Search
A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
After moving to America from his home in Russia, Ari, an awkward teen, has trouble making friends and adapting to his new life. But everything changes when he falls in love with Paris, who’s not only the most popular girl in school but also a champion ballroom dancer. To get closer to Paris, Ari joins the school’s ballroom team, unaware of the secret from his past that will help him succeed.
Sequel to the 2003 dance movie Honey. Recently released from juvenile detention, talented dancer Maria Ramirez finds an outlet for her passion with a new dance crew.
“Kickin’ It Old Skool” revolves around a 12-year-old breakdancer, who in 1986 hits his head while performing at a talent show and as a result is comatose for 20 years. He awakens to find he is a grown man. With the mind and experience of a young kid, he attempts to revive his and his dance team’s short-lived career with the hopes of helping support his parents’ failing yogurt shop.
The new guy (James Spader) in a Los Angeles high school does some singing and fights a hotshot (Paul Mones) over a disco dancer (Kim Richards).
A couple checks into a suite in Las Vegas. In flashbacks we see that he’s a computer whiz on the verge of becoming a dot.com millionaire, she’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
Bill Dancer and his young companion Curly Sue are the classic homeless folks with hearts of gold. Their scams are aimed not at turning a profit, but at getting enough to eat. When they scam the rich and beautiful Grey Ellison into believing she backed her Mercedes into Bill, they’re only hoping for a free meal. But Grey is touched, and over the objections of her snotty fiancé.
A young drifter named Nomi arrives in Las Vegas to become a dancer and soon sets about clawing and pushing her way to become a top showgirl.
A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students’ tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
Three sailors – Gabey, Chip and Ozzie – let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for “Miss Turnstiles of the Month” (he thinks she’s a high society deb when she’s really a ‘cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he’s the perfect example of a “prehistoric man”. Wonderful music and terrific shots of New York at its best.
When a capable dancer is provoked by the evil design of his employer, naturally he will be out to prove his mettle.
When Alana, a naïve stripper, is raped by her boss, Stag, and his drug dealer friend, she turns to her fellow dancers for help. Joined by the beautiful Roxy and seductive Crystal, they hatch a plan to kidnap Stag and force him to give them the combination to his safe. Using his own vices against him, they seduce and drug him. When he wakes he is cuffed in his office where three women he has wronged in different ways hold him captive. In what becomes a grim battle of wills, the girls use physical and mental torture to try to force the combination from him, needing the money to flee before he gets free and kills them all. But they quickly realize they’re in over their heads as everything that can go wrong does. As the walls close in around them they have until dawn to get even, get the money and get gone.
After the death of his younger brother, a troubled 19-year-old street dancer from Los Angeles is able to bypass juvenile hall by enrolling in the historically black, Truth University in Atlanta, Georgia. But his efforts to get an education and woo the girl he likes are sidelined when he is courted by the top two campus fraternities, both of which want and need his fierce street-style dance moves to win the highly coveted national step show competition.
The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, BALLET 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.
STEPPING OUT Sima, while stunningly beautiful, has failed to fulfill her dreams as a professional dancer. She is on the wrong side of thirty, being aged out, and is forced to take a job as a teacher at a conservative local high school. Much to her surprise, it sparks the choreographer in her — a talent she has been nurturing in private not only to battle her self-doubt and depression but to create a new and unique fusion of belly and ballroom styles.
When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks fly. With the help of a hip hop dance crew they must find a common ground while preparing for a competition that could change their lives forever.
The story of “Chandrettan Evideya” revolves around Chandramohan (Dileep), who is a government servant and also an ardent classical dance follower and his wife Sushama(Anusree) is also a government employee. But the doubting wife keeps track of each and every thing her husband does. Chandramohan is well known among art followers as a good critic of classical dance. His reviews are often published in leading magazines. Considering his close association with beautiful dancers, his wife Sushama keeps close tabs on him by making phone calls every now and then. One fine day, they decide to go for a trip to Thanjavur where they meet an astrologer who tells them certain aspects of Chandramohan’s previous life, which forms the crux of the story.
At Mr. Rad’s Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers – and their moves – two warring friends have to pull together to represent the street. Starring hip-hop sensations Marques Houston, Omari Grandberry, Lil’ Kim and comedian Steve Harvey.
Coming of age tale told through the eyes of ‘Tu’, an ambitious young man from Auckland who dreams of being a professional hip-hop dancer.
Lovestruck: The Musical: Tells the story of Harper (Jane Seymour), one of the best dancers to hit Broadway. But an injury caused her to leave the spotlight, become a choreographer, and raise her daughter, Mirabella (Sara Paxton). When Mirabella, the star of Harper’s next big production, decides to quit the show to get married, her mother is determined to put a stop to the wedding and show Mirabella that she cannot give up her career for love, especially to marry playboy Marco (Alexander DiPersia).
Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he’s determined to snatch romance from ingratitude.
Call him a city slicker. Call him a tenderfoot. But don’t call him a member of the family–yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie’s lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don’t make a cowboy, and it’s going to take more than mere posturing to charm Mr. Ryder…in fact, it just may take a miracle.
María Nieves Rego (80) and Juan Carlos Copes (83) met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations. Now, at the end of their lives, the two dancers are willing to open up about their love, their hatred, and their passion. In “Our Last Tango” Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of the lives into incredible tango-choreographies. These beautifully-shot performances compliment the soul-searching interviews and documentary moments of the film to make this an unforgettable journey into the heart of the tango.
In the upscale Toronto strip club Exotica, dancer Christina is visited nightly by the obsessive Francis, a depressed tax auditor. Her ex-boyfriend, the club’s MC, Eric, still jealously pines for her even as he introduces her onstage, but Eric is having his own relationship problems with the club’s owner, Zoe. Meanwhile Thomas, a mysterious pet-shop owner, is about to become unexpectedly involved in their lives. Gradually, connections between the traumatic pasts of these characters are revealed.
When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York’s Carnegie Deli. Rose’s one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova (Nick Apollo Forte), whose career is on the rebound.
With the help of the singer and dancer Dixie Leonhard US-Entertainer Eddie Sparks wants to bring some fun to the soldiers during World War II. Becoming a perfect team they tour from North Africa to the Pacific to act for “the boys”. Later they continue their work but when the author Silver gets involved into McCarthy’s campaign and is being fired by Eddie, Dixie turns away from him, too.
Suresh wants to be a big dancer to fulfill his mother’s wish. Vinnie wants to be the best hip-hop dancer. They are childhood friends. They form a team and participate in a national level competition “Hum Kisi Se Kum Nahin” where they are disqualified as their moves are copied and everyone calls them cheaters. Everyone departs to search for jobs. Suresh plans to remove the negative tag by winning the hip-hop competition in Las Vegas. One day he watches Vishnu dance in the bar and convinces him to be their choreographer. They audition for people and collect the team.
In a ghetto where religion and drug trafficking rub shoulders, Dounia has a lust for power and success. Supported by Maimouna, her best friend, she decides to follow in the footsteps of Rebecca, a respected dealer. But her encounter with Djigui, a young, disturbingly sensual dancer, throws her off course.
Two talented dancers become swept going on in a tumultuous association that spirals into compulsion.
Rusty Parker, a red-headed leggy dancer at Danny McGuire’s Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a ‘Cover Girl’ as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle’s granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies — the very building blocks of love.
Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film. Millionaire Alberto Bravano takes Maria from Kirk. Count Vincenzo Torlato-Favrini takes Maria from Alberto.
David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.
At the age of forty Dame Margot Fonteyn is considered to be past her best as a prima ballerina and Ninette de Valois is reducing her roles at the Royal Ballet. Then the exciting young Russian dancer Rudolf Nureyev, a recent defector to the West, comes into her life and her bed and revitalizes her career. Frederick Aashton creates a new ballet for them and they become the golden couple of the ballet world. However, Margot is married to Roberto ‘Tito’ Arias, a Panamanian politician of dubious repute who is not sympathetic to her calling and is probably faithless. When he is shot and paralyzed for life Margot must carry on dancing well into her sixties in order to pay for his costly treatment though she still collaborates with Rudolf in the occasional ballet.
A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.
