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Secrets, murders and lies… all in the name of family. In the middle of nowhere sits the Armadillo Café.The once popular, but now desolate, café is run by a strange family led a troubled, booze-addled mother (Betty Buckley) and a disturbed family (Lori Heuring, Brad Renfro, Jonathon Schaech). Their dark secrets are threatened when Sarah (Clare Kramer) arrives, seeking answers to her past.Turmoil reigns and emotions boil over as the horrifying truth unravels and Sarah barely escapes with her life.
Thirteen years ago, Aiden Ashley’s world was torn apart after an online stalker followed her into the real world and broke into the Ashley family home to claim the object of his desire. The resulting night of terror ended with the murders of both Aiden’s mother and father. The stalker escaped the scene without Aiden seeing his face; he is gone without a trace, an unknown man, a murderer now watching Aiden’s every move. To escape this danger Aiden spends the next 13 years offline, in therapy and secluded anonymity. Who should Aiden trust in a web of deception where no one may be who they seem? There is nowhere for Aiden to hide when someone wants to love her to death.
Friday night in Toronto’s lower west end. Chatter from a dinner party in Harry and Carol’s nouveau riche condo drifts through an open balcony door, as two freebase cokeheads, Pretty and Johnny, have a party on their own in the alley below. As the dinner guests leave, the hostess is nowhere to be found. Until, a wet thud and a sharp scream rise up to the balcony. Pretty stares in horror at Carol’s body, splayed on the alley floor, as Harry screams for help from above. The sharp burst of police sirens sends the cokeheads running as Peter, a middle aged police officer, sprints from his cruiser to check Carol’s vitals. Rocket forward three months and these five disparate lives begin to cataclysmically intersect through weaving multi-narrative story arcs that release spurts and geysers of long-suppressed sexuality and aggression. Beautiful things can happen when you hit rock bottom.
Chanel is living the high life until one day, while out shopping with her boyfriend DeAndre, they’re both arrested. As Chanel finds herself behind bars for a crime she didn’t commit, a judge places her under HOUSE ARREST. With nowhere to go, she is forced to move back in with her mother and daughter, who live on the ghetto side of town. While Chanel adjusts to her new lifestyle, DeAndre makes her a proposition from jail that will have her torn between her two lifestyles: take the blame or prove her innocence.
The Shannon is Ireland’s greatest geographical landmark and longest river. It is both a barrier and highway, a silver ribbon holding back the rugged landscapes of the west from the gentler plains to the east. On its journey south, the Shannon passes through a huge palette of rural landscapes, where on little-known backwaters, Ireland’s wild animals and plants still thrive as almost nowhere else. For a year, wildlife cameraman Colin Stafford-Johnson lives on the river, camping on its banks, exploring its countless tributaries in a traditional canoe, following the river from dawn to dusk through the four seasons, on a quest to film the natural history of the Shannon as it has never been seen or heard or experienced before.
It was an unprecedented occurrence in world history. Nowhere and never in well-governed democratic states, had the public broadcaster been silenced in such a manner that was characterized as “autocratic” and “undemocratic”. Within five hours, on the evening of June 11, 2013, the Greek Prime Minister Antonis Samaras turned off the switches of ERT, Greece’s public broadcaster, after 75 years of continuous operation. Both TV and radio frequencies fell silent, making screens broadcast black and the FM to buzz. The closure of ERT was an unheard-of political act that shocked Greek citizens bringing back memories from the dark period of the dictatorship. It also caused a fierce international outrage from all around the world. Why did the public broadcaster have to die?
A lesbian college couple becomes stranded in the middle of nowhere with a pack of orphaned Nazi teenagers hellbent on their demise.
A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dispatcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He’s a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Europe. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…
A sexy brain teaser of a thriller with nods to classic film noir of the past mixed with a post-modern flair of David Lynch-style surrealism and surprises. When Mickey Lewis, a homeless struggling artist crosses paths with Katrina, the beautiful rich wife of Arthur Webb and is enlisted to paint their home, deadly passions ignite. Soon hidden agendas, dangerous seductions, double and triple-crosses spiral Mickey’s life out of control leading to a motel in the middle of nowhere filled with strange people and twisted secrets that all hold the key to the mystery of Mickey’s past, present, and future. All it takes is – ONE IN THE GUN.
Five college friends go on a hiking trip in a remote area. What starts as a beautiful sunny day, turns into a deadly nightmare. After an encounter with a strange kid who just wants to play a game, their car mysteriously dies in the night. Stranded in the middle of nowhere, they decide to wait it out and find help in the morning… But not all of them make it through the night. As they desperately search for their missing friends, they stumble upon the haunting truth behind the strange kid, who has actually been dead for decades, and find themselves unwilling participants in his deadly game.
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can’t stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question – with very mixed results.
Vinny and Sebastion, two burnouts, going nowhere in small town suburbia and still riding the high of their high-school days, start a business doing the only thing they have ever excelled at…drugs. With the help of a jealous girlfriend and a rich goth chick, Vinny and Sebastion take on the mob, angry, geeky, frat-boys, and zombies in the search of the perfect high.
Erica Shepherd is a brilliant former CIA operative, now known as the most notorious traitor in American history serving life in a Supermax prison. Against every fiber of his being but with nowhere else to turn, FBI Agent Will Keaton enlists Shepherd to help track down a fiercely dangerous and elusive criminal she knows all too well. While Shepherd and Keaton have different motivations for bringing the enemy to justice, they both know that to catch a spy… they must think like one.
Jack is driving aimlessly on a road to nowhere with his imaginary girlfriend, Sally, when he meets Beth. The duo becomes a trio when escaped mental patient Bugs, also fixated on an imaginary woman named Sally, finds himself along for the ride with Jack and Beth. Disagreements between the new acquaintances coincide with a series of violent and criminal confrontations.
The Serengeti’s fight over life and death is between predator and prey. The omnipresence of grazing animals means abundant kills for prides of golden-maned lions. Solitary leopards haunt the acacia trees lining the Seronera River, while numerous cheetahs scour the southeastern plains. Almost nowhere else in Africa can all of the continent s jackal species be found in the same place. The immensity of this animal drama is equaled by the liberating vastness of open space so characteristic of the Serengeti Plains, which extend out from sun-baked savannas to shimmering golden horizons that seem to lie at the end of the earth.
Sex comedy takes a look at contemporary dating mores and hypothesizes that the new dating location may be the dog walk in the park. A mild-mannered man loses his present girl friend to another man. His attraction to a kid’s TV show hostess goes nowhere because of her obsession with her dog, Peanut. He then gets hooked up with an overly exuberant blonde who overwhelms him. He even lost his collie, Mogley, when his girl friend moved out. In a funny sub-plot, the collie is going to a doggie psychiatrist who determines the dog is being traumatized by his mistress’ sexual antics. Jeri and Jeff are best friends whose constant smooching simply makes the leads life less comfortable.
The film starts with Gian seeing some like spirit and it asks him to accomplish a task. The story starts when a stray dogs are searching some foods in the can. Then a dirty white dog comes out of nowhere. Just then, the dog creates a close stare to the stray dogs and forces to run away. But the dog is disappointed that he doesn’t know what to do after searching the garbage, under the pouring rain. After that, Suneo starts saying about the discoverable places on Earth and him and Gian are totally disappointed about that. That then, they are asking favor to Nobita to take them to an undiscovered place to be seen by their naked eyes. Nobita refuses but tells he will try his best. He comes to upstairs to explain Doraemon what the problem is now.
Set in Norfolk, amidst an idyllic, brooding landscape, an innocent teenage boy and his battle-weary father live a simple life. Days are spent hunting, fishing and daydreaming. Out-of-nowhere, disrupting this tranquility, a mysterious intense figure gives the green light for the father to complete one last mission; he is a mercenary, hired to assassinate a group of revolutionaries holed-up in a remote, disused civil service outpost. A mission that threatens to destroy not just the compound but the love between a father and his son.
Dillon stumbles on a little known news story about a company called Life Tracker Limited, which claims it has discovered a way to predict biological events in a human’s life by looking at their DNA. Everyone views the story as a modern day form of palm reading that will go nowhere, but Dillon keeps turning on his camera when he finds articles on the Internet or hears about it on the news.
Daffy undead gal Penny Dreadful, her smitten zombie buddy Ned, and lycanthrope Wolfboy relate three tales of terror in an old rundown movie theater: A young couple find themselves being stalked by a lethal jack-in-the-box in “Slash-in-the-Box;” mousy young lady Alice tries to figure out what exactly happened to her last night in “The Morning After;” and a group of friends encounter an eccentric backwoods family after their van breaks down in the middle of nowhere in “The Slaughter House.”
When the husband of an affluent woman kills himself, she loses the high life and pretty much everything and ends up on the street, days before she was due to give birth. With nowhere to go and no money, she is attacked and mugged, but a good Samaritan rescues her and takes her to a shelter called God’s Haven, a place of safety where she delivers her baby, but it turns out to be an entirely different world. A world run by danger, desire and deception.
Seven college kids take a shortcut on their way to a party and unfortunately end up in Wormwood – a “lost” town in the middle of nowhere. They find something strange and sinister happening there – bones and weird decorations line Main Street. The cause: local Wormwood legend says on All Hallows Eve one hundred years ago, a crazed man tortured the youngsters in town and then cut off their heads. In retaliation, the townspeople killed him by cutting off his head. Seeking revenge every seven years, he returns and takes seven heads from children in the town. Now the seven visitors find themselves hunted one by one as the Headless Horseman claims his due.
Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.
