Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

Madrasi Da is S. Aravind talking about men and women or the lack of them in his life from a Middle Class prospective. Running commentary. Crawling ambitions. Long distance delusion. Single? You are his new best friend.

In tomorrow’s Tokyo, the technologically-enhanced body of a young mercenary hacker is overrun by a sentient data weapon. Wanted, the parasitic A.I becomes her only ally as she is chased across the city by those seeking to salvage it.

Two runaway teens steal a car with dreams of driving down to Florida, but things take a turn when a stranger appears with unknown intentions.

High school student Yuki Hase (Kento Yamazaki) wants to become close with classmate Kaori Fujimiya (Haruna Kawaguchi) who is alway by herself. Kaori Fujimiya refuses to become close with Yuki Hase, because she forgets her friends every new Monday. Even though Kaori tells Yuki why she doesn’t want to become friends, Yuki still wants to become close to her.

With the exception of losing her older sister in a hit-and-run, 17-year-old Tia Scott has had a pretty normal life. That is until she starts exhibiting strange symptoms and realizes she’s caught a virus that’s slowly turning her into a zombie. Desperate to find a cure, the only person she trusts is a loner at school, Flynn, a self-proclaimed expert in all things paranormal. But Tia’s life gets even worse when a friend of her boyfriend, Connor, is murdered. Tia knows that Connor’s friend Jason is involved but going to the cops makes her a target and with the clock ticking until Tia’s too far gone to recover, she enlists the help of her mother Kate and a reclusive doctor in hopes they’ll stop the disease before Jason finds out she’s the snitch.

The skyscrapers of New York glisten like golden lights on an Xmas tree, but all is not well in the city and violent corruption runs amok. After a high speed chase through the city streets ends in his partner’s death, Detective Frank McMillian (Michael Madsen) decides to take the law into his own hands. After retiring from the NYPD he transforms nightly into “The Enforcer”, a masked vigilante with his own brand of justice.

A woman decides to run away from her old life and finds herself on a small country farm where strange, impossible things seem to happen… and something is coming for her. A mysterious, hypnotic tale somewhere between a dream and a waking nightmare.

Ajin is a live-action adaptation of a Japanese manga series written and illustrated by Gamon Sakurai. Kei Nagai dies in a car accident, but realises he is a type of immortal known as Ajin (demi-human). Hunted by humans, Ajin is eventually found by the government and used as a subject in cruel experiments. He finds fellow demi-humans along the way as he escapes and goes on the run.

Some people run for exercise, and others for competition, but Johnnie Jameson runs to heal.

An alternate world void of pollution exists, thanks to Martin Energy, a power plant that runs on the strength of women. ‘Energy Makers’ are highly trained women that can convert their emotions into renewable resources such as electricity, sunshine, and fire. The men in suits that run Martin Energy push the girls to supply energy in amounts that are sure to burn them out. But Susie, the company’s star sunshine maker, threatens the imposed order when she learns she can do more than supply sunshine.

When Chuck and Woodsly are accidentally entered in the FUR BALL RUN, they have to figure out how to put their paws on the pedal to compete against a pack of seasoned drivers from across the animal kingdom.

We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.

A delirious sci-fi riff on the Arabian Nights’ ‘Tale of the Hunchback’, that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to ‘relax’ at company-run medieval reenactments.

When Yusef discovers his beloved wife Ayana is a Sleeper, a living android bomb left over from a past war, he has only one choice: flee with her to the border of the Machine homeland in the desert, and pray they can make it before time runs out.

Eight-year-old Cal desperately craves attention from her childish father, and is prone to running away. John is a lonely widower whose life is filled with fear. When they meet one weekend in the shining woods of New England, their lives change forever.

After months without pay, the already disgruntled crew on a Turkish cargo ship arrives in an Egyptian port and learns that the Port Authority is foreclosing on them. Ordered to anchor offshore, the remaining skeleton crew has their passports seized and must maintain the vessel until its owner’s debts are paid. Tensions quickly arise between the authoritarian Cypriot captain, his devoutly religious second-in-command, an affable cook, and a trio of newcomers to the ship—a pair of druggie ne’er-do-wells and the near-mute, hulking Kurd. As months pass, food and entertainment dwindle, alliances shift, and the men take out their raw frustration on one another.

A closeted boy runs the risk of being outed by his own heart after it pops out of his chest to chase down the boy of his dreams.

Every night, Master (Kaoru Kobayashi) is busy with customers at the restaurant he runs. He has a worried face, looking at the funerary urn which someone left at his restaurant. His customers also talk about the funerary urn.

RICHARD, 15 with learning difficulties, longs to put down roots but his restless and destructive brother, POLLY, needs to keep moving. When the land they live on is bought by a new landowner, and the electricity supply to their caravan is cut, their already precarious living conditions get even worse. Then a chance meeting with the new landowner’s daughter, 17 year old ANNABEL (Yasmin Paige), leaves RICHARD besotted; whilst POLLY befriends the guys who run a seedy traveling fair. Richards optimistic view on life becomes increasingly difficult to maintain as Polly’s abusive behavior worsens, family secrets are revealed, and he is torn between loyalty to his brother and his first true friend in ANNABEL. For better or worse, Richards life is about to change forever.

A young woman’s hunt for her missing sister ends at a rundown bed and breakfast in the Hollywood Hills run by an ill-tempered woman called Mommy. Disturbing messages left by former guests suggest unsettling secrets lay buried there.

Nearly 20 years after his death and in the run-up to his centenary, Toshiro Mifune remains a true giant of Japanese cinema.

Storyteller Bert Kreischer expounds on a series of incredible and hilarious tales – from an unforgettable run-in with a grizzly bear to his legendary travels in Russia.

Seattle DJ Marco Collins stars in this unflinching documentary about media fame and addiction, which tracks his rise, fall, and resurrection as an influential promoter of grunge, alternative rock, and electronic dance music.

Gord’s Brother is set in a world where monsters and humans co-exist, and follows the story of Gord and his monster brother as they run away to find a new home and search for the fabled City of Monsters.

Drew is a nerdy teacher that can’t even control the students in her classroom. When threatened by the classroom bully, Drew does what she knows best… back down. Not even words of wisdom from the principal can muster a show of strength from a wimp who seems destined for a second-rate life. And this is before the zombie apocalypse. With populations being overrun by the rapidly spreading plague of zombies, Drew flees to the sanctuary of the country where she is quickly overcome by a lack of survival skills, the relentless Texas heat and, of course, zombies. But Drew must learn that that running from her problems is much like running from zombies. They find you. They always find you. Along her odyssey, Drew encounters a cast of characters that both help and hamper her path to finding the strength within herself that will make or break her ability to survive these terrible new times of unending death… and her annoying new companions.

Soyan is a computer prodigy that works for a company he previously hacked. This online security firm runs covert activities for high-profile clients around the world. Loise is a cyber-detective who investigates war crimes for a human rights organization. She is obsessed with the truth. Loise and Soyan meet on a rooftop and bond together through a virtual chess game. But Soyan’s employer, Russel Belial, has asked him to protect the same arms-dealer that Loise is determined to help to capture. What is Soyan’s real goal? Who will call the game now? Loise and Soyan embark upon an intense but dangerous romance. After being in a virtual world, will Soyan and Loise risk everything for true love?

Two women run a business breaking up couples for cash but when one develops a conscience their friendship unravels.

Even in modern-day Taipei, women feel the societal pressure to get married and have children before the clock runs out. Thankfully, there is a solution: freeze your eggs and prolong your fertility until the right one comes along! Starring Ariel Lin, the film is a glimpse of what millions of working women struggle with: finding the balance between pursuing a career and marriage.

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.

A hit man on the run and a woman with a secret try to evade teams of assassins headed by the lethal and relentless Mr. Gray.

Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios’ house must be decorated.

Two professional con artist sisters go on the run and assume the identities of The Wilding Sisters, guest stars of a poetry retreat in the depths of the Black Mountains. A romantic comedy drama about love, crime, spirituality, and soul

J. Kessels is the story of the bizarre road trip taken by a French literary pulp writer with his favourite character J. Kessels. The journey takes them from Tilburg to the Hamburg Reeperbahn in Kessels’ old American ‘Kamikaze’ clunker as they seek out cheating dealer. When they get there they find a corpse in the trunk of the Kamikaze: easy to find, but how do you get rid of it?

Poet Ross Sutherland takes fragments of old films and TV shows and rebuilds them into an audiovisual meditation on memory, death and reruns.

Dora (Ryo Ryusei) and associates runs a badger game scheme to extort victims out of money. One day though, their target looks like an ordinary guy, but he turns out to be a yakuza. Dora and his associates fall into a far darker world. Dora steps into a business that offers to take revenge on others by any means necessary.

A successful and beloved businessman runs afoul of gangsters.

Vulgar is about a man who is a children’s clown but has not been getting much luck lately. He lives in a cheap apartment which he can’t even afford. Bums are constantly sleeping in his run down car and crashing on his lawn. He has a nagging mother who lives in a nursing home, and his best friend is a moocher. One day he comes up with the idea to become a bachelor clown.

A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.

On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they’ll ever be able to say goodbye.