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After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.
After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie’s new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.
Eliza D’Amico thinks her marriage to Louis is going great, until she finds a mysterious love note to her husband. Concerned, she goes to her mother for advice. Eliza, her parents, her sister Jo and Jo’s boyfriend all pile into a station wagon, to go to the city to confront Louis with the letter. On the way, the five explore their relations with each other, and meet many interesting people.
After receiving a mysterious demonic African mask in the mail, Ellen Morris is attacked by a “being” she refers to as THE NIGHTMARE MAN. Her doctors and husband, William believe Ellen is a paranoid schizophrenic and needs to spend some quality time at a mental facility for further examination.
Jessica Barrett, wife and mother of two young children, begins to show signs of demonic possession while pregnant with her third child. As she seeks help from her husband and doctor, a mysterious man approaches her and seems to have some answers.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
Beatriz’s young husband disappears during the brutal Kraras massacre by occupying Indonesian forces, sixteen years later she is troubled by his return; is this mysterious stranger her husband, an impostor, or a spirit?
The Good Wife is a legal drama starring Emmy Award winner Julianna Margulies as a wife and mother who boldly assumes full responsibility for her family and re-enters the workforce after her husband’s very public sex and political corruption scandal lands him in jail.
Alyssa, a successful photographer, wakes one morning to find her apartment ransacked and her husband mysteriously missing. Left without even a photograph to offer the police, she turns to his colleague Eve, a talented jazz pianist with a flirtatious charm and disarming grace. Eve helps her confront her husband’s longtime struggle with depression and to, over time, accept his absence. While getting to know this woman through such unusual circumstances, Alyssa is surprised to find herself falling in love again.
Looking for some peace and quiet, Tom rents out a small and isolated lakehouse, one marked by a local legend of a woman who, after drowning, haunts the surrounding woods and drowns anyone she encounters. That myth particularly intrigues Tom’s new neighbor, Al, who’s mourning the recent death of his husband. Starting off rather friendly, Tom and Al’s rapport slowly changes as the former befriends a mysterious woman named Nina, for whom Al can’t shake his negative suspicions.