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New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can’t control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
From Adolphe Sax’s workshop to the legendary times of jazz and bebop, conquering the classical music stages, forbidden by Nazis and Communists and banned by the Pope: in its 170-year history the saxophone has always been the most seductive as well as the most feared musical instrument. Award-winning Canadian filmmaker Larry Weinstein illuminates and mythologizes the story of the saxophone, its most legendary players and its allegedly longstanding curse about saxophonists falling prey to the instrument’s dark powers.
Daryl Zero is a private investigator. Along with his assistant, Steve Arlo he solves impossible crimes and puzzles. Though a master investigator, when he is not working, Zero doesn’t know what to do with himself. He has no social skills, writes bad music, and drives Arlo crazy. In his latest case, Zero must find out who is blackmailing a rich executive, and when his client won’t tell him, why.
California, the king of craft beer. In the most epic of road trips, follow along as we learn about California’s amazing beer culture, history and influence from many of the leaders in the industry, including Sierra Nevada, Stone, Lagunitas, Ballast Point and Anchor Steam. 80 breweries. 1 month. This is Craft: The California Beer Documentary.
Uptight New York City executive, Michael Cromwell, pursues his soon-to-be ex-wife to South America and returns home with the son he never knew he had — a boy raised in a tribal village in Brazil. Armed with only his blowgun, the 13-year-old Mimi-Siku discovers that the world outside his jungle home is indeed a strange place.
Friends of the recently deceased Quincas take their pal’s body on one last tour of his favorite spots in Brazil’s Bahia.
On their way home from the Isle of Wight Pop Festival, Jeff, Trev and Mick along with girlfriends Marty and Cathy decide to pitch a tent on private land. In the morning the land’s owner Rafe turns up and orders them to get off his lawn but changes his mind when one of the girls emerges naked from the tent. Rafe explains he only comes down to the house at weekends and lets them stay providing they redecorate his house. The squatters agree but once Rafe leaves they plot to organize a pop festival at the house. Attempting to raise cash for the venture, the men coerce their girlfriends into making a blue movie. When this proves disastrous Jeff goes to London and poses as a pop journalist in order to book the groups “Crazy Mabel” and “The Juicy Lucy” for the festival.
A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.
You’ll be shocked, amazed, and maybe just a little bit creeped out by the things you can find in your newspaper’s classified ads in this vintage sexploitation “mockumentary” from Joel M. Reed. Georgina Spelvin serves as host and guide to this exploration of the sexual netherworld, which can be accessed through discreet ads placed in “underground” newspapers and on public bulletin boards. We meet voyeurs looking for good peeping spots, homosexuals on the cruise for new partners, masked swingers clubs, nudie photographers trolling for naïve new models, a man who makes a good living providing S & M enthusiasts with leather gear, adult film societies screening stag movies for heavy-breathing fans, and “Lonely Hearts Clubs” preying on unsuspecting bachelors looking for relationships with teenage girls. Director Joel M. Reed (who would later make the bizarre horror-comedy Bloodsucking Freaks) and actress Jennifer Welles (a major star in 1970s adult films) can be spotted in cameo roles.
Through unprecedented backstage access and candid interviews, the film weaves through the absurd world of the working comedian and reveals a crazy and hilarious psychological profile of its practitioners. We also follow retired comic Ritch Shydner’s attempt to climb back on stage after a thirteen-year hiatus. At the top of his game in the 1980’s, Shydner had HBO specials, shot five pilot TV shows, and numerous late night appearances (Carson, Letterman, Leno, etc.) but the big time eluded him. Equipped with the collective wisdom and nutty musings of over 80 of his peers, he gives it another shot. Does Ritch have what it takes to connect with today’s young crowds and still get the laughs?
In WW2, a RAF squadron leader mourns the death of a comrade and receives a bombing mission against a secret Nazi V-2 rocket testing facility in France.
An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book “Come As You Are: The Story of Nirvana.” In the film, Kurt Cobain recounts his own life – from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame – and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood. Written by AJ Schnack
Free to Run tells the amazing story of the running movement over the past five decades, the struggle for the right to run – especially for women – against conservative Federations, the explosion of grass roots road races and marathons, until the boom of running as a vast business enterprise.
Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won’t be distracted from his journey and Phoebe is left alone and plenty busy with villains Jefferson Carteret and Lazarus Ward plotting at every turn to destroy her freighting company. She has not seen the last of Peter, however.
After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.
Eccentric Cambridge archaeologist Horatio Smith (Howard) takes a group of British and American archaeology students to pre-war Nazi Germany to help in his excavations. His research is supported by the Nazis, since he professes to be looking for evidence of the Aryan origins of German civilisation. However, he has a secret agenda: to free inmates of the concentration camps.
During a skiing event, Gobie and BeBe get into a hazardous accident with serious injuries. BeBe is one of the twin beloved pet dragons of Gobie, and the other one is Kuma. Believing in the existence of Santa, Gobie thinks he can help him save BeBe’s life. Therefore, Gobie decides to set off to Santaland with Kuma. Written by Anonymous (IMDb.com)
John Cleese, Michael Palin, Terry Jones and Terry Gilliam pay tribute to their late Monty Python colleague Graham Chapman in this hilarious, 3-D animated adaptation of Chapman’s brazenly fictionalized life story. (TIFF)
This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her boy friend, a carnival clown, succeed and takes her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother’s terrifying dreams and psychic connection to the girl and find her before it is too late.
Jonah and Ella Mazer are typical teenagers, but strange and frightening things are happening at their new school. They learn that all of their classmates are descendants of witches — and the two are destined to die.
A man who runs an apartment house for women is the demented son of a Nazi surgeon who has the house equipped with secret passageways, hidden rooms and torture and murder devices.
In this first film of the Lone Wolf and Cub series, adapted from the manga by Kazuo Koike, we are told the story of the Lone Wolf and Cub’s origin. Ogami Itto, the official Shogunate executioner, has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.
Robert Mugge filmed jazz great Sun Ra on location in Philadelphia, Baltimore, and Washington, D.C. between 1978 and 1980. The resulting 60-minute film includes multiple public and private performances, poetry readings, a band rehearsal, interviews, and extensive improvisations. Transferred to HD from the original 16mm film and lovingly restored for the best possible viewing experience.
In this strange western version of JAWS, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations – dim, filthy, makeshift taverns; freezing, slaughterhouse-like frontier towns and beautifully desolate high country – before improbably teaming up with a young Crazy Horse to pursue the creature.
Death in Love is a psychosexual-thriller about a love affair between a Jewish woman and a doctor overseeing human experimentation at a Nazi German concentration camp, and the impact this has on her sons’ lives in the 1990s.
Love Is A Verb is an examination of a social movement of Sufi-inspired Sunni Muslims that began in Turkey in the l960s and now spans across the globe. The group is called Hizmet, the Turkish word for “service” or The Gülen Movement after its inspiration and teacher, Fethullah Gülen, a man TIME magazine named as one of the most influential leaders in the world in 2013 for “…preaching a message of tolerance.”
Von Ryan’s Express stars Frank Sinatra as a POW colonel who leads a daring escape from Nazi Germany by taking over a freight train, but he has to win over the British soldiers he finds himself commanding.
Crazed members of a sadistic family return to their childhood home to terrorize the new owners.
Gold miner Roger Hazard brings his twelve year old son Casper to the treacherous gold fields of 1870s California. The two of them work a small mine in the southern fields but when Roger begins to lose touch with reality young Casper ends up on his own. Casper faces danger around every corner but must find the strength to save his father from himself and still manage to fight off the savage Indians and ruthless bushwhackers that plague them across California’s breathtaking Sierra Nevadas.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Adapted from his autobiography, the film recounts the story of Hiroito, The King of Boca do Lixo (a region in downtown São Paulo of the fifties where various nightclubs, strip joints, prostitution, bars, and drugs can be found). Hiroito was a well born bohemian and at the age of 21 was accused for the murder of his father, who was violently stabbed over 40 times with a razor. Hiroito was not charged, however two months after the death of his father, Hiroito bought two guns and moved to Boca do Lixo and became one of the most dangerous criminals of the region.
It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.
Harry Doyle (Lancaster) and Archie Lang (Douglas) are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. Harry and Archie realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt. Archie, who spent his prison time pumping himself up, easily picks up a 20-year-old aerobics instructor. Harry, on the other hand, has to waste away his days in a nursing home. They both have festering resentments — Archie for having to endure a humiliating job as a busboy; Harry for having to endure patronizing attitudes toward senior citizens. The two old pals finally go back to what they know best. After successfully robbing an armored car, they decide to rob the same train that they robbed thirty years ago.
The film is about the relationship between crazy scientist George Edison and his son Leo. After being electrocuted as a child, Leo is no longer able to touch people without electrocuting them.
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.
Judge George (Harvey Keitel) brings his young wife, Nathalie (Cameron Diaz), to a remote island for a vacation. But while George accompanies their only neighbor — Nathalie’s childhood friend Lance (Craig Sheffer) — on a fishing trip, Nathalie spends time with her ex, Kent (Billy Zane). When Kent ends up dead the next morning, Nathalie tries to hide the evidence before her husband gets home. After the body is found, the events of the previous night unravel, with unexpected revelations.
Jordan Donavan, a photographer in New York, is so disappointed when after five years of going steady Edward Morgan offers her not marriage but just to move in with him, that she accepts the match-making arranged via a magazine by her female friend with Tyler Ross, a horse rancher in the West, whose candidacy was actually also posted by his sister. After a bad start they soon grow closer.
