Search
Legally Brown brings together for one night the funniest headline comedians who just happen to share one common threat, the color of their skin and their perspective on what that means in a post 911 world. Hosted by Tony Plana (ugly Betty) and starring, Alex Reymundo (Latin Kings of Comedy) Jerry Bednob, (Kumar go to white castle) Cristela Alonzo (Last Comic Standing runner up) Willie Barcena (Comedy Central) Omar Elba (Egyptian Born) and Border Patrol Agent Bubba Gomez (Rick Najera) poke fun at stereo types and the Arizona immigration law and prove that once and for all funny is truly funny no matter what color or religion you are.
Chanel Chiu is a deadly assassin who lives by a simple code – a promise must never be broken. She learned this from her husband of ten years. Dior Mok is a thief and equally deadly and she hates men who are disloyal, something she thinks her boyfriend is not. Alas, what they don’t know is that they are sharing the same man but neither of them are going to give him up without a fight!
Set in 1901, this period epic follows Willem Morkel, a Boer family man whose wife and son are murdered during the Anglo-Boer War. Captured as a prisoner of war, Willem must survive incarceration in the notorious St. Helena concentration camp and defeat the ruthless Colonel Swannell, at his own game—Rugby
Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
An ultra-secret government weapons project is headed up by a mad scientist’s grand-daughter. Her mission: recreate the demented killing machines known as Astro Zombies. It doesn’t take long before the deadly mutant clones escape from Area 51 and all hell breaks loose! Elite teams of Men In Black attempt extreme damage control measures, while government officials, master criminals, and the famed Doll Squad spring into action — creating a mess of epic proportions!
Hakeem and A-Mac are like brothers. Together facing immigrant life in Montreal, while ‘spotting’ cars after school. Boost gives us a glimpse into the awkward adventures of teenage boyhood, then the jolt, when that innocence ends abruptly.
Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
Invasion Ireland is a science fiction comedy feature film. Presented in a live news format, the story begins in an Irish future where Martians are living with the Irish. Temperatures are boiling and the recession is at its worse. The world stops to watch live coverage of Zelog, a disgruntled Martian who is holding the occupants of a house in Finglas, North-side Dublin hostage. A live news crew are recording his every word and all sorts of ‘spin doctors’ and ‘know-it-all’s’ are in the studio using the possibilities of Armageddon as a platform to ‘plug’ their books and careers.
Comedy – It’s not stalking – it’s extreme romance! Mikey’s video diary is a warts-and-all tour into obsession, striving to be the best and confronting our own fears in the pursuit of love. Part educational, part romance, and completely wrong, this feature comedy is the ultimate celebration of dedication, the anti-hero, and home security. – Jessie McKay, Bill Keir, Pauline Lander
A federal agent, Kate Parker arrives in a small rural town to extradite Claire Scott, a young woman suspected of murdering a government scientist. Kate is prevented from delivering her prisoner as the mysterious John Lawson, a rouge agent, now selling classified information on the black market, wants what Claire has – a deadly biological formula. Claire, unaware that she has it, proclaims her innocence, and together with Kate, must escape from Lawson and his two seasoned assassins Mr. and Mrs. Jones. Harry Eden, a CIA operative and Kate’s former lover, is dropped into the equation to help Kate but ultimately might lead to her demise as a deadly game of cat-and-mouse is played to its extreme.
His name might not be very familiar, but the works of graphic artist Milton Glaser — whose prolific output includes the “I Love NY” ad campaign, as well as album covers for Townes Van Zandt and Nina Simone — are recognizable to many. Revisiting the famed paintings, drawings, logos, prints, posters and other works by Glaser, filmmaker Wendy Keys creates a rich and engaging mosaic of a key figure in American iconography.
Makoto Tanaka (Tadanobu Asano) is 40-years-old and has remarried. His wife is Nanae (Rena Tanaka) and they care for 2 daughters from Nanae’s prior marriage. Makoto tries to have an ordinary family. Nanae then becomes pregnant. Afterwards, things begin to change among the family members.
Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life’s obsessive work as an erotic artist.
70-year-old Mati is a passionate bibliophile whose job is his hobby – he´s got a job at the library. The rest of his little time he shares with his sweet wife. Then one sudden day death comes to his spouse. A whole life of stability crashes. Neither his adolescent daughter nor his dear books are of any help. Loneliness and indifference overrun his life and Mati plots his suicide. A strange 60-year- old wayfarer, Sass, who travels with a backpack of books and frequents public libraries to read the newspapers, brings forth a change. Bit by bit he starts to provide Mati with an interest in life again. “A Friend of Mine” is a warm expression of solitude and friendship, which helps us to overcome the bleakest periods of life.
Three years ago, a father saved his daughter’s life. After she’s involved in a car accident, it looks like he’ll have to do it again, no matter how many attempts it takes.
It’s a full Valentine’s Day weekend at the Inn when Olivia and Mick host Mick’s sister Bonnie and her finance Sean, Mick’s daughter Julie and her boyfriend Wyatt, and Olivia’s mother Nora and her boyfriend Johnny. Bonnie brings her new fiancé Sean, and they plan to marry at the Inn that weekend, and Julie announces she plans to drop out of college to pursue her passion for cooking. While Olivia plans the wedding, Mick expresses his concerns to both Bonnie about the distant Sean, and to Julie about dropping out of college. Wyatt, too, is troubled by Julie’s decision to leave college, and the two have a fight that may end their relationship. As the wedding approaches, Sean reveals a secret that he has been keeping all weekend, and Johnny has a surprise of his own in store.
Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she’s determined to make a new start and she’ll do it with style and panache.
Neïla Salah grew up in Créteil, a tower block suburb on the outskirts of Paris, and dreams of becoming a lawyer. She has been accepted into a major university in Paris and on her first day there she is confronted by Pierre Mazard, a professor known for his provocative behavior and blunders.
To make amends for an incident, he accepts to help Neïla prepare for a prestigious competition in courtroom eloquence. Both cynical and demanding, Pierre could become the mentor who she needs… But first both must overcome their prejudices.
Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.
A group of eleven recruits, composed entirely of excruciating social stereotypes, and one dorky camp instructor, embark on a weekend-long work retreat in the quasi-wilderness of northern south-east Queensland. Everything goes relatively smoothly, that is to say, lamely, until (you guessed it) one of the group turns out to be a homicidal maniac hell-bent on dispatching the others in a variety of creative ways. Based on the Pulitzer-Prize-winning novel (sic), The Killage is a wacky, fright-filled journey into the darkest recesses of the human intestines. Bring a box of tissues.
Written by Pulitzer Prize-winner Paula Vogel, created by Ms. Vogel and Rebecca Taichman, and directed by Ms. Taichman, Indecent is about the love and passion to create theatre, even in the most difficult of circumstances. The play follows a troupe of actors, the cast of Sholem Asch’s God of Vengeance, who risked their lives and careers against enormous challenges to perform a work in which they deeply believed, at a time when art, freedom and truth were on trial. It is a story told with compassion and honesty, but also with great theatricality, and joyous songs and dances. The capture of Indecent was completed just prior to its final Broadway performance in August. Eight high-definition cameras captured every heartbreaking moment of this production at Broadway’s Cort Theatre.
12-year-old Katie has had a short but rough life. When her mother dies from an apparent suicide, her cousins decide to adopt her. Katie adores her new family and will not let anyone, including her abusive father, take her away from them.
McCord’s gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw “The Oklahoma Kid” Jim Kincaid takes the money from McCord. McCord stakes a “sooner” claim on land which is to be used for a new town; in exchange for giving it up he gets control of gambling and saloons. When Kincaid’s father runs for mayor, McCord incites a mob to lynch the old man whom McCord has already framed for murder.
The television movie is set in the city of Dimmsdale and centers on the series’ main protagonist Timmy Turner with his fairy godparents Cosmo and Wanda and his fairy godbrother Poof. In the movie, Timmy is now 23 years old but is still in fifth grade with his fairy-obsessed fifth grade teacher Mr. Crocker. Despite being grown up, Timmy finds a loophole in the fairy rulebook Da Rules: if he continues to act like a kid, he will still get to keep his fairies. However, the dilemma rises when Tootie, who was once a dorky girl when she was 10 years old, returns to Dimmsdale as an attractive woman. Timmy falls in love with her, a sign that he is growing up to an adult, which means he is closer to losing his fairies. Meanwhile, an oil business tycoon named Hugh J. Magnate, Jr., who teams up with Mr. Crocker, plans to use Timmy’s fairies’ magic in order to promote his oil business.
155 years ago, Apostolos and Anastasia were brutally murdered by jealousy. Now, when the planets align, a vortex is created that channels all the energy of the universe to one location, creating a threshold into another world. And when the threshold is disturbed, the demon “Apostolos” is awakened…to kill. And all the while, journalist Sam Bishop relentlessly searches for this savage killer to seek his revenge for the brutal death of his wife, Veronica.
A serial killer, never caught, leaves clues and messages signed ‘BSP’ after quickly murdering each man but torturing his girl to death. His last case is an exception, the detective in charge finds his wife murdered while has pre-teen daughter had to watch. Thirty years later, she’s still obsessed by the case, which drove her dad insane, and a police detective herself. When the whole cycle starts again, she gets convinced it’s not BSP but an ambitious copy-cat, but he certainly outsmarts her every time. He also makes clear she’s to be his final kill. Meanwhile she alienates even colleagues with her arrogance and obsession, finally to be suspended as the FBI takes over
Warren Miller’s Flow State is a place of such singular focus and connection with the environment that, in this place, the faster you ride, the slower time passes. The Flow State exists anywhere crisp winter air shocks your lungs and sunlight refracts snowflakes, allowing you to emerge from this state improved – happier, more confident and more aware of your surroundings. So buckle up, because Warren Miller’s 63rd film will take you into the zone…the moment…the groove…the center…the Flow State.
