Yul Brynner plays political leader Sharif who is sprung from a police van on his way to a firing squad by young loyalists led by Sal Mineo. Yul and the other prisoners kidnap an ambulance and head into the Arabian desert with the police in hot pursuit. All the performances are magnificent: Sal Mineo showing his acting talents, Jack Warden in a wiseguy performance as an employee of Zahrain oil who was involved in embezzlement, Anthony Caruso as a slimy psychotic and the underrated Madlyn Rhue as a nurse who becomes emotionally involved in the proceedings.

Anabel Bolio is a beautiful and young workingwoman; Oskar Pratz is a brilliant and handsome entrepreneur. A spark of mutual attraction is inevitable and a torrid romance ensues. But what seams to be the prefect love story quickly decay and spiral downward into dangerous sexual games that lead to tragedy.

A shy struggling actor is dragged into the world of professional male stripping by his egotistical brother.

Baby Girl, 30, a poet with a bachelor’s degree in arts, is anguished because of her relationship with Pirkka, a relatively smart, young man. Baby Girl’s parents, Eila and Rampe, do their best to become friends with Pirkka and his elegant mother. Through coincidence and error Eila occupies her summerhouse neighbors’ empty luxury villa. When Pirkka’s mother drops by, Eila lies that she and Rampe own the fancy house. The showing off and lying escalate when Eila’s mother and sister show up. The real owners of the house, an upper-class couple, Thomas and Monica, are driven away to Eila and Rampe’s modest cottage.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live is and they know it. This shall not prevent the emergence of a great romance in the clinic.

Patch Town, inspired by the award-winning short film of the same name. After years in a loving home, Jon, a toy, was forgotten, deserted and ultimately betrayed by his adoptive mother. He returns to live a sad life as a worker on the line; a life of factory work and oppression in a place where hundreds of cabbage babies are born every day. The thankless task of shucking, picking, and processing these newborns to go out into the world and to their new mothers has taken its toll on Jon. With each new birth, Jon slips deeper into sadness, lamenting the days when life was good and he was loved.

Claire (Alexandra Breckenridge), a savvy venture capitalist from New York City, escapes to a quaint town in Vermont for the holidays and becomes a guest of the Fortenbury Bookstore. Upon arrival, Claire finds Christmas celebrations have been canceled by the town after a flood and the bookstore is in a dire state of disrepair. She immediately takes on the challenge to revitalize the store, but clashes with the owner, Andrew (Jamie Spilchuk), who initially rejects all her proposed improvements. Eventually, sparks fly as the two begin a budding romance, and Claire’s infectious optimism inspires Andrew to join her in reviving the yuletide spirit. But everything comes to a screeching halt when Claire discovers that Andrew is planning to sell the bookstore in the New Year. Will the spirit of Christmas be enough to change Andrew’s mind and encourage him to follow his heart?

After country music starlet Tess Stapleton’s album sales keep dropping, her label forces her to record a Christmas album with ex-teen heartthrob and pop-star, Derek Copeland, in an attempt to resurrect each’s career. Reluctantly, Tess agrees. At first, they appear to be polar opposites; clashing over song styles and irritated that they were forced together. However, to their combined surprise, as the album shapes up, they find themselves growing closer over their shared love of music. As they finish the album sparks begin to fly and love blooms just in time for Christmas.

It was an unprecedented occurrence in world history. Nowhere and never in well-governed democratic states, had the public broadcaster been silenced in such a manner that was characterized as “autocratic” and “undemocratic”. Within five hours, on the evening of June 11, 2013, the Greek Prime Minister Antonis Samaras turned off the switches of ERT, Greece’s public broadcaster, after 75 years of continuous operation. Both TV and radio frequencies fell silent, making screens broadcast black and the FM to buzz. The closure of ERT was an unheard-of political act that shocked Greek citizens bringing back memories from the dark period of the dictatorship. It also caused a fierce international outrage from all around the world. Why did the public broadcaster have to die?

Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster.

Bright sunny day, Medical Students He Xinyue, Xiao-Li Ma, Ng Yen Yen, Leiyong Han, Yang Gang and Zeng Ping – Meet six people have already abandoned the old school came to play. Six months ago, the school there was a bizarre murder, a woman died of “friends, back to back,” the horror rumors, everyone here was something fishy about the legend, once traumatic panic. Fearless young men and women regardless of the care of the old school of Qin master warning, insisted on a two-day stay here. As night fell, the feeling of insecurity, was seen fleeting ghost, some hearts desires expansion.

Because of a train strike, a group of tourists, mostly unrelated to each other, get stuck in New Mal Junction. These people are honeymooners (Saheb and Mimi), family vacationers (Pallavi Chatterjee, Koushik Banerjee, Tridha Choudhury), an ailing mother and her son (Lily Chakraborty, Kaushik Ganguly), a priest (Ardhendu Banerjee), a heroine and her abnormal brother (Gargi Roy Choudhury, Rajdeep Ghosh), one trekker (Kamaleshwar Mukherjee), a bus conductor (Rudranil), and a retired teacher (Maasud Akthar). One of the tourists, the priest manages to arrange a bus from the church for them to reach North Bengal. The other tourists also join him in the bus trip, but unfortunately the bus meets with a terrible accident. It falls off a cliff into an abyss, but the tourists survive with minor injuries. Injured and traumatized, they realize that they have become completely detached from any form of human contact.

Four girls take part in illegal underground fighting event “Girl’s Blood” held at an abandoned school building in Roppongi every night. The girls have their own stories and quirks from their private lives. Satsuki (Yuria Haga) suffers from a gender identity disorder, Chinatsu (Asami Tada) ran away from an abusive husband, Miko (Ayame Misaki) is a S&M queen and Mayu (Rina Koike) has a Lolita face.

On St. Blevins Day (the most debauched of regional holidays), four boys looking to lose their virginity, a girl haunted by a dark secret, a lonely teenager, and an escaped mental patient all meet at a party in the woods. They were looking for fun but what they found… was TERROR!

After the catastrophic Dark Wave damaged every faster-than-light crystal, leaving thousands of ships stranded and drifting, a small salvage vessel arrives at a spaceship graveyard. But the crew soon discover that not everything on this Drift is dead, and as the objective changes from salvage to survival, it emerges that one crew member has a secret agenda…

Author Nell Phillips’ first book has become a surprise best-seller of the Christmas season. Nell’s last stop on a nationwide book tour takes her to the town of Springdale, the hometown of Emmett Turner, a young man she met over five years ago while both were junior copy editors at a New York publishing company. Nell was hurt when Emmett stood her up for a dinner date and then disappeared from New York without any explanation. As Nell is quick to admit, Emmett’s colorful, nostalgic anecdotes about Springdale inspired her to write this book that is shaping her life and especially this holiday season.

A modern retelling of Louisa May Alcott’s classic novel, we follow the lives of four sisters – Meg, Jo, Beth, and Amy March – detailing their passage from childhood to womanhood. Despite harsh times, they cling to optimism, and as they mature, they face blossoming ambitions and relationships, as well as tragedy, while maintaining their unbreakable bond as sisters.

Nina Geld’s passion and talent have made her a rising star in the comedy scene, but she’s an emotional mess offstage. When a new professional opportunity coincides with a romantic one, she is forced to confront her own deeply troubled past.

A troubled yet loving family man on a solo adventure deep in the wilderness has a gruesome accident and is the only witness to an unspeakable horror that forces him to fight for his life against a mysterious killer.

Mary Horror is back! She has her spell book and is ready to wreck havoc on the small town of Bernardsville. She needs the Witches blood of the four witches who created the spell book to make it her own once again. Sheriff Tom will do anything to stop her from destroying everything in her path and to get the book back in his hands. Third times a charm in the ultimate showdown between Sheriff Tom and Mary Horror in WITCHES BLOOD!

7 girls and 1 fab gay guy plan a getaway to a remote ranch for a week of gossip and grub. They start off where they always do, old rivalries in place, extreme vanity covering great insecurities, but with a true love for each other underneath the bickering, sniping and sassing. A number of drinks into night one and a dark secret is revealed. The house they rented is the site of a mass murder of teenage girls 15 years earlier. Blood still stains the floors under replacement carpets. The killer still runs free. The girls take it for what it seems – a fun story for a rainy night by a roaring fire. But after one of them disappears and is discovered dead, the story doesn’t seem so fun anymore. 1 by 1, they die, killed by their own vanity. The fun-filled week turns into a race against death. Who will make it out alive?

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa

The film follows aspiring singer-songwriter Jed King (Alan Powell) as he struggles to catch a break and escape the long shadow of his father, a country music legend. After reluctantly accepting a gig at a local vineyard harvest festival, Jed is love-struck by the vineyard owner’s daughter, Rose (Ali Faulkner), and a romance quickly blooms. Soon after their wedding, Jed writes Rose “The Song,” which becomes a breakout hit. Thrust into a life of stardom and a world of temptation in the form of fellow performer Shelby Bale (Caitlin Nicol-Thomas), Jed’s life and marriage begin to fall apart.

At an isolated log cabin in the harsh wilderness of Indiana circa 1817, the rhythms of love, tragedy, and the daily hardships of life on the developing frontier shaped one of our nation’s greatest heroes: Abraham Lincoln. Abe is a thoughtful and quiet boy who spends his days at the side of his beloved mother while learning to work the land from his stern father. When illness takes his mother, Abe’s new guardian angel comes in the form of his new stepmother, who sees the potential in the boy and pushes for his further education.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80’s she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn’t want to leave without getting her daughter back.

A young farmer and his father are barely able to survive on their meagre corn harvest and so they make their way down from the mountains to the village to borrow money from their relatives working in jade mines or on opium plantations. But missing paperwork, deceit and corruption have left them impoverished too. Finally, the father pawns his cow for a moped so that his son can earn a living as a taxi driver. His first customer is Sanmei, who has returned to Myanmar to bury her grandfather. She decides not to go back to China and to get out of an arranged marriage in order to begin a new life with her son in her old country. When Sanmei accepts a job as a drug runner she persuades the young farmer to be her driver.

A bittersweet coming-of-age film based on a novel dealing with forestry. Yuki Hirano wants to live an easy life, like working a part-time job after his high school graduation. But, after his high school graduation, Yuki hears from his homeroom teacher that he has been hired for a job. When Yuki gets home, his mother is packing his stuff. Yuki’s mother and his homeroom teacher decided that Yuki will work as a forestry trainee after his graduation. Yuki will have to go Kamusari Village. Since then, Yuki begins to work as a forestry trainee and becomes assimilated with the beauty of nature and the warm-hearted people in the village.

We Are Kings is a rock and roll/blues fable, a group of down and out musicians breaks through against all odds, with a little help from a friendly ghost. Starring Sammy Blue, Rita Graham, Bianca Ryan, Pryce Watkins, and Jonathon Boogie Long.

David Conrad is a college professor and sometimes philanderer raising three children in a small Kansas suburb with his wife Kelly. When sudden tragedy strikes the family in the days before Christmas, David and Kelly’s marriage is brought to its breaking point and David’s desire for retribution leads him into uncharted moral territory with the question: what can we forgive?

Jacqueline is living an unfulfilled life in a doomed marriage. After a chance encounter with a former classmate, she rethinks her life’s choices and wishes she could go back to high school for a do-over. Like a Christmas miracle, Jacqueline awakens to find herself as a high school senior again with the ability to change everything.

Single mom Madison finds herself scraping pennies together two weeks before Christmas after the IRS freezes her bank account, her ex fails to come through with any help and her boss fires her. Desperate to pay bills and buy gifts for her teenage children, Madison jumps into the ever-popular “gig economy.” That’s when she meets and eventually gets hired by obnoxious, sidelined former pro football player Alec Darby, also secretly on the verge of going broke. This odd couple butts heads time and time again, but they eventually forge a friendship. And, to their surprise, they learn a lot about themselves and teach one another how to be better people.

At the downbeat of the new millennium there was no bigger, darker, or more deeply influential hard rock band in the world than KoRn. But for lead guitarist Brian Head Welch, a dream come true was giving way to a raging nightmare of self-loathing and addiction. At the end of himself, he made an even harder decision than leaving KoRn. Told with intimate access to the family and band, this genre-bending documentary delivers unprecedented access to one of rock’s most unbelievable stories of restoration.

Ivan uses experimental meditation to induce out-of-body experiences that might make it possible for him to escape a mysterious illness. His training takes an unexpected turn when he finds himself getting between the marital engagement of two old friends, Emily and John. Unaware of Ivan’s secret relationship with his fiancé, John invites Ivan to go on a hiking trip with him. In order to keep up appearances, Ivan agrees to go along. On the trip, John grows ever more suspicious of Ivan’s intentions with Emily. A dangerous game of cat and mouse ensues that might provide Ivan an unexpected route to a cure.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.

Michael Raynar is in love with his young wife and expecting his first child. His story should end with “happily ever after” but it doesn’t. Instead he runs into Kimmy Sardell. Despite his better judgment, they have a one-night stand that places him on a path of devastating consequences. When Michael’s pregnant wife disappears, the police put him through hell. Two years later he is still grieving his loss when he runs again into Kimmy. Since that night spent together, he lost a wife and child and Kimmy has a beautiful playful daughter, Eden. When Michael begins to notice things about Eden that remind him of his wife, he doesn’t have to dig deep to discover a deranged side of the woman he now loves. Eden’s life hangs by a thread, a thread Kimmy is ready and willing to cut.

On December 16th, 2011, eight people on their way to Las Vegas stopped in the ghost town of Garlock, California. This footage documents what happened.

Zach (Gutierrez) is a rich boy forced to find and keep a job after a major blunder in a company he set up. He ends up working for ­Evelyn, whom he discovers to be the boss from hell. In the long run, he sees her for who and what she really is. Meanwhile, Evelyn (Rivera) is an uptight and tough Brand Manager who hires an assistant Brand Manager. When she finds herself dumped by her boyfriend, Evelyn seeks comfort in Zach, her assistant who shows a different side of him. As they get to know each other more and as their encounters become more intimate, they begin to ask themselves if what they feel for each other is for real. The problem is romance between boss and subordinate in a company is not allowed. Things get complicated when an office romance develops between the unlikely pair.

Tungsten deals with the idea of electricity as a metaphor, the scenery is urban, and the plot is unfolded during a single day. One day in Athens, continuous outages, and a final blackout, caused by the strike of technicians at the electricity company. A day during which, six people’s lives are being crossed and diverted.

Despite assurances that his condition is common and will pass, thirteen year old Sam is horrified to find he has grown a pair of breasts. His terror intensifies when the resident school bully (the only person to have discovered his secret) sets in motion a tense game of cat and mouse, as he subtly threatens to expose Sam to the school, building inexorably towards a confrontation that neither of them could ever have imagined…

A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.