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Darcy Blake has the perfect job – she works for Harrington House, a successful greeting card company, in the editorial department. Writing heart-felt, meaningful copy for cards is very important to Darcy, especially at Christmas, which was important to her as a young girl. She realizes that she is a bit out of step with her fellow millennials but that is fine with Darcy. Everything is about to change when Andrew Harrington arrives at the company to take over from his grandfather and he has a very different view of the holidays.
Lizzie (Booth) is a young piano teacher working at a music school while trying to save enough money for a Steinway piano. The school is gearing up for their major Christmas fundraiser and she has committed much of her time to plan the event. One afternoon, she meets Brad who takes an interest in her playing and asks if she will teach his uninterested teenage daughter. She begins to break through to the young girl, and sparks begin to fly with Brad (Dunne), but she is shocked to find out that his interest is not solely in her playing, but in the property that houses the music school. She sets out to save the school and the event, but can she work things out with Brad?
Drowning in tinsel and lights every Christmas, Michael and Caroline Anderson throw the year’s biggest party at their house. But this year, with Michael jobless and Caroline’s store struggling, that tradition may end. The Andersons decide to host a very different kind of party and, in the process, rediscover what’s most important about the holiday.
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron’s laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre, and hilarious orgy of death and dismemberment.
A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television.
Michael is a 12-year-old drug pusher who lives in a crowded house with his cousins and aunt. His father has become a street bum,but still meets with Fresh on occasion to play chess. Fresh is rather quiet in a crazy world. Fresh’s sister is a junkie who sleeps with the dealers that Fresh sells for. As the story progresses Fresh realizes that he doesn’t want to sell drugs anymore – he wants revenge.
A hoodlum (Corey Allen) plots to seduce a lonely housewife (Kate Manx) and turn her over to his virginal friend (Warren Oates).
Sixteen-year-old Melissa Kennedy’s been missing for almost 3 months now and the Town of Ridgedale is coming unhinged. The projectionist at the old revival movie house, Sylvia Potter (16) wants so badly to be in love. Just like in the movies. But can any guy live up to her ideal leading man? Even her best friend Harry’s unrequited love for her (since fifth grade) has never been reciprocated. When sexy, quiet, rich kid, Lucas Green transfers to Hampton Prep the sparks fly. Lucas and Sylvia’s initial animosity quickly becomes a heated romance – despite the warnings of almost every friend in her circle. But what seems like a love story straight out of the movies hits a major plot twist when the police begin an investigation into Lucas’ involvement in the Melissa Kennedy case. What really happened to Melissa Kennedy and how long can Lucas and Sylvia’s relationship last in the face of a mystery that threatens to change the lives of these teenagers forever? Written by AC (IMDb.com)
British comedy about an unpopular and uncool student who decides to hold a massive birthday party in his rich parents’ house as a way to win the heart of the hottest girl in his college class.
A documentarian named Annie has roped her husband into a project that involves setting up cameras throughout their house. Complications arise when the cameras start showing that same couple in an alternate universe.
Max and his friends Jessica and Scott get their thrills by spying on their families sneaking into each others houses and organizing elaborate pranks. Thanks to Max’s Uncle, a Government Scientist, they have access to some of the most modern and Hi-tech equipment in the world. When they discover the whereabouts of a stolen FBI microchip Max and his friends must use their skills and cutting edge technology to embark on what could prove to be the most risky and exciting mission of their lives.
When a young family moves into a foreclosed house, the previous owner begins a campaign of intimidation and terror. The deranged man will stop at nothing to get his home back.
The corrupt Lord Ambrose D’Arcy steals the life’s work of the poor musical Professor Petry. In an attempt to stop the printing of music with D’Arcy’s name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.
Meredith is a 35 year-old unmarried woman who arrives at a remote lighthouse island 1928 with her uncle the new head keeper.
One man’s quiet suburban life takes a sickening lurch for the worse when a young couple move into the deserted house next door. From the word go it is obvious these are not the quiet professional types who *should* be living in such a nice street. As more and more unbelievable events unfold, our hero starts to question his own sanity… and those of his family.
Adam Harris, a semi-lame senior, is head over heels in love with Cara. Unfortunately she is the most popular girl in school. On the one day of the year that he could actually have a chance, senior skip day, he screws it all up by accidentally slipping the location of the party to his principal. But have no fear, in a last resort effort he moves the party to his house and all seems
Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter. Soon she is sucked into a vortex of deception, debauchery and evil presided over by housekeeper Leandre.
Madea returns in another hilarious story in which she gets sent to the big house. But regardless of the circumstances, she gives her trademark advice and wisdom to her friends and family as they learn the importance of letting go, moving on, and forgiveness.
The whole “zombie thing” has been hyped up so much that everyone thinks it’s the end of the world! Of course, where one man sees the dead rising from the grave, another sees opportunity. Q had a plan: drive the robbery getaway van, deliver everyone to the safe house and get paid – a nice, simple, plan. Unfortunately, life is never really that simple, and to top it all off, this is the first time Q has been a getaway driver. He’s coping pretty well though, considering; TONY (the guy who is ‘in charge’ of the job) is a murderous nut case, DANNY was shot and is now bleeding all over the money in the back of the van, the Sat-Nav has a mind of its own, there’s a guy in the back living up to his name “CRAZY STEVE”, the safe-house already has police at it, and this whole “zombie thing” seems to be quickly becoming more of a “zombie apocalypse thing”…
An anthology of three horror stories presented by George A. Romero. In “Valley of the Shadow,” a woman searches for her missing husband in the jungles of South America, only to be in great danger herself. In “Wet,” a lonely man finds an empty box on the beach and opens it, with disastrous results. In “House Call,” a doctor is called to a rural farm house to diagnose a strange ailment. This segment is a short film directed by Tom Savini in 2004 as a failed television pilot.
After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse’s mistress, children and cousins. They have come to Schtettel to fulfil the Count’s last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.
A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.
Two young women arrive at a curious penthouse apartment, led by one’s crush on her tutor. However, her love interest doesn’t live alone. He’s part of a trio of computer hackers about to embark on the ultimate job on the world’s most mysterious mainframe. Whilst doing so, they unlock more than they bargain for with supernatural and ultimately fatal results. Can this seemingly insignificant chain of events, which have thrown this group together, be construed as fate? Can the beacon provide a signal of hope or is it a web of manipulation, paranoia and ultimately… murder?
A young rich orphan loses his fiancée to voodoo doll mischief on the part of his housekeeper who is jealous of his attentions. He digs his girlfriend up, cleans her out, stuffs her, and puts her in bed at the mansion. Following this, he tries out and disposes of a series of young maidens, trying to find the right replacement for her, and the disapproving housekeeper helps him with the disposals.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.
A young governess, Ann, is sent to a country house to take care of two orphans, Miles and Flora. Soon after her arrival, Miles is expelled from boarding school. Although charmed by her young charge, she secretly fears there are ominous reasons behind his expulsion. With Miles back at home, the governess starts noticing ethereal figures roaming the estate’s grounds. Desperate to learn more about these sinister sightings she discovers that the suspicious circumstances surrounding the death of her predecessor hold grim implications for herself. As she becomes increasingly fearful that malevolent forces are stalking the children the governess is determined to save them, risking herself and her sanity in the process.
Four couples meet for Sunday brunch only to discover they are stuck in a house together as the world may be about to end.
After “hooking up” with a series of guys at a house party, April is the talk of her high school.
Percy and Veronica have been housesitting at a palatial modern spread in the Hollywood Hills for the summer, but the real world of New York, jobs and young professional struggles are merely days away. Nonetheless they are in a hurry to leave this paradise, because the tranquility was broken by an unwanted visit by former college classmate Freedgood. His time since their liberal arts’ years has been marked by imprisonment, shady business associations, and drug dealing. And as we learn quickly, this has lead to the man’s demise, an interested LAPD detective, and a longing for the everyday strife that seems so much more desirable than staying in their false Eden.
A young man visits his fiancé’s estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.
Jason, is bit by a strange organism while on vacation with his girlfriend, Sam, at her sister’s secluded farmhouse. The bite begins a transformation in Jason, and now the couple must race against time to figure out what happened to Sam’s sister and her family, and what lies in store for them. All of these elements are tantamount to the ultimate fear addressed in the film, the fear of losing a loved one and worse, becoming a monster in their eyes.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister’s family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot’s sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
A collection of short stories. In one a woman who leaves her house late at night to drive to the store while a killer is loose encounters some problems. In the second an arcade whiz kid’s obsession with a game leads to deadly consequences. In the third a small town priest loses his faith and decides to leave town, but in the desert is stalked by a mysterious black pick-up truck. In the final story, a family’s problem with a rat is larger than they think.
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica’s just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.
The Lutz family have managed to flee their home with their lives intact, but before them, another family lived in this house and were caught up in the original evil who weren’t so lucky…
