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Graced with the instinctive ability to dance, Jenny Thomas wants nothing more than to become a professional dancer. All of her hard work pays off when she is accepted to a prominent dance program in New York. Against her mother’s will, but with the support of her father Jenny leaves her small Mormon town in Utah and heads to New York in pursuit of her dream. Jenny must fight to earn her scholarship and try to find a balance between the man of her faith and the man of her dreams.
As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).
TURNER STULL(Barlow Jacobs), an uninspired young man, trying to figure out what he wants to do with his life, arrives in hurricane-ravaged New Orleans to work as an insurance claims adjuster. Greeted by his UNCLE STULLY(Robert Longstreet) a seasoned claim adjuster, and an ambitious group of adjusters, he is quickly immersed into the routine: move fast, don’t get emotionally involved, and make a lot of money. But Turner, not prepared to deal with people who have lost everything, is totally overwhelmed. Turner’s lack of experience and uncertainty only makes things worse. In a moment of crisis, Turner agrees to help NIXON(Eddie Rouse), a local man, find his lost dog. In exchange for Turner helping look for the lost dog, Nixon lends a hand with Turner’s insurance claim’s. Turner and Nixon begin to navigate their way through the storm-ravaged city, a journey that will change Turner’s life.
Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom’s the technical chief. A third partner wants a buy out; girlfriends come and go; Tom’s daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?
Ooejo agricultural high school is located in Hokkaido. Most students are from families involved in agriculture and their dreams are to continue working in agriculture. Meanwhile, Yuugo (Kento Nakajima), who graduated from a prestigious middle school, applied to the Ooejo Agricultural High School just because the school has a dormitory. Yuugo, who grew up in the city, finds himself in an unfamiliar environment at Ooejo Agricultural High School, surrounded by nature and animals. Yuugo is also the only one who doesn’t know what type of career he wants to pursue. Yuugo becomes impatient. He goes through struggles everyday, but he he also gets to know the other students and rural life in general. He begins to grow as a person.
A bittersweet coming-of-age film based on a novel dealing with forestry. Yuki Hirano wants to live an easy life, like working a part-time job after his high school graduation. But, after his high school graduation, Yuki hears from his homeroom teacher that he has been hired for a job. When Yuki gets home, his mother is packing his stuff. Yuki’s mother and his homeroom teacher decided that Yuki will work as a forestry trainee after his graduation. Yuki will have to go Kamusari Village. Since then, Yuki begins to work as a forestry trainee and becomes assimilated with the beauty of nature and the warm-hearted people in the village.
After running into a neighbourhood acquaintance at the local used record store who shared his list of 15 reasons to live, Alan Zweig felt a strong compulsion to make a film on the subject, despite his admission, “I didn’t make lists and I never thought about reasons to live.” From this inspiration begins a series of episodic chapters adapted to the themes of Ray Robertson’s collection of essays. The participants are as eclectic as the list, sharing personal anecdotes related to (among other themes) work, love, intoxication, humour, solitude, duty, home and death. Humorous and sometimes heartbreaking, Zweig’s compassion for his subjects and their stories, expressed through his conversational and candid interview style, ties these vignettes together in a visual essay that strikes deeper chords about finding meaning in our existence. Amongst his subjects’ reasons to live Zweig finds a couple of his own in his touching, honest and endearing way.
The life of a Middle-East family of immigrants in Europe. The father carries the heavy burden of banishment. To rescue his culture, his traditions, is mandatory, so he remains faithful to his past, his origins, to himself. His daughter is now a grown-up. He worries and wishes she would get married soon. The young woman leaves the family home every morning, but changes her clothes in a bar before she goes to work, her hair down. She puzzles the young boss of the company that employs her. He fell in love and is ready to do anything to marry her. But the young woman keeps her freedom of choice, just like her mother had done with her father. She won’t have time to introduce the only man for her to her parents. A friend of her father’s catches them. In a cafe.
Some thirty years ago, a working-class subculture was taking grip of cities across the UK that has left a lasting legacy. This began on the back of the mod revival of the late 1970s when notorious football firms from the cities like Liverpool, Manchester and London stole expensive designer sportswear from the countries they visited. It didn’t start with the high-street giants telling these lads what to wear. Instead, they set the trends and the high-street stores caught up. As the 1980s began in Britain, under the radar the ‘casual’ had already arrived. From Barcelona to Berlin, Milan to Moscow, teenagers today are copying fashions and a culture that developed on the streets and terraces of British cities. But how did the football casual subculture come about? What did they stand for? What made them tick? Why it’s legacy is still having an impact on today’s fashion industry.
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
At age 82, Mitch Albom’s former rabbi Albert Lewis wants the famous Detroit sportswriter to give his eulogy when the time comes. Albom makes a visit to his former home town in New Jersey, where Rabbi Lewis has served a congregation for about 50 years. Albom doesn’t feel worthy, especially since he is no longer a practicing Jew and, in fact, he has married a Christian (who apparently isn’t active either). Nevertheless, Rabbi Lewis says he is the one to do the job, and over the next eight years, Albom makes several visits back home and even attends some Sabbath services, where the good rabbi is determined to continue working and inspiring his flock even as his health declines.
Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop – until he notices a pattern in his experience, and works to uncover why this is happening to him – and what or who is behind it.
In 1945, Japan surrendered to the United States and the Second World War was over. Right? Wrong. For eighty percent of the Japanese community in Brazil, Japan had won the war and defeat was nothing more than American propaganda. The few immigrants that accepted the truth were persecuted. Some were hunted down and assassinated – by their own countrymen – causing the start of a new, private war. Dirty Hearts is a thriller and love story told by the wife of one of the fanatics dedicated to preach Japanese victory. Little by little, she watches her husband, a hard-working immigrant, become an assassin and their love story fade away.
A simple can of ravioli propels this spectacular 30,000-kilometre, eight-country journey through all phases of food production and the far flung sources of international ingredients. A dream-like voyage with glimpses of disconcerting realities, the story begins with a single mother toiling in one of the biggest open pit mines in Brazil and ends on the shelf of a grocery store in Finland. Along the way, the workers whose calloused hands mine, raise and harvest each ingredient reveal their dreams and hopes, like the Danish pig farmer who loves his sows but longs for a girlfriend, and the Portuguese tomato picker who wants to stay healthy long enough to pay her daughters way through university. Sumptuous photography and impressive sound design make an eloquent statement about our modern, globalized world, making us aware of the hundreds of invisible people who prepare the food we eat every day. -Gisèle Gordon (HotDocs.ca)
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
When Duffy Bergman, a New York cartoonist, meets Meg Lloyd, a gourmet chef, he discovers the love of his life and they marry — yet love alone isn’t enough to make them happy. Meg decides she wants to have a baby, a goal that initially makes Duffy frantic, but soon becomes his most important desire as well. When they are unable to have a baby, Meg begins concentrating on her career and the two slowly drift apart — eventually separating. Later, when Duffy is speaking at a convention of the Delta Gamma sorority, he reveals that the Delta Gamma girls have always been his dream girls — his Love Goddesses. There he meets the young and uninhibited Delta Gamma girl, Daphne Delillo. When Daphne moves to New York to work as a network sports reporter, their mutual attraction and Daphne’s spontaneity spark an adventurous new relationship for Duffy. Now Duffy must decide which is more valuable to him — the relationship he has given up, or the relationship he has always dreamed of having.
Judy Wilson (Gale Storm), feeling neglected because both of her parents are working in defense plants, meets and falls in love with Danny Chester (Jackie Cooper), who enlists in the Navy and is sent to San Diego for training. She accepts an invitation to go on a ride to San Diego with her friends Herb (Neyle Morrow), Opal (Evelyn Eaton)and Jerry (Jimmy Zahner) but doesn’t know the car has been stolen.
At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station’s bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.
The story follows the 10th anniversary of Bo and Keung. In the ten years, the couple has gone through quite a number of ups and downs. After trying to develop his career in the mainland, Keung has returned to work in Hong Kong while Bo has stayed in Hong Kong to run a wedding consultancy firm. Bo firmly believes that love is forever and has witnessed over the years numerous sweet stories of love bearing fruits. However in private, the love between her and Keung has long turned bland. Keung wants to have children but Bo cannot care less. Once again, the couple is plunged into emotional ebb. Meanwhile, the betrayals years back begin to emerge again…
Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he’s in a war zone, and he wants to change jobs to something less stressful. But he’s got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he’s dead and goes looking for him. She’s helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they’re determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison’s son Cesar is looking after his father’s prized greenhouse, keeping hope, and flowers, alive.
Rain pours down on a seemingly deserted city surrounded by thorns. Wolf gargoyles line the towers. Imprisoned in one of the towers a young woman, Veronique, locked away by her evil step siblings. They are the only survivors of a city that went to sleep for 1000 years, kept alive by an army of clockwork servants. The rest of the city s inhabitants lie around them, the decaying dormant. Veronique has a sister, a wolf sister separated from her at birth. Veronique has always had an affinity with the wolf spirits that live in the forest of thorns and soon she will find out why they call to her.
Dorian and Angus chase down their womanizing stepfather with a helicopter, frightening him to death. In his effort to cover their tracks, Dorian begins investigating his stepfather’s mistress, Sally. She works at a fast-food drive-through, she’s pregnant and Dorian quickly falls in love with her. Unfortunately, his scheming mother wants Sally dead. And Sally isn’t sure she wants Dorian to be her child’s father and also his brother.
A suburban couple’s ordinary lives are rocked by the sudden discovery that their children possess mutant powers. Forced to go on the run from a hostile government, the family joins up with an underground network of mutants and must fight to survive.
Seth is a youth with artistic leanings, a fascination with Black pop culture, and a dead-end life in an Adirondack village. He’s alternatively sensitive and brutal with Kristen, who wants a sexual relationship that he explosively rejects. Late one night, as he’s closing the cafe where he works, a young Black man attempts to rob him at gun point but faints from illness. Seth takes the man, Knowledge, an escapee from a nearby prison, to a family cabin where he nurses him and they begin a tentative friendship. When the sheriff learns of Seth’s harboring a fugitive, a confrontation looms. Relationships between fathers and their children dominate the subplots.
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
Jolana (18) is an object of her stepf-father’s desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
Two escaped convicts roll into the village of Happy, Texas, where they’re mistaken for a gay couple who work as beauty pageant consultants. They go along with it to duck the police, but the local sheriff has a secret of his own.
