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The Shannon is Ireland’s greatest geographical landmark and longest river. It is both a barrier and highway, a silver ribbon holding back the rugged landscapes of the west from the gentler plains to the east. On its journey south, the Shannon passes through a huge palette of rural landscapes, where on little-known backwaters, Ireland’s wild animals and plants still thrive as almost nowhere else. For a year, wildlife cameraman Colin Stafford-Johnson lives on the river, camping on its banks, exploring its countless tributaries in a traditional canoe, following the river from dawn to dusk through the four seasons, on a quest to film the natural history of the Shannon as it has never been seen or heard or experienced before.
There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.
SOMETHING FROM NOTHING: THE ART OF RAP is a feature length performance documentary about the runaway juggernaut that is Rap music. At the wheel of this unstoppable beast is the film’s director and interviewer Ice-T. Taking us on a deeply personal journey Ice-T uncovers how this music of the street has grown to dominate the world. Along the way Ice-T meets a whole spectrum of Hip-Hop talent, from founders, to new faces, to the global superstars like Eminem, Dr Dre, Snoop Dogg and Kanye West. He exposes the roots and history of Rap and then, through meeting many of its most famous protagonists, studies the living mechanism of the music to reveal ‘The Art Of Rap’. This extraordinary film features unique performances from the entire cast, without resorting to archive material, to build a fresh and surprising take on the phenomenon that is Rap.
‘Evolution of Evil’ is the story of Lori and Christopher, a Pacific Northwest couple wanting to get away from the hustle and bustle of the city into the wilderness. The couple makes their way past the usual campsites, and backpack into the remote Mt. Hood Wilderness area.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
An intimate portrait of the city and its people. We meet the characters in the NYC subway and we follow them to the surface finding out about their lives, cravings, passions, hopes and dreams – sometimes lost and sometimes still waiting to be fulfilled. What comes out of it is an emotional tale of solitude that haunts us in 21st century western world.
Kreola arrives in Santa Domingo to join her photographer husband Andy. Although Andy is initially jealous of Marco, who is in town looking for his missing girlfriend who did not return from Santa Domingo with her coworkers after a girls getaway. When Kreola and Andy site the missing girl Iris in the company of their gruff, dominating sea captain Leon, Andy suggests Kreola distract him so that Marco has a chance of getting Iris back. Kreola scoffs at this but eventually does fall under Leon’s spell. Andy’s writer friend Jo Ann blames the island atmosphere for the tendency for puritanical Westerners to reject their inhibitions. When Andy and Marco cannot free their women from Leon’s influence, things get drastic.
Cancer: Few words are more feared. But in her sharply researched, deftly humorous message of hope, survivor Meghan O’Hara (Oscar-nominated producer of “Bowling for Columbine, “Fahrenheit 9/11,” and “Sicko”) changes the way we think about this terrifying disease, showing that it’s time to stop being afraid of cancer and time to make cancer afraid of us. Following her diagnosis, O’Hara met neurologist Dr. David Servan-Schreiber, who was diagnosed with brain cancer while doing cancer research. Together they explore daily Western behaviors that are linked to 70% of cancer deaths: smoking, processed foods, stress, contaminants, and lack of exercise. Narrated and executive produced by Morgan Freeman, “The C Word” is an unflinching look at our complacency with cancer culture, the vibrant cast of characters who are changing the game, and the tools we already have to beat the dreaded scourge of our time. -TCFF database
British sad sack Gary is a failed entrepreneur who has just arrived in Beijing’s stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he’s followed his ex-wife and young son, for one — but he soon finds out that China isn’t the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank’s pedagogical method is restricted to yelling at Gary for being a Westerner and not being as “Chinese” as him.
London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world. This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai) who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.
In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend Dr. Sun Yat Sen, a revolutionary, from the military.
Another chapter in the Journey to the West saga, this time Tang Sanzang and his disciples must attempt to cross Fiery Mountain. But the region is controlled by demons led by the Bull King, and it seems that Sun Wukong’s own past may prove to be a bigger obstacle than the volcano blocking their way.
This motion picture chronicles the last days of the most iconic outlaw of the old west. Forget what you have heard before (most of that is rumors anyway) and ride with Billy the Kid as he tries to find sanctuary in a desperate landscape. The high price on his head has made Billy an evasive target for bounty hunters from all over the old west, and Billy knows that every time he rides out, he has a chance of getting bushwhacked. Unlike any other account of the Billy the Kid saga, “The Last Days of Billy the Kid” captures the fury, paranoia and heartbreak that defined the last days of the gunslinger’s existence.
Harry is a retired teacher in his 70s living in the Upper West Side of New York City where his late wife and he raised his children–where he’s lived all his life. When the building he lives in is torn down to make way for a parking garage, Harry and his beloved cat Tonto begin a journey across the United States, visiting his children, seeing a world he never seemed to have the time to see before, making new friends, and saying goodbye to old friends.