Rafi (Anne Curtis) is happily committed to her lovely partner in life, Mark (Derek Ramsay). She’s a bachelorette from a rich family, who belongs to the “Friday Club”, the regular get-together of her college friends. Rafi is an attention-getter because of her in and out beauty and impressive credentials. But one day, a major life decision shifts everyone’s impression of her. Sam (Andi Eigenmann), a rebellious, carefree and happy-go-lucky woman, who thinks that she can get away with her every dilemma. However, her perspectives turn 180 degrees when she meets the man who unexpectedly changes her life.

The village of L’Espérance is perched between the mountains and the great river. Its inhabitants include young people – who don’t have much of a future – as well as many widows and old men. The village continues to be haunted by the tragic death of 13 miners. One day, a stranger arrives. The young man, at once charming and mysterious, has an immediate effect upon the village. The longer he stays in the village, the stronger blow the winds of desire. The village’s prevailing melancholy gives way to love and happiness. However, not everyone is pleased by the arrival of the stranger, who becomes more and more inquisitive about the tragedy of the old mine. What are his real motives? Is he really who he claims to be? As passion and doubt collide, the entire village is transformed by events which come crashing down like waves against the high cliffs.

Julia is a hard-working girl with two jobs and a boyfriend, Istvan, who is a rock musician and always in trouble. When cocaine dealers threaten to kill him over a debt, she tries to help him come up with the money. This starts an unfortunate chain of events at her daytime job at the hotel, and brings her and the hotel manager, O’Ryan, closer together, or so it seems. Then, in his unrequited love for Julia, O’Ryan goes a step too far, way too far, and from there, things get very ugly!

After a team of cheerleaders are burned to death in a gruesome sprinkler accident, the one who got away, Tanya returns to cheerleader camp. Joining her are an all-new squad of drop-dead gorgeous mean girls from competing high schools who chafe under the strict rules set by Coach Paddington (Jennifer Banko). With a lustful caretaker (Ari Lehman) lurking nearby, the team struggle to get along – but soon their life depends on it! When someone in a panda costume begins killing one girl every hour, it’s up to Tanya to piece together the clues before time runs out.

Sam and Silvy are best friends. One night, as they are watching a falling star while floating on their backs in a lake, Sylvy disappears from his side. Despite his best efforts, he cannot find her under water. Many years later, Sam, now a psychologist, returns to bury his father. Back in his hometown, he meets a woman called Ruby who reminds him in so many ways of his lost love.

Nuclear Family begins the story of a young couple, John and Lynn, who are trying to survive in the woods after what appears to be a nuclear holocaust. They stay on the move with their 11-year-old daughter, Pauline… all the while searching for their missing 8-year-old son, Grant. Meanwhile, present society has disintegrated, and the family must stay one step ahead of the Berserkers: lawless, wild, brutal men who rape,pillage and destroy as a way of life. Shot as a pilot presentation for a TV series the story will take this family, and the others they meet along the way in their search for Grant and to avoid the Berserkers, to discoveries beyond the existing reality. Written by Clay Keeley Executive Producer

Infamous London gangster cousins, Micky Mannock and Ray Collishaw, are at the top of the food chain, when their world is turned upside down as they lose a shipment of the Russian Mafia’s cocaine in rough seas. Set in London, Amsterdam and Berlin, the story races across Europe at breakneck speed as Micky and Ray attempt to stay one step ahead of the Police. Can they pull off a daring diamond heist in time to put things right and retire to a “legitimate” way of life.

Clifford overhears Mr. Bleakman say that feeding him must cost a lot of money. A carnival act called “Larry’s Amazing Animals” has just been in town, and the animals in the show told Clifford about an animal contest with a prize of a lifetime supply of Tummy Yummies. So he decides to run away along with Cleo and T-Bone, join the carnival act, win the contest, and bring the food back.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.

Ronnie Schwann is a 20-something with a comfortable life in a guesthouse behind his mother’s home. The two share cigarettes, drugs and too much TV. During the day he works at a halfway home for the mentally ill where he develops an attraction for one of the patients, Sarah. When Sarah wanders through the neighborhood one day, lost and scared, Ronnie Ronnie brings her into his bedroom and plans to seduce her. Things go horribly wrong and Ronnie finds himself forced to cover up his plan. This edgy indie thriller explores Ronnie’s 24-hour experience of life, love, death and the strong probability of a very long prison term.

Set within a dystopian world that is a collision between technology and humanity, “Reboot” touches upon many of the current social and political concerns that arise from becoming more and more intertwined with the virtual. In contemporary Los Angeles, a young female hacker (Stat) awakens from unconsciousness to find an iPhone glued to her hand and a mysterious countdown ticking away on the display. Suffering from head trauma, and with little recollection of who she is or what is happening, Stat races against time to figure out what the code means, and what unknown event the pending zero-hour will bring.

The Summit is a 2012 documentary film about the 2008 K2 disaster directed by Nick Ryan. It combines documentary footage with dramatized recreations of the events of the 2008 K2 disaster. On the way to and from the summit, eleven climbers died during a short time span creating one of the worst catastophes in climbing history. Much of the documentary footage was captured by Swedish mountaineer Fredrik Sträng. Sträng was planning to do a Documentary which was aborted due to the fact that he did not reach the summit. The footage was still valuable to help solving what really did happen since all the climbers had different stories about what happened.

RICHARD’S WEDDING is an ensemble comedy that explores how the most enduring friendships require a mixture of envy, love and ridiculous egomania disguised as self-contempt. Alex and Tuna are on their way to Richard and Phoebe’s wedding, to be reunited with a group of old friends. As they make their trek from Brooklyn to Central Park, they’re joined by an ever-increasing number of friends with their own set of misgivings, self-righteousness, and violently annoying iPhone Apps.

Longtime best friends Bebe and DeeDee are both wrestling with love. Bebe has met someone new and is in the exuberant phase of a budding romance. DeeDee is trying to move on from someone she can’t forget – mostly in destructive ways. As Bebe waits for the perpetually late DeeDee at their favorite coffee shop, she meets Clementine, a distraught young woman with love problems of her own. With Clementine in tow, Bebe and DeeDee soon embark on the kind of outrageous misadventure that only New York City can offer.

As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).

Based on the classic adult manga of the same title, this film depicts the love between a stepbrother and sister discovered one weekend when their parents go away. The relationship must come to an end, but not before it changes their lives forever.

People are being killed by someone or something using superhuman strength. A clever DA Assistant is sent to investigate. Is this just a way to commit the perfect murder or will the legend of the Jersey Devil prove to be true?

Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?

Seattle filmmaker Ward Serrill (The Heart of the Game, Miramax) follows one man’s quest to integrate modern science and ancient mysticism through sound. It features the extraordinary life and work of country singer turned brain scientist and shaman of sound, Tom Kenyon, as he journeys from his homeland of Orcas island to the stage on Broadway, giant caves in the south of France, the golden-chandeliered symphony halls of Vienna and finally to the snowy peaks of Tibet.

ANGELS IN THE DUST is the story of a courageous, self-sacrificing, fiercely loving woman who chooses a spiritual path over a material one; it tells of the life-changing power of one compassionate heart. For a nation overwhelmed by an epidemic of HIV/AIDS, orphans, rape, violence, and Apartheids legacy of social and political unrest, the film offers a clear pathway of hope and a replicable paradigm for the future.

Jack Dodd was a London butcher who enjoyed a pint with his mates for over 50 years. When he died, he died as he lived, with a smile on his face watching a horse race on which he had bet, with borrowed money. But before he died he had a final request, ‘Last Orders’, that his ashes be scattered in the sea at Margate. The movie follows his mates, Ray, Lenny and Vic and his foster son Vince as they journey to the sea with the ashes. Along the way, the threads of their lives, their loves and their disappointments are woven together in their memories of Jack and his wife Amy

TURNER STULL(Barlow Jacobs), an uninspired young man, trying to figure out what he wants to do with his life, arrives in hurricane-ravaged New Orleans to work as an insurance claims adjuster. Greeted by his UNCLE STULLY(Robert Longstreet) a seasoned claim adjuster, and an ambitious group of adjusters, he is quickly immersed into the routine: move fast, don’t get emotionally involved, and make a lot of money. But Turner, not prepared to deal with people who have lost everything, is totally overwhelmed. Turner’s lack of experience and uncertainty only makes things worse. In a moment of crisis, Turner agrees to help NIXON(Eddie Rouse), a local man, find his lost dog. In exchange for Turner helping look for the lost dog, Nixon lends a hand with Turner’s insurance claim’s. Turner and Nixon begin to navigate their way through the storm-ravaged city, a journey that will change Turner’s life.

Transforming Harry Potter’s fictional competition into a physically demanding, real-life sport, quidditch has secured its place as one of the fastest growing collegiate club sports today. MUDBLOODS follows the resilient underdogs of the UCLA Quidditch team as they make their way to the Fifth Annual Quidditch World Cup in New York City. Through nail biting victories and losses, the dreamers, creators and athletes who make up this exceptional community come together to make this magical sport into something you could’ve never imagined, until now.

White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.

Two troubled youths break out of their halfway house and make their way to one’s home.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom’s the technical chief. A third partner wants a buy out; girlfriends come and go; Tom’s daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.

Nothing is as it seems as an ex-con and aspirant filmmaker set out to manufacture a horror film by scaring real people; however, when it goes too far and someone actually dies, the pair decide that killing for real on film is the way to make a truly terrifying movie.

A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny’s former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak’s black-and-white Plus-X film stock.

With nine #1 albums to his name, Jimmy Barnes is one of Australia’s greatest rock icons. But his success masked a life of hardship and abuse, where the music that once saved him from oblivion almost came back to destroy him. Before Jimmy Barnes was Jimmy Barnes, he was James Dixon Swan, a troubled kid from the mean streets of Glasgow – and the even meaner streets of North Adelaide – trying to survive against a backdrop of addiction, alcoholism, poverty and abuse. For Jimmy, escape was the only option and he found it with a band called Cold Chisel. But the rock’n’roll lifestyle has its own temptations and the scars of childhood are always waiting to take you home. Based on the bestselling memoir and directed by veteran Australian filmmaker Mark Joffe, Working Class Boy is both an inspiring story of rock and redemption told in Barnes’ own words and an unflinchingly honest reflection on fame, creativity and depression.

Yul Brynner plays political leader Sharif who is sprung from a police van on his way to a firing squad by young loyalists led by Sal Mineo. Yul and the other prisoners kidnap an ambulance and head into the Arabian desert with the police in hot pursuit. All the performances are magnificent: Sal Mineo showing his acting talents, Jack Warden in a wiseguy performance as an employee of Zahrain oil who was involved in embezzlement, Anthony Caruso as a slimy psychotic and the underrated Madlyn Rhue as a nurse who becomes emotionally involved in the proceedings.

A group of entitled Beverly Hills oceanography students arrive at a mansion in Malibu, to study the local ocean waters. However, someone… or something, has other, more murderous intent, as the Students begin to disappear, one by one, murdered by some flesh-shredding entity, leaving wounds similar in nature to a shark attack. But how is that possible, when the nearest ocean is a half-mile away?

Gunnar and Sonja are a married couple that had it all, money,love and a beautful daughter. But after the death of there daughter their world falls apart. To make things worse Gunnar is in the middle of a trial, being charged with illegal sales and purchase on behave of his company. When Gunnar and Sonja inherit Gunnar’s niece Perla, the couple take on a weekend journey to pick up Perla, who is staying at a remote house in the Icelandic country side where she lost both of her parents in a horrible way. When Gunnar and Sonja arrive at the house strange things start to happen.

Four girls take part in illegal underground fighting event “Girl’s Blood” held at an abandoned school building in Roppongi every night. The girls have their own stories and quirks from their private lives. Satsuki (Yuria Haga) suffers from a gender identity disorder, Chinatsu (Asami Tada) ran away from an abusive husband, Miko (Ayame Misaki) is a S&M queen and Mayu (Rina Koike) has a Lolita face.

7 girls and 1 fab gay guy plan a getaway to a remote ranch for a week of gossip and grub. They start off where they always do, old rivalries in place, extreme vanity covering great insecurities, but with a true love for each other underneath the bickering, sniping and sassing. A number of drinks into night one and a dark secret is revealed. The house they rented is the site of a mass murder of teenage girls 15 years earlier. Blood still stains the floors under replacement carpets. The killer still runs free. The girls take it for what it seems – a fun story for a rainy night by a roaring fire. But after one of them disappears and is discovered dead, the story doesn’t seem so fun anymore. 1 by 1, they die, killed by their own vanity. The fun-filled week turns into a race against death. Who will make it out alive?

Retired assassin, Jack Lee, walked away from his violent past to raise his dead brother’s daughter, Jaime, as his own. When crime lord Banducci kidnaps Jaime for a payback, Jack brings his gifted skills of extermination out of retirement and the streets of San Francisco become a battleground for a one man killing machine and ruthless, united mob bosses.

A young farmer and his father are barely able to survive on their meagre corn harvest and so they make their way down from the mountains to the village to borrow money from their relatives working in jade mines or on opium plantations. But missing paperwork, deceit and corruption have left them impoverished too. Finally, the father pawns his cow for a moped so that his son can earn a living as a taxi driver. His first customer is Sanmei, who has returned to Myanmar to bury her grandfather. She decides not to go back to China and to get out of an arranged marriage in order to begin a new life with her son in her old country. When Sanmei accepts a job as a drug runner she persuades the young farmer to be her driver.

At the downbeat of the new millennium there was no bigger, darker, or more deeply influential hard rock band in the world than KoRn. But for lead guitarist Brian Head Welch, a dream come true was giving way to a raging nightmare of self-loathing and addiction. At the end of himself, he made an even harder decision than leaving KoRn. Told with intimate access to the family and band, this genre-bending documentary delivers unprecedented access to one of rock’s most unbelievable stories of restoration.

Hibino Tsubaki (Takei Emi) is a young teenage girl with a talent for styling other people’s hair. Yet, Tsubaki suffers from low self-esteem and isn’t very comfortable styling her own hair. She also has a tendency to dress old-fashioned. She’s teased at high school because of this. One day, popular male student Tsubaki Kyota (Matsuzaka Tori) targets Tsubaki for teasing. Tsubaki Kyota holds sway over the entire classroom and is quite a playboy. Inexplicably they fall in love. Meanwhile, Tsubaki Kyota has commitment issues…