As Zipper’s Clown Palace (a strip bar) closes, Neil wanders in and decides to hold the dancers, bartender, and remaining customers hostage. He torments them with little tasks he wants performed, playing on their weaknesses and relying on his gun for intimidation. Eventually the hostages begin formulating plans to thwart his control. Meanwhile, two policemen are observing the outside of the strip joint, realizing that something’s wrong and trying to decide if it’s worth ruining their buzz to intervene.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

One summer morning, 12-year-old Arnold Hillerman and his 17-year-old brother Eugene wake at dawn on their family’s Montana farm. In a nearby pasture, Arnold’s gun fires accidentally. His brother is killed instantly. Isolated by emotions he can’t comprehend, Arnold must now come to terms with his grieving family – including his angry father, his frightened mother, his antagonistic uncle and his gentle, straight-talking grandfather – while his family must come to terms with Arnold.

Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.

This motion picture chronicles the last days of the most iconic outlaw of the old west. Forget what you have heard before (most of that is rumors anyway) and ride with Billy the Kid as he tries to find sanctuary in a desperate landscape. The high price on his head has made Billy an evasive target for bounty hunters from all over the old west, and Billy knows that every time he rides out, he has a chance of getting bushwhacked. Unlike any other account of the Billy the Kid saga, “The Last Days of Billy the Kid” captures the fury, paranoia and heartbreak that defined the last days of the gunslinger’s existence.

Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aborigine boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.