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A solitary middle-aged bachelor and a naive Irish teenager transform one another’s lives to arrive at a place of recognition, redemption and wisdom in Atom Egoyan’s adaptation of William Trevor’s celebrated 1994 novel. Seventeen and pregnant, Felicia travels to England in search of her lover and is found instead by Joseph Ambrose Hilditch, a helpful catering manager whose kindness masks a serial killer. Hilditch has murdered several young women, but he has no conscious awareness of the crimes; like Felicia, he doesn’t see his true self. Felicia’s Journey is a story of innocence lost and regained: Felicia awakens to the world’s dangers and duplicities; and Hilditch, who grew up lonely and unloved, comes to realize what was taken from him, and what he himself has taken.
Expanding on ideas from “La Tarea” (Homework), Director Jaime Humberto Hermosillo continues his story, now of a young man completing an assignment for his film/video class. The young man invites Marieda, a middle-aged woman, over to his aunt’s house to rehearse for a video drama she believes they will eventually record. But she doesn’t realize that she is being videotaped since her arrival. After a faux-sex scene rehearsal, they do make love, which causes an unexpected reaction within the young man. Minutes later the real horror of their true relationship is revealed!
London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world. This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai) who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.
After Satoru Watarai graduated from elementary school, he dropped out of school and decided to live within his apartment complex, never to venture outside. Satoru Watari then meets his old friends as they are coming back from their middle school classes. Satoru has now gotten a job at a cake shop within the apartment complex and eventually gets engaged to one of his friends. Satoru, still lives within the apartment complex only, but, as time passes, more of his friends leave ..
Mathieu Roy’s L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man’s health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist’s translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.
Documentary feature film that follows the personal stories of families struggling in the aftermath of the worst economic crisis since the Great Depression. Filmed over the course of one winter in one American city, the film presents an intimate snapshot of the state of the nation’s economy as it is playing out in millions of American families, and highlights the human consequences of the decline of the middle class and the fracturing of the American Dream
A bus drives 5 young couples to an old castle in an unknown location. They have responded to an advert looking for people to take part in a 30-day medical trial. The company running the experiment, led by the co-ordinator, explains there will be no contact with the outside world. The group are free to leave at any time, but if they do, they will forfeit their fee: £20,000 per couple. Mysterious, unexplained events occur around the castle and strange noises are heard in the middle of the night. At first the group are skeptical – they think the company is creating the illusion of a “haunting” to test their reactions, until it is revealed there is something more sinister involved.
The story of a band of brothers who travel the world in search of the answers to the burning questions: Who am I? Who is Man? Why do we search for meaning? Their journey brings them into the middle of the lives of the homeless on the streets of New York City, the orphans and disabled children of Peru, and the abandoned lepers in the forests of Ghana, Africa. What the young men discover changes them forever. Through one on one interviews and real life encounters, the brothers are awakened to the beauty of the human person and the resilience of the human spirit.
Young Public Prosecutor Keiichiro Okino (Kazunari Ninomiya) is assigned to the department of Tokyo Public Prosecutors Office which deals with violent cases. He is thrilled to work with Takeshi Mogami (Takuya Kimura) whom he admires. One day, an elderly money lender is killed and Shigeo Matsukura is identified as a suspect. He borrowed money from the victim. In his past, Shigeo Matsukura testified in a female middle school murder case. Takeshi Mogami is aware of the heavy grief carried by the deceased girl’s family and he tries his best to prove Shigeo Matsukura’s guilt. –asianwiki
Anna Kalman is an accomplished actress who has given up hope of finding the man of her dreams. She is in the middle of taking off her face cream, while talking about this subject with her sister, when in walks Philip Adams. She loses her concentration for a moment as she realizes that this is the charming, smart, and handsome man she has been waiting for.
A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, “After” is about the Valentinos, a middle class clan facing financial hardship–their family stone cutting business is slowly failing–and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.
Flatland is a two-dimensional universe occupied by living geometric figures – squares, triangles, circles, etc. A Square, Attorney At Law, finds himself in the middle of two upheavals: the rise of martial law by the circular leadership of Flatland, and the arrival of A Sphere, CEO Of Messiah, Incorporated, a creature from a hitherto-unknown third dimensional world.
Two middle-aged women move to Hollywood, California after their sons are convicted of a notorious murder and open a dance school for children eager to tap their way to stardom.
It is widely believed that the 9/11 attack was an inside job – but by whom? Many believe it was a political ruse to instigate war with the Middle East and to justify removing many of our civil liberties. Also, since 9/11 we have been placed under a microscope, our privacy removed as we are being watched and profiled by a sinister force with a malevolent agenda. The theories and conclusions that the Government was responsible, though partially true, have taken a surprising new twist – as there may be another explanation, one much larger in scope and much more terrifying.
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.
