to catch a break and escape the long shadow of his father, a country music legend. After reluctantly accepting a gig at a local vineyard harvest festival, Jed is love-struck by the vineyard owner’s daughter, Rose (Ali Faulkner), and a romance quickly blooms. Soon after their wedding, Jed writes Rose “The Song,” which becomes a breakout hit. Thrust into a life of stardom and a world of temptation in the form of fellow performer Shelby Bale (Caitlin Nicol-Thomas), Jed’s life and marriage begin to fall apart.
Cenk has just arrived back to Istanbul from the United States. Suppressed love slowly begins to resurface after he encounters Ece, a woman whom he had a romantic relationship with in the past. Suddenly, there is a robbery attempt in a quiet and gloomy house, which results in a crime being committed.
A mortally wounded Spider-Man attempts to protect his family and friends from a recently escaped team of super villains led by the Green Goblin.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
Set one year after the drama series “Moteki.” 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn’t have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences “moteki” – a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.
Set during the relatively peaceful times of the The Next Generation era, focusing on two Starfleet officers as they attempt to transport a Klingon prisoner to a more secure location, only to be ambushed by a Klingon Bird-of-Prey that has been lying in wait. Unwilling to give up their prisoner, the officers soon find themselves staring down the barrel of Klingon disruptor cannons as they battle for their very lives in an attempt to escape…
1977. A family is murdered in cold blood. The case goes unsolved for decades and remains a mystery. Enter the present day, detective Lee Southward is sent on assignment to infiltrate an illegal underground fighting tournament and bring in the organizers. Lee battles his way to the top of the tournaments in attempts to get closer to the organizers. As Lee draws closer and begins to piece clues together he is brought back to the case closed decades ago. However there is a problem: The organizers are of the undead and crave human blood! Lee must fight his way through all the sex, drugs, and violence of the underground while trying to piece together evidence with the help of an undercover officer and find a way to stop the undead!
A contemporary retelling of the parable of the prodigal son set in the world of Texas high school basketball.
Shirou Emiya finds himself an unwilling participant in a deadly competition where seven Mages summon heroic spirits as servants to duel each other to the death. They compete for the chance to make a wish from the Holy Grail, which has the power to grant any wish. Shiro is unskilled as a mage and knows nothing of the Holy Grail War, but he and his servant, Saber, enter into a temporary partnership with another Mage, Rin Tohsaka. However, problems arise between Shirou and Rin’s servant, Archer, who seems to seriously despise him.
Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life’s measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary – that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.
“Africa United” tells the extraordinary story of three Rwandan children who attempt to realize the dream of their life: to attend the opening ceremony of the FIFA World Cup 2010 at Johannesburg. But the problems begin when Fabrice, Dudu and Béatrice get on the wrong bus and end up in Congo. Without papers, without money, they are brought into a children’s refugee camp. But with incredible ingenuity, a some guts and a poster for the World Cup as a map, our heroes escape from the camp and leave to pursue their dreams, bringing with them a “dream team” of refugee children to help them through a series of exciting adventures. During this journey of 5000 km through seven countries, the film reveals an unseen Africa.
When three Vegas buddies attempt the score of a lifetime, they have to walk a fine line between their girlfriends who want their heads, and the mobsters who want them dead.
Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.
Sung-Bum (Uhm Tae-Woong) is a hot-tempered detective who relies on his intuition to crack cases. He rarely comes across a case that he cannot solve. The body of a police officer is then discovered in a burned out car near an abandoned building. Drugs are also found near the dead officer. To catch the killer the police department sets up a special investigation unit for the case. Sung-Bum takes part in the investigation. Ho-Ryong (Joo Won) is a young, confident man who works as a criminal profiler. He trained with the F.B.I. in the United States. Ho-Ryong is also assigned to the special investigation unit. Ho-Ryong relies on evidence rather than instinct. Detective Sung-Bum takes an immediate dislike for Ho-Ryong.
This motion comic gaps the bridge between 2004’s The Chronicles of Riddick, and 2013’s Riddick. A new attempt on Lord Marshal Riddick’s life is made on the Necromongers’ ship. It’s time for Riddick to end the years long meandering through space and go back to his roots.
Amal works as a security guard in a mall and is tempted by the world of wealth surrounding him. When a close friend introduces him to the underworld element, he becomes trapped in a web of greed, lust and crime.
Raymond lives at home alone with his Uncle Joe. His Uncle abuses him every chance he can get. When Uncle Joe suffers a debilitating stroke, Ray is forced to care for him full time. As a result he gets closer to his Uncle, but when Ray attempts to delve deeper into his Uncle’s life, he’ll soon find that some things are best left unknown. Starring Joel M. Reed, director of Blood Sucking Freaks.
A corporation plans to develop a residential tower block into luxury city apartments. As the residents galvanise, the corporation sends in someone to ‘shake them up’. The Horror of The Dolls features a strong ensemble cast, inter-twined narratives and an iconic piece of London architecture. The narrative is underpinned by the wealth divide, untouchable high-finance, malleable politicians and the resolve of a community under assault. All wrapped in a blood-soaked and stylised horror thriller set against the breath-taking cityscapes of contemporary London. The Horror of The Dolls is a terrifying, atmospheric and unpredictable journey. Influences on the project are The Shining, Blue Velvet, The Wild Bunch, Short Cuts and Antichrist.
Karmageddon is an investigation of contemporary Western spirituality in the wake of the 1960s. It follows Bhagavan Das, an American whose spiritual journey to India in 1964 would shift American spirituality. He mentored Ram Dass, the Harvard psychology professor fired with Timothy Leary for their experiments into LSD. He inspired the book ‘Be Here Now,’ a key document of 20th century spiritual literature that brought Eastern practices to the West. Since the 1960s, Bhagavan Das has worked as a kirtan chanter and guru. He has also slept with over 500 women while at times dropping his spiritual calling to sell used cars and encyclopedias. The film follows one of his devotees as he attempts to navigate the gap between 1960s and contemporary spirituality.
The King of Bali invites Chhota Bheem and his friends to attend the coronation of the state’s prince. After reaching Bali, Bheem and his friends find that the state is captured by a witch named Rangda who wants to rule the country. Rangda is very powerful and has Leyaks, magical creatures, as her army. She arrests the king and queen of Bali, but, with the assistance of Chhota Bheem and his friends, the young prince of Bali manages to escape. Now, Chhota Bheem and his friends attempt to save the people of Bali from Rangda’s black magic. Meanwhile Rangda causes destruction and diseases in Bali with her magical power. Two little Indonesian village girls Aci and Ayu help Bheem and his friends to save Bali from Rangda.
Gay twins Gary and Larry have always loved Dolly Parton. They left their small town home ten years ago to make it in Hollywood and are finally ready to get their script to Dolly. In a RV named Jolene, the boys embark on the adventure of a lifetime. This road trip is also a journey of self-discovery and an attempt to resolve mommy issues that have divided them since childhood.
After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a “forbidden” animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.