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Amy Newhouse must now fight the biggest battle of her life – cancer. Her open heart to the people of her school now sparks a passionate rally from the community. However, this passion dwindles as her cancer metastasizes. Her cancer seems to miraculously disappear, but just as it seems the community has prevailed and the battle won, Amy discovers that the deadly disease has returned and is incurable. Amy’s prayers for healing continue, but with the seemingly dried-up support of her community, and an apparent “no” from God, she dies from the one battle she cannot win. However, with her death comes life and redemption of Pampa High, as her club grows exponentially, redeeming the school of the once-rampant violence, drugs, and alcohol that she so passionately fought against, and proving to all doubters that God has a “Greater Yes” after all. Written by Anonymous
A womanizing yet lovable loser, Charlie, a waiter in his early 30’s who dreams of selling his book entitled “7 STEPS OF HEALING THE MALE BROKEN HEART” finds himself still working in restaurants to survive in the Big Apple. Low on cash, he’s left with no other choice but to look for a roommate to share his tiny studio. Surprisingly, the first person to answer the ad is his ex and only love of his life Pam, who broke his heart and disappeared without reason and the inspiration behind his book. The Pam he remembered was a youthful spirit with lots of money who is now broke and disheveled. A new story begins and it is up to Charlie to find out why she ran out on him and what’s happened to her over the past three years. With a potential new love in his life, he must gather the strength to help Pam get back on her feet without rekindling old feelings.
When Holly returns home for Christmas expecting the same as any other year, she’s blindsided to learn her family’s department store is on the brink of foreclosure. To keep the business going, Holly fills in as Santa’s Helper and meets the surprisingly young and handsome Nick, who has been hired to play Santa at the store this year. Their undeniable chemistry and charisma draw in big crowds, until suddenly, Nick disappears. As Christmas day inches closer, Holly scrambles to find Nick with only one clue – his misplaced black boot.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
Jacob is tired of living on the family farm, submitting to the rules of his father. One day he demands an early inheritance from his father, who shocks his young son by agreeing to give it to him. So, he heads to the big city doing things his way without restraint, and for a while he does well-surprisingly well. He takes huge business risks and converts his small fortune into a big fortune, despite his extremely flamboyant lifestyle that attracts the wrong women, including seductive Laura, whose rich boyfriend Frank is often dangerously nearby. Jake had it all: money, ladies, prestige-but then-he loses it all and just when he things he’s hit bottom the bottom drops some more- until he is eating out of dumpsters and eventually ends up living in a literal pig pen. Coming to his senses he heads home, determined to work in an entry level position for his dad, who surprises him once again by running to him-but is it to kiss him or kill him?
A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny’s former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak’s black-and-white Plus-X film stock.
James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
Chancer John lives for playing the odds – and he’s always willing to take a calculated risk. But when he meets the mysterious and beautiful female bookie Stan, he discovers there’s much more to gambling than just greyhounds and horses. Lured by her huge payoffs, John finds himself sucked into a surreal and dangerous word ruled by money, power and control. The question is how far will John go for the ultimate last big win?
Lifestyle guru and romance expert, Joanna Moret, has developed a fool-proof strategy for ending holiday loneliness and it’s all detailed in her best-selling book, The Love Audit. After appearing on a morning show, she is offered the biggest opportunity of her career—to throw the MacAllen Holiday Gala—and if all goes well she’ll get her own TV show. Little do her fans, or the MacAllen’s, know that she is newly single and can’t seem to apply her principles to her own love life. Joanna asks the morning show producer, Ted to pretend they are a couple or risk being exposed as a fraud.
A simple can of ravioli propels this spectacular 30,000-kilometre, eight-country journey through all phases of food production and the far flung sources of international ingredients. A dream-like voyage with glimpses of disconcerting realities, the story begins with a single mother toiling in one of the biggest open pit mines in Brazil and ends on the shelf of a grocery store in Finland. Along the way, the workers whose calloused hands mine, raise and harvest each ingredient reveal their dreams and hopes, like the Danish pig farmer who loves his sows but longs for a girlfriend, and the Portuguese tomato picker who wants to stay healthy long enough to pay her daughters way through university. Sumptuous photography and impressive sound design make an eloquent statement about our modern, globalized world, making us aware of the hundreds of invisible people who prepare the food we eat every day. -Gisèle Gordon (HotDocs.ca)
Timothy Hughes (Adrian Lockett) returns back from War only to face tragedy. His brother has been murdered , and they have no witnesses. which sends him on a downward spiral of Violence along with his Uncle ( DSR legend, Big Tuck), while being pursued by a DEA Agent (Christian Petrovich) under investigation , who takes one last chance at a new life but digs himself deeper than he ever thought. – Meanwhile a young Hispanic youth (Alexander Luna) gets in over his head trying to impress a Girl , that takes him down a dangerous road to the Mexican Cartel. Unknown to all 3, their lives will soon Collide . From RISING upcoming Director JUAN SALAS, comes this 8X Award Winning Indie EPIC. WINNER of Best Feature, Best Director, Best Actor, Best Supporting Actor and Best Editing across several Festivals.
THE KIDS MENU is a feature documentary from the team that brought you “Fat, Sick and Nearly Dead.” As filmmaker Joe Cross spent time traveling the world with his previous two films, he met thousands of people and one issue that came up again and again was what to do about the growing childhood obesity problem. In THE KIDS MENU, Joe meets with experts, parents, teachers and kids, coming to the realization that childhood obesity isn’t the real issue, but rather a symptom of a bigger problem. The lack of knowledge of what healthy foods are. Lack of access to healthy and affordable options. And the influence of negative role models, whether a parent, teacher or even a celebrity. All of this together seems to be a lot to overcome, but when empowered, kids often make the surprising choice of the healthier path.
Nile Rodgers has sold over 100 million records. As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the ’70s, as disco took the world by storm. Nile and musical partner Bernard Edwards captured the essence of New York’s iconic Studio 54 creating hit after hit for bands like Chic & Sister Sledge. But the music that had made Chic would also break them, thanks to the ‘Disco Sucks’ backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer of some of the biggest hits of the 80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. In this profile documentary, the ever-charismatic Rodgers contributes an engaging and often frank interview to tell the tale of how, born to Beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco’s most successful artists.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
A one-of-a-kind barbershop experience with unfiltered conversation and debate from the biggest names in sports and entertainment.
Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.
Brian Owens was once a prominent professor of quantum mechanics until an accident stripped him of his credentials; he now teaches at a community college. In order to reclaim his stature, he is trying to build the world’s first teleportation machine in his garage at night. All of this while being romantically pursued by one of the art professors at the college, avoiding the crazy old lady next door, and being harassed by the loan sharks he borrowed money from to build his machine. But his biggest problem is he can’t get his machine to work.
In 1984—before cell phones, the web, and reality TV, a young director set out to document a year in the life of a typical California high school. The result was “All American High”, an unusually honest and humorous look at 80’s teen life. Told through the eyes of a visiting foreign exchange student, the film presents an uncensored view of senior year in the era of big hair, punks and parachute pants. Thirty years after they lived it, some of the film’s original subjects return in new interviews, revisiting one of the most memorable chapters in their lives.
For Heather music is everything. Following in her mother’s footsteps, Heather has always dreamed about getting into Juilliard and becoming a classical pianist. But all her dreams get shattered the day her mum dies. Left with nothing but a piano and debts, Heather’s only option is to move in with her estranged father and half-brother. When her application for a scholarship is rejected, Heather’s last hope to see her Big Dream come true is swept away. Until one day she meets Toby, a hip and handsome music store owner who opens up a whole new world to her – the world of DJ-ing and dance music. Heather is carried away by this enticing underground world, and her heart starts to beat again to the rhythm of a new life – and a new love. Heather eventually finds herself torn between two worlds of music and as her audition approaches, time comes for her to choose. And for the first time in her life she starts questioning what it is that she really desires.
Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.
Set in what could be the same universe of Fargo and The Big Lebowski, THE TOY GUN is a fun-yet-gritty dark comedy about a meek young man who impulsively robs a bank to prove to his ex-wife that he is courageous and masculine. A police investigation engulfs everyone except our unassuming hero, who is, ironically, completely ignored.
A young upcoming fashion designer, gets a rude awakening when she fails to land an internship under one of the city’s biggest fashion designers. Thinking her dreams of making it as a fashion designer are lost, Stacy gets her big break when she meets a famous celebrity. Stacy, along with her two fashion forward pups, Coco (a Pomeranian) and Stella (a Chihuahua), become an overnight success. After designing the celebrity’s dress for a big red carpet event, a jealous competitor dognaps the pups.
Video game designer Matt Booth has one shot to save his career by unveiling his biggest project yet at the Video Game Awards in New Mexico. But after running into a friend at the airport and having a little too much to drink before his flight, he ends up in ACTUAL Mexico – specifically, Acapulco. As soon as he lands, he finds himself on the run from high-powered criminals, deadly hitmen and the Feds, all looking for a mysterious package that he has allegedly smuggled through customs yet knows nothing about. Partnering with a badass, beautiful femme fatale and channeling his inner video game action hero, the pair unravels a conspiracy that could shake the foundation of the United States, maybe even the world.