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A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]
Theater actress Lillian Cooper’s son dies mysteriously. When the investigating officer rules the cause of death an accidental overdose, Lillian conducts her own investigation which leads her to an unlikely alliance with her son’s former drug dealer. On her quest for answers, Lillian hallucinates some of the iconic characters she’s played on stage which serve as her inner voice, urging her to avenge her son’s death.
Theater actress Lillian Cooper’s son dies mysteriously. When the investigating officer rules the cause of death an accidental overdose, Lillian conducts her own investigation which leads her to an unlikely alliance with her son’s former drug dealer. On her quest for answers, Lillian hallucinates some of the iconic characters she’s played on stage which serve as her inner voice, urging her to avenge her son’s death.
Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.
Orlando is dying. Resigned to his fate, all he wants is to be left alone with his alcohol, drugs, and hermit crab. But his hopes of solitude are shattered when he is woken by Jean-Luc, an incessantly chatty Frenchman who happens to be a voice in his head. Now, in addition to cancer, Orlando must deal with Jean-Luc’s never-ending questions and commentary, as well as the discovery that Jean-Luc is slowly taking over every sense of his body (sight, hearing, taste, smell, touch).
While desperately searching for his missing daughter, Hae-kwan comes across an AI satellite robot that remembers sounds from all over the world. Rejuvenated by the robot’s abilities, Hae-kwan begins to track down his daughter’s voice. As they continue their journey, they form an unforgettable bond.
Two high school suicide clusters in six years rocks the affluent town of Palo Alto, California. Emotions run high and while no one has a silver bullet solution to this crisis, students rise up to make sure their voices are heard.
Confronted by odd directive from her late husband’s estate, Helena Grayson is inspired to reawaken a long-buried desire to write. When she’s unexpectedly drawn into an encounter with an old flame she is further challenged to explore her creative voice. Conceived under the sway of both love and art Into Invisible Light is a story of forgiveness, second chances and the revitalizing power of art.
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
Rosario Castellanos is an introverted university student who doesn’t seem to belong to her time. In the early 1950s in Mexico City, she is fighting to have voice heard in a society run by men. She is about to become one of the biggest female writers in Mexican literature, but her tumultuous love story with Ricardo Guerra will manifest her fragility and contradictions. At the peak of her career and her marriage, she will ignite a discussion that will mark a turning point in her life.
Jane, a small-town girl, has moved to Helsinki and the world is finally open for her. Passionate and excited, she seeks adventure, all the things she has yearned for so long. Jane gravitates to a gay bar at night, staggers in her nervous state of mind, and suddenly there, right next to her, Jane finds her savior: Piki, the most dashing butch in town. Piki is perfect. Jane is hypnotized by Piki’s dark-toned voice. Piki offers her an entire new universe, and even more – dreams.
Blind from birth, Dr G Yunupingu found his identity through song and the haunting voice that has already become legend. His debut album introduced Australia to the Songlines and culture of his Elcho Island community, but now Dr G Yunupingu finds himself increasingly torn between city and country, present and past, self and the community to which he owes so much.
An intertwining tale of sex, drugs, rock and woe. Lives criss-cross and converge thanks to the most addictive drug in human history, Red Devil—which also happens to be the title of Savvas D. Michael’s tale of sex, drugs, and guns. An anonymous voice at the start of the film warns, “Once you’ve tasted the devil’s cum, everything else is dull and numb.” The current problem with the Red Devil drug is the supply has dried up. Addicts are so desperate for it they’re willing to kill for it…and they do.
Shiori has just moved to a new apartment. One evening, she hears a mysterious voice that claims to be “from the future” asking her to trail Susumu Hirano, who lives next door. Shiori in an attempt to solver the mystery began to investigating more and more about Hirano until she gets attracted to him.
After receiving an unsettling voicemail, Jordan (Wiggins) returns home, looking for answers, only to find her estranged father and even more questions. A demonic force has attached itself to the town and no one is safe. The only one who seems to know anything is the small town’s Reverend.
Shayla Stonefeather, a Native American attorney prosecuting a Lakota teen in a controversial murder trial, returns to the reservation to say goodbye to her dying father. After the teen is killed, she hears ghostly voices and sees strange visions that cause her to re-examine beliefs she thought she left behind.
In his first HBO comedy special, Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes. While speaking to issues of mental health, Gulman also offers his observations on a number of topics, including his admiration for Millennial attitudes toward bullying, the intersection of masculinity and sports, and how his mother’s voice is always in his head.
Marin is a young French woman living in New York City finds herself disconnected from her body, boyfriend and family. During a tumultuous weekend, highlighted by chance encounters with a stranger and an ex-boyfriend, she starts to find her voice.
Relationship Therapist, Dr. Jill Peterman, had the highest-rated call-in radio show when her world was pulled out from under her following the on-air suicide of a female caller named Alexis. Shaken to her core, Dr. Jill walked away from her show vowing she would never go back. That is until Stuart, the station’s General Manager, pleads with her to reboot the show in an effort to bring followers back to the station. Still haunted by what happened, Jill agrees to help her friend out and believes this will be the perfect remedy to put her year-long anxiety to rest. As Jill starts to settle back into her show, mysterious call-ins start happening forcing her to believe there could be a copy-cat out there. What Jill begins to uncover is a web of secrets and lies stemming from the mysterious voice she has come to know as Alexis.
Young, bestselling author Eryn Bellow concludes her bookstore tour with her agent selling film rights and closing a six figure advance for her follow-up. Headwinds arise as critics get offended by the claims that Eryn is being declared a living literary legend. The storm gathers force as the assaults gravitate from bad reviews to a fake-memoir designed to obliterate her from the field. Through the noise, Eryn attempts to write her way out of the public fray, and reclaim her voice in the minds of her readers. Along the way, she hopes to prove a happy ending is not always a bad thing.
The definitive photographic record of the 1984 Los Angeles Olympics, told “from the inside” through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.
In 1987, during the austere days of Thatcher’s Britain, a teenager learns to live life, understand his family, and find his own voice through the music of Bruce Springsteen.
Mother and daughter – Big Edie and Little Edie Beale – live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter’s behavior, and sings “If I Loved You” in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there’s a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She’s ashamed that local authorities raided the house because of all the cats. She values being different.
Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…
Ironheart, AKA Riri Williams (voiced by Sofia Wylie), who is having difficulty adjusting to college life as the youngest student there then the college’s engineering lab is demolished by an alien and kidnaps her best friend. Inspired by Iron Man, she develops a plan to save her friend. The special will also feature appearances by Iron Man (voiced by Mick Wingert) and a new character named A.M.I. (voiced by Melanie Minichino).
An ultra-Orthodox Jew, a couch surfing custodian, and a personal injury lawyer – risk everything to find their voices on the cutthroat New York comedy scene.
The beauty transgender Erika arrives in an old house in the country during a stormy night. She is escaping from her violent boyfriend. At first Erika find peace, but day by day strange things begin to happen: voices, shadows – And a man of the nearest village says to Erika that the house is known in the village as “The house of murderers” since the Second World War.
After her sister died, Alia decides to start a new life by living in an orphanage owned by Mrs Laksmi and Mr Fadli as well as doing social work there. But Alia feels something wrong with the orphanage. Moreover, Nadia, one of the orphanage who apparently also has an inner eyes like Alia, can hears mysterious voices asking for help from all over the walls of the house. Alia and Nadia open a mysterious locked room. Since then disasters begin. It turns out that Alia and Nadia had made a big mistake and releases Darmah, a vengeful spirit that was deliberately locked in the room. Together with Mrs Windu, the paranormal and mentor of her inner eyes, Alia must confront Darmah and save the orphanage.
One moment some 80 people are walking on a big city street. Suddenly a blinding light appears that transports them to a very peculiar racing course. A voice sounds in everybody’s head : “The school, the house and the prison are safe. Follow the arrows or you will die. Stay on the path or you will die. If you’re doubled twice, you will die. Do not touch the grass or you will die. Race or die.” Whether you’re rich or poor, old or young, blind, strong, handicapped, courageous or a coward; the rules make no distinction. There can be only one winner !
Elspeth Dickens dreams of finding her “voice” despite being stuck in an isolated farmhouse with her twin toddlers. A web-cam becomes her pathway to fame and fortune, but at a price.
Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenaults and her fiancée Sanderson, a businessman involved in shady property development deals. It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.
In rural Connecticut, baseball players Ben and Mickey are trying to survive a zombie plague. They are forced to form a battery: a catcher and a pitcher who work together to outwit the batter, the one who hits the ball. And the batter in this case just happens to be a zombie. Tough Ben and gentle Mickey frequently disagree on the best way to go about the situation. Then they suddenly hear a human voice through their walkie-talkies. Is salvation nearby, like Mickey thinks, or is Ben’s suspicion justified?
Noni Jean is a hot new rising star. But not all is what it seems, and the pressure causes Noni to nearly fall apart – until she meets Kaz Nicol, a promising young cop and aspiring politician who’s been assigned to her detail. Can Kaz’s love give Noni the courage to find her own voice and break free to become the artist she was meant to be?
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick’s classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
