A Greek shopkeeper discovers something about his family’s past when his mother embraces an Albanian worker.

Seth McArdle (Samuel Davis) is a high school senior with an especially full plate. Not only must he navigate the usual social and academic pitfalls of high school, but he has to contend with his young twin sisters, serving as de facto parent in the absence of his deceased mother and deadbeat father. The pressure mounts when the bank calls with a foreclosure warning, and Seth’s frustrations spill over into various altercations with the school football team. An exasperated coach exiles Seth to work after school with Abel the eccentric groundskeeper (Kevin Sorbo). Their relationship starts off cold and rocky, but as the two spend more time together, they realize they have more in common than either thought. The downside: it’s pretty much pain and sadness that they share. The upside: God loves them.

Heddy Honigmann returns to her birthplace of Lima, Peru to reacquaint herself with a place and people dear to her heart. It is about a forgotten city, a forgotten history and a forgotten people. With irony as their loved weapon for survival, they have to forget as well, in order not to give way to cynicism, hatred and grief. It is about remembering the old days when life – despite class differences, corruption and violence – was still good: waiters, bartenders and shopkeepers who are fighting a losing battle and have lost everything. It is also about the children who manage to survive by mastering the art of street life and who reveal the country in it’s true colours. Just like the dogs they share the streets with, they have no good memories to forget.

Hot off the heels of Septic Man and Ejecta, genre studio Foresight Features and Pontypool writer Tony Burgess have unleashed the trailer for their third collaboration, and the company’s most ambitious film to date, the horror fantasy throwback HELLMOUTH. A visual mindwarp in the vein of F.W. Murnau meets Tim Burton, HELLMOUTH is director John Geddes’ (Exit Humanity) love letter to an era of forgotten cinema. Veteran actor in over 200 films, Hoser horror hero Stephen McHattie (300) is back, taking on two bigs roles within the film, including the leading role as a dying gravekeeper who must pass through Hell to save the soul of a beautiful woman, (Siobhan Giles Murphy). Full of gothic graveyards and monster mayhem, HELLMOUTH is based on an original screenplay by award-winning punk bard Tony Burgess. The film co-stars Julian Richings (Supernatural), Bruce McDonald (Hardcore Logo), Boyd Banks (Dawn of the Dead), and Ari Millen (Orphan Black).

A nine-year old monk, Do-nyum, has lived most of his lonely life in a quiet mountain monastery under his elderly master. Though put under a strict regimen of Buddhist teachings, meditation and chores, the child cannot help but to think of his mother, whom he cannot remember but misses dearly and hopes to be reunited with one day. He also wishes that he could be like the other children who live nearby and play games and attend school. Do-nyum’s other companion is an older monk named Jung-sim, who is also struggling with staying on the path of enlightenment. The temple’s groundskeeper keeps reassuring Do-Nyum that his mother will come back someday. But Do-nyum, sick of waiting for a mother who may never return, agrees to be adopted by the monastery’s benefactor, a wealthy widow who visits the temple every year to mourn her late son.

A youngster living in a stately home discovers the magical garden Mary, Colin & Dickon stumbled across years before – but faces a battle with the housekeeper over whether to nurture it.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.

Food shortages during a pandemic force recently widowed George to stray far from home to survive. A simple purchase of rations derails when George stumbles upon a Shopkeeper’s secret, placing them in mortal jeopardy.

A shopkeeper takes God to court when his shop is destroyed by an earthquake.

Two shopkeepers are set up on a blind date by well-meaning relatives, despite the fact that they both have somebody else on their minds

Motivational Speaker Jack Corcoran is determined to get his career off the ground, but the biggest gigs he can get are the ones nobody wants. Then one day, he receives a telegram that his circus clown father has passed away, and has left a “huge” inheritance. When he gets there, he finds that his inheritance has come in the form of an elephant that was his father’s pride and joy in circus acts. His main intention is to sell the pachyderm off. Jack must choose between loud and rude zookeeper Mo or attractive animal show owner Terry. As the two treks through the country Jack and the elephant develop a bond, and it changes his approach on life for the better.

Three lighthouse keepers on an uninhabited island off the coast of Scotland discover something that isn’t theirs to keep.

Legendary music photographer Mick Rock is best known for his iconic photographs of David Bowie, Lou Reed, Iggy Pop, Queen, and countless others. In a documentary as rock-n-roll as its subject, Mick Rock guides us through his psychedelic, shambolic first-hand experiences as the visual record-keeper of these myths and legends.

Real estate agent Maceda (Chris Sarandon) once testified against drug trafficker Orosco (Miguel Najera). Now Orosco is out of prison, and Maceda has a problem. He flees, hiding out at a near-vacant California Central Valley inn where innkeeper Kat (Mariel Hemingway) is happy to have him sign the register. His presence, however, arouses the suspicions of lone cop Gilchrist (Dennis Hopper). Meanwhile, Fed agent Gere (Peter Coyote) hopes to track Maceda before Orosco’s thugs pick up the scent.

Prince Nikki, Lieutenant of the Guard in pre WWI Vienna, is flat broke, but the only advice he gets from his parents is either to shoot himself or to marry money. During the Chorpus Christi parade his horse accidentaly hurts poor Mitzi, the daughter of inn-keepers in a Viennese suburb, who is, according to the wishes of her parents, going to marry the butcher Schani. When Nikki visits her at the hospital, they fall in love, much to the dislike of her parents and Schani. Nikki’s parents, meanwhile have arranged a prospective marriage with Cecilia, the limping daughter of a very rich non-aristocratic industrial. Due to the fact, that Nikki’s father is a general in the Austrian-Hungarian Army, resitance is useless. When Mitzi, after hearing of it, is still refusing Schani’s proposal, he vowes to shoot Nikki when he leaves the church.

Single mother Tyree Battle struggles to keep her young son Thaniel away from the gang-plagued city streets that he is mixed up in. Under severe gang pressure, Thaniel accidentally shoots Jewish shopkeeper Eli Zeal in a botched robbery attempt. Tyree, protecting her son from the law, kidnaps Eli and flees to her hometown of Waterproof.

Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.

In 1994 South Korea, a female North Korean spy integrates herself as a housekeeper for U.S. military officer to steal classified documents, but soon worries about her cover when she falls for the teenage son of the officer.

We find Steven, a good-looking American hero devastated by the death of his girlfriend, wandering through Europe and looking for happiness. A car accident leads him to a small town sitting literally in the shadow of Dracula’s castle. The frightened villagers have been preyed upon for generations. Steven is stunned to discover Carla, the innkeeper’s daughter looks identical to his dead girlfriend. When she begs for his assistance against the vampire, he agrees to help them. Together with Dr. Van Helsing, he attacks Dracula using a variety of ingenious weapons against the supernatural. Dracula shows unusual powers that defeat them at every turn, including fireballs and lightning from his fingertips. He is constantly on a search for blood to satisfy his centuries-old bickering brides. When Dracula kidnaps Carla right out of her bed, Steven and Van Helsing desperately try to kill him before it is too late.

The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke’s heir and will inherit his estates. The Count has kept secret the existence of the Duke’s bastard, recently born. When the Duke learns of his child, he journeys to wed the mother, a baron’s daughter, in her father’s isolated chateau. The occupants of the castle are surprised and murdered by the Count and his men. The only ones to escape are the Duke’s friend, the skilled swordsman Lagardère, and the infant, a girl, now the rightful heiress to the Duke’s vast fortune. The Count believes the pair to have drowned, when in fact they have been concealed by a travelling troupe of Italian players. Twenty years pass. The Count has discovered that the two survive and seeks to have them slain. But Lagardère gains the confidence of the Count, and employment as his bookkeeper, through his clever disguise as a hunch-back…

When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a drifter working as a grounds keeper on a derelict army base, who takes them in. While Violet falls for him, Rosie becomes increasingly angry and hostile, and the sisters’ childhood bond is eventually destroyed forever.

A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?

Masaharu Fukuyama reprises his role from 2008’s “Suspect X,” playing the physicist-cum-detective Manabu Yukawa. The scientist-sleuth arrives in an oceanside town to speak on a panel. But when a man turns up dead outside the inn where he’s staying, Yukawa begins to unravel the connections that tie the victim to the activist daughter of the innkeepers, and a precocious boy who first appears on a train—and keeps popping up. It’s a Sherlock Holmes mystery with an environmental twist, and one that should please fans of a classic whodunnit.

Set in a post apocalyptic world where vampires named for Greek gods, and witches rule. It is a classic vampire story with some real twists: The plot centers around a male vampire named Eros who falls in love with a human named Samuel. Eros wants to “save” Samuel and make him a vampire, but Eros evil vampire lover, Dionysus has other ideas. Matters are complicated by Eros’ sister/lover, Persephone, an ambiguous Bookkeeper and three witches, who know secrets of the universe and The Laws Of Eternity.A deep tale of decadence,erotica and Major stylized horror themes,shot around surreal and post apocalyptic sets on one hand and lavish,dark Gothic atmospheres on the other.

It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

Overwhelmed widower Seth Webster is searching for a housekeeper to help him with his unruly six year old twin sons. “Mrs. Miracle” mysteriously appears and quickly becomes an irreplaceable nanny, chef, friend… and matchmaker.

12-year-old Oriko Seki, who lost her parents in a car accident, ended up living in her grandmother’s Onsen Ryokan “Haru no Ya.” With the ghost “Uribou” cohabitating with her and all the other odds, she ended up training to be a young female innkeeper. At first, she didn’t like the training, but gradually felt her admiration for her title and began to train seriously. Thus, the growth of the young warrior Oriko begins.