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Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
In Los Angeles, Nikki is homeless, car-less and closing in on 30, but he’s amoral, good-looking, and adept in the sack, moving from one wealthy woman of 35 or 40 to another, a kept boy-toy. His newest gig, with Samantha, an attorney whose house overlooks L.A., is sweet, although it’s unclear how long she’ll put up with him. Then Nikki meets Heather, a waitress. Is the player being played, or might this be love? What will Nikki discover?
Having a self-absorbed New Age mother and an estranged father means 15-year-old Ellis Whitman has grown up relying on an unconventional guardian: a goat-trekking, marijuana-growing sage called Goat Man. So when Ellis decides to leave the alternative ways of his desert homestead for a stuffy East Coast prep school, major changes are in store. But not in the way you’d think. Though often stoned, the exceedingly smart and capable Ellis effortlessly aces school and excels at track. As the year progresses, it’s his relationships with the adults in his life that test him, challenging his beliefs about responsibility and trustworthiness.
If your enemy refuses to be humbled… Destroy him. Accompanied by his brother Kurt (Van Damme), American kickboxing champion Eric Sloane (Dennis Alexio), arrives in Thailand to defeat the Eastern warriors at their own sport. His opponent: ruthless fighter and Thai champion, Tong Po. Tong not only defeats Eric, he paralyzes him for life. Crazed with anger, Kurt vows revenge.
An accountant, who never quite grew out of his awkward teenage years, finds himself with a dating coach – she happens to be his high school crush as well. Thanks to his coach, he gets a pretty woman he has his sights on for some time, but realizes they are incompatible. Meanwhile, his dating lessons with his teenage crush reawaken old feelings. Not realizing the feelings are mutual, he finds himself unable to act on them due to his fear of being rejected by the one he truly loves.
The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson, a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don’t know why, people for whom life holds no easy answers.
Hee-Soo (Kim Sun-Young) is a popular songwriter with numerous hits, but she is going through a dry spell. She wonders if she lost her inspiration, because she is lonely. Hee-Soo then meets a boy (Byun Joon-Suk) in the elevator of an apartment building. She notices his stares. Hee-Soo feels a new song coming about. On the pretext of giving the boy music lessons, Hee-Soo gives the boy a lesson in love. As time passes, the boy falls for her more and more and Hee-Soo’s song is almost completed. At this time, Joon-Ho, who taught her about love and music, returns.
Suk-gyu is desperately looking for his runaway daughter. He spares neither money nor effort and after a while his search leads to results. One of his contacts claims to have found the girl. But joy is replaced by shock when he finds out that she works as a prostitute in the center of Seoul. Suk-gyu decides to pose as a client to get close to his daughter. But just before the long awaited and dreaded reunion, panic breaks out at nearby Seoul Station. The place is very popular with the homeless of the Korean capital. And one of them, who had died during the day, comes alive again and start attacking and eating another misfortunate. The undead cannibal epidemic spreads like wildfire. The authorities hermetically close off the city center and decide to wait out the end of the outbreak, until there’s no one left…
Gwendolyn Shepherd is a normal 16-year-old, but her family holds a secret: A time-travel gene is expressed in the clan inherited, but not every member of the family is blessed with. Everyone is certain that Gwen’s cousin Charlotte has the gene. However, someday Gwendolyn suddenly finds herself in London at the end of the 19th century and realizes that it her, who was born a time traveler. While she is not very enthusiastic about it she will do everything possible to solve the ancient mysteries of the red ruby.
It’s the eve of Christmas in northern Finland and an “archeological” dig has just unearthed the real Santa Claus. But this particular Santa isn’t the one you want coming to town. When all the local children begin mysteriously disappearing, young Pietari and his father Rauno, a reindeer hunter by trade, capture the mythological being and attempt to sell Santa to the misguided leader of the multinational corporation sponsoring the dig. Santa’s elves, however, will stop at nothing to free their fearless leader from captivity. What ensues is a wildly humorous nightmare – a fantastically bizarre polemic on modern day morality. RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and is a darkly comic gem soon to be required perennial holiday viewing.
After his movie and television career has run dry, Bruce Madsen (Adam Carolla) is forced to go back on the road playing one dingy comedy club after another, spending endless nights in budget hotel rooms and always flying coach. Amidst trying to revitalize his career, rekindle his love life and put his daughter through college, Bruce knows one thing for sure – he must get off the road. ROAD HARD is the story of that journey.
In the international world of gun running… loyalty, honor and discretion are valuable commodities, but nothing is more priceless than the bond of family. Power begets enemies and a loved ones betrayal cuts like a knife. Sides will be chosen, wars will be fought. In the end, there can only be one King.
Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts — he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie’s father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son’s entreaties to spend money to clean up the place.
After a long interstellar search, man has found a second home: New Earth. After the scientists, the governments, the military and the wealthy, the hopeless masses of Earth too want their chance at a new life on this emerging world of wonder and opportunity. ‘Taking the Leap’ in whatever way, lawfully or not, has become the dream of millions. In order to deal with illegal stowaways and human trafficking on a Biblical scale, specialized police cadres have been activated. In 22nd century London, this is the Inter-Planetary Migration Administration. Confrontations between IPMA units and the smuggling rings are merciless, if not most for those caught in the middle. Jacob Reiss is a conscientious but disillusioned IPMA detective, a veteran with 15 years of service. An encounter with a Cartel prostitute presents him with an opportunity he had given up on, a chance to save himself from a crushing secret in his past, as well as an empty future on Earth.
HOOVEY is the true and inspiring story of the Elliott family, who refused to surrender, instead turning to one another and their faith in the worst of circumstances, to rebuild their lives, their boy, and their dreams… together. Step by grueling step, with faith, love, and the tireless work of a mother and father to save their family, their farm, their dream, Hoovey learns to walk again. To read again. To dribble and shoot a basketball again. And yes, to dream again himself. Then stepping out in his faith, back onto the hard court, to live that dream of playing this game once more…
As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
Bud and Doyle are two losers who are doing nothing with their lives. Both of their girlfriends are actively involved in saving the environment, but the two friends couldn’t care less about saving the Earth. One day, when a group of scientists begin a mission to live inside a “Bio-Dome” for a year without outside contact, Bud and Doyle mistakenly become part of the project themselves.
After a friend overdoses, Spoon and Stretch decide to kick their drug habits and attempt to enroll in a government detox program. Their efforts are hampered by seemingly endless red tape, as they are shuffled from one office to another while being chased by drug dealers and the police.
In 2007, in the midst of the drought and water shortages, the NSW State government has unveiled plans to tap into and recycle millions of litres of water trapped in a network of abandoned train tunnels just beneath the heart of Sydney. However the government suddenly goes cold on the plan and it is not made public why. There is talk of homeless people who use the tunnel as shelter going missing, even though the government states that there are no homeless people in there. This, and the silence from the officials and ministers, leads a journalist, Natasha to begin an investigation into a government cover-up. She and her crew Pete (Producer), Steve (Cameraman) and Tangles (Sound Technichian) decide to investigate the story in the tunnel.
After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.
For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.
Being a teenage virgin in Bangalore, India, during the 1980s was not for the faint-hearted. If you were a quiz nerd on top of that, forget about it. Naman, a young quizard who is determined not to sleep alone, leads his hopelessly nerdy high school friends on a trip to Calcutta with their eyes on a major college quiz prize. Young, smart, and full of heart, the trio are determined to win, but they’re just as determined to lose their virginity in the process.
Based on a true story, The Christmas Choir is the inspiring account of how one man can make a remarkable difference simply by giving of himself. Workaholic accountant Peter Andrews (Jason Gedrick) has overlooked Christmas, friends and even his fiance for far too long. As a result, his life begins to fall apart. But a chance encounter with a homeless man named Bob (Tyrone Benskin) changes everything and inspires Peter to start a choir that eventually goes on to enormous success. With the help of the unconventional Sister Agatha (Rhea Perlman) and his new found friends at the shelter, Peter learns that Christmas is not a season but a state of mind and that everyone deserves a second chance at life and love.
When radio love guru Dr Emma Lloyd convinces Patrick Sullivan’s fiancée to dump him the week before their wedding. He sets about teaching her a lesson for interfering in other peoples lives that she knows nothing about. Things take a turn when he finds himself falling for the very person who ruined his life and everyone is going to have to learn a few lessons about ‘Real Love’
Young Samantha Walker has been tortured by nightmarish visions for years. With the help of Dr. Hoffman, she faces her unknown past by taking his advice and traveling to Germany. Having been adopted in the U.S. as a baby she decides to seek out the true roots of her ancestral past. Her journey leads to “Wallenhausen”, a former German convent. Samantha’s break-in to the convent at night becomes a fight for life and death as a masked monk starts the merciless killings of her companions one after another. Finally the secret of her past reveals itself and she has to face – the Sin Reaper.
Jill and Joy (both 9) live in their own house like any other little girls, except that they might be a little happier than most little girls, as they get to live in their own house specifically designed for the two. One December evening a small car, barely the size of a shoebox, pulls up in front their house, and a teensy-weensy family gets out; it’s the McTiny family. The family has become homeless after a road roller smashed their home. Planning to live with the girls temporarily, the family moves in with Jill and Joy but soon finds out that not all big people have good intentions towards them. Jill and Joy’s Winter is based on a beloved book by the same name, written by a Finnish writer named Marjatta Kurenniemi.
Ronnie, Wal, Andy and Vic are four bored, unemployed teens in dreary, rainy Glasgow. Ronnie comes up with a great idea. He has noticed that stainless steel sinks are worth a lot of money and comes up with a complicated scheme: to steal sinks from a warehouse dressed as girls and using a stop-motion-potion.
A successful artist looks back with loving memories on the summer of his defining year, 1974. A talented but troubled 18-year-old aspiring artist befriends a brilliant elderly alcoholic painter who has turned his back on not only art but life. The two form what appears to be at first a tenuous relationship. The kid wants to learn all the secrets the master has locked away inside his head and heart. Time has not been kind to the old master. His life appears pointless to him until the kid rekindles his interest in his work and ultimately gives him the will to live. Together, they give one another a priceless gift. The kid learns to see the world through the master’s eyes. And the master learns to see life through the eyes of innocence again. This story is based on a real life experience.
Orphaned and homeless Ranbir Raj re-locates to a small town and orders a glass of milk in the RK Bar. He befriends a prostitute by the name of Gulabji, who invites him to spend the night with her, and when he refuses, she re-directs him to Lillian who rents out rooms. Ranbir meets with Lillian, who has been living alone for 37 years after her son, Vincent, left to join the army and did not return.
Brooke and Roger, two graphic designers in a soon-to-be-merged company, help one another by agreeing to a loveless marriage of convenience, suggested by their new boss. In the process, Brooke gets to upstage the sister who just announced her engagement to Brooke’s ex-boyfriend during the holidays. But, with their “marriage” in question, will Brooke and Roger find a spark they didn’t know existed?
The successful artist and playboy Juan is a notorious seducer of women, through his ability to be just what a woman dreams of: Charming, charismatic, strong, sensitive, sexual. Driven by a restless urge to conquer new women, use them, and throw them away, he has hired his friend Leporello to help create a masterpiece: A filmed database of all the women whose dreams Juan has shattered. We follow Juan and Leporello through 24 compressed hours. Juan seduces the young upper-class girl Anna, but ends up accidentally killing her father, a powerful police commissioner. The two friends run away, but Juan’s constant need to seduce new women keeps interrupting their flight. As the police gains in on them, Juan also steals the young bride Zerlina from her groom Masetto, and soon a feverish manhunt is on for Juan.
East is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couples entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.
Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
Edna keeps her younger sister Millie drugged and chained to her bed. The drugs have made Millie a nymphomaniac who’s endless supply of men that Edna providers her cannot satisfy her and seeing her sister unsatisfied gets Edna off. But Edna’s main plan from all of this is to inherit her deceased parents’ fortune which is supposed to all go to Millie on her 21st birthday, so if she can prove Millie insane she will get the fortune. But when one of the men appears to satisfy Millie, Millie discovers the outside world and the two will try to stop Edna’s evil plans.
When underappreciated video specialist Joe Scheffer is brutally humiliated by the office bully Mark McKinney in front of his daughter, Joe begins a quest for personal redemption. He proceeds by enduring a personal make-over and takes martial arts lessons from a B-action star. As news spreads of his rematch with Mark, Joe suddenly finds himself the center of attention, ascending the corporate ladder and growing in popularity. He’s determined to show everyone in his life that he is not a nobody, but a force to be reckoned with.
After Faye and her psychotic boyfriend, Vince, successfully rob a mob courier, Faye decides to abscond with the loot. She heads to Reno, where she hires feckless private investigator Jack Andrews to help fake her death. He pulls the scheme off and sets up Faye with a new identity, only to have her skip out on him without paying. Jack follows her to Vegas and learns he’s not the only one after her. Vince has discovered that she’s still alive.
A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.
David begins experiencing cloudy memories of a long-lost life, a murderous existence before he moved to America, where an accident took his memory and his sight. Under the wing of Don Michele, he was a chosen of the violent, Sicilian Cortello family…a family he ultimately betrayed. Now fleeing his ruthless New York City mafiosa existence as part of the family overseen by the irrational and explosive Don Federico–his half-brother, unbeknownst to him–David embarks on a journey back to his Italian origins. Enroute on a train, he encounters a mysterious woman, as well as Father Leonard (Danny Glover), who senses that they all have a connection…and that David has a past that weighs heavily on his mind. But the priest has secrets of his own, having long ago murdered the notorious Williams (Steven Bauer). As Don Federico also sets out for Sicily, each of their paths are destined to cross in bloody confrontation, an atonement of long-ago sins.
Smart and brazen comedian Iliza Shlesinger shares her unflinchingly honest observations on the differences between men and women. Filled with hashtag-able catch phrases, this is a laugh-out-loud revelation exposing some of women’s best kept – and ugliest – secrets, including truths about first date attire, fantasy break-ups and the tireless pursuit of not being cold while still looking hot.
