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A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
Welcome to Egypt, land of the Pharaohs. A place steeped in history and legend; Gods and spiritual guides; untold wealth – and the bone-cracking, blood-spilling guardians of its riches. Jack Wells has arrived in Egypt in search of the famous diamond known as The Codex Stone. His journey leads him to the tomb of the cursed King Neferu, cursed not by name but by nature. With his centuries-old slumber disturbed by timeless human greed, the King rises from the dead with a blood-lust that cannot be quenched and a raging fury that will shred flesh from bone, bringing terrible and tormented death to all who dare witness the Day of the Mummy.
TRU, 37, is a serial bed-hopping lesbian who cannot commit to a relationship or a job for long…that is, until she meets ALICE, 60, a beautiful widow, who has come to town at the last minute to visit her daughter, SUZANNE, 35, a too-busy corporate lawyer and Tru’s friend. Alice and Tru begin to forge an unlikely friendship…and more. Suzanne, who has a deeply conflicted relationship with her mother and a complicated past with Tru, becomes increasingly alarmed at the growing bond between Tru and her mother. Tensions escalate after Suzanne witnesses an intimate moment between them. She tries to sabotage the budding romance, but it backfires, as Tru Love is hard to contain.
After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a “forbidden” animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.
This heart warming film is about a dog named Cooper who is the lone survivor of a terrible car accident. Jake, a family patriarch, loses his wife and children in the accident. Not being a dog person, Jake is angry and resentful toward the dog for even surviving. However, eventually Jake bonds with Cooper, and this bond ends up being the one thing that gets him out of bed in the morning, the one thing that helps him to go on living after such a tragic loss.
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn’t discovered for three years, and newspaper reports offered few details of her life – not even a photograph.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Not long ago the people of an unnamed country were involved in a civil war. After the armistice, both sides noticed hundreds of bodies unaccounted for. Looking through their land, there was discovered a place where men would vanish from sight. Those who returned spoke of a zone governed by cruel logic. This place, dubbed The Ulterior, was closed off and a guard was placed at its entry. The curious have found their way to its borders believing it holds healing properties and that it can reunite the living and the dead.
Jakob Evans suffers an emotional breakdown after the death of his wife in a car accident. His loss and pain runs deep as he claims to have found her in bed with another man just before she died. Unable to accept her death and her infidelity, Jakob decides his only chance at closure is to find the man she was sleeping with to help him comprehend what they shared. With the help of Grace, a promiscuous and troubled girl, Jakob starts to put together the pieces of the puzzle and track down his wife’s lover.
What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex …
Charming, fast talking Marty Kaan and his crack team of management consultants know how to play the corporate game better than anyone, by using every dirty trick in the book to woo powerful CEOs and close huge deals. In the board rooms, barrooms, and bedrooms of the power elite, corruption is business as usual and everyone’s out for themselves first. Nothing is sacred in this scathing, irreverent satire of corporate America today.
The basic story of the movie revolves around P.K. Jayan aka ‘Vattu’ Jayan (played by Indrajith) and Roy Joseph aka Che Guevera Roy (played by Murali Gopy). Vattu Jayan is a corrupt cop who manages his daily necessities through bribed money and does not touch his salary for anything. Che Guevara Roy is an ex-communist comrade who now teaches in a school with his wife.
Pompous and self-absorbed Kyle, is unhappily stuck in his life, longing to relive the success of his first novel. His not-so-desirable life rapidly unravels forcing him to return home to his wildly eccentric family with his tail between his legs. Life at home begins to show signs of improvement when Kyle meets the spunky, vivacious girl across the street who recruits Kyle to help her make the world a better place, making him feel alive for the first time in ages and inspiring his writing. But its short-lived. Joys been told shes going to die soon and wants Kyle to write her obituary.
