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Two former Olympians, one a figure skater and the other a hockey player, pin their hopes of one last shot at Olympic glory on one another. That is, of course, if they can keep from killing each other in the process…
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
The whole “zombie thing” has been hyped up so much that everyone thinks it’s the end of the world! Of course, where one man sees the dead rising from the grave, another sees opportunity. Q had a plan: drive the robbery getaway van, deliver everyone to the safe house and get paid – a nice, simple, plan. Unfortunately, life is never really that simple, and to top it all off, this is the first time Q has been a getaway driver. He’s coping pretty well though, considering; TONY (the guy who is ‘in charge’ of the job) is a murderous nut case, DANNY was shot and is now bleeding all over the money in the back of the van, the Sat-Nav has a mind of its own, there’s a guy in the back living up to his name “CRAZY STEVE”, the safe-house already has police at it, and this whole “zombie thing” seems to be quickly becoming more of a “zombie apocalypse thing”…
Jack Thornton has trouble winning enough at cards for the stake he needs to get to the Alaska gold fields. His luck changes when he pays $250 for Buck, a sled dog that is part wolf to keep him from being shot by an arrogant Englishman also headed for the Yukon. En route to the Yukon with Shorty Houlihan — who spent time in jail for opening someone else’s letter with a map of where gold is to be found — Jack rescues a woman whose husband was the addressee of that letter. Buck helps Jack win a $1,000 bet to get the supplies he needs. And when Jack and Claire Blake pet Buck one night, fingers touch.
A joint task force operation between the Drug Enforcement Administration and the U.S. Army has been formed to dismantle one of the largest drug cartels operating in South America. Multiple attempts to assault the cartel’s mountainous compound have been thwarted by a Scorpion-attack helicopter piloted by a cartel leader, Eric Stoller (Bert Rhine). After having several aircraft shot down, most notably a pair of UH–60 Black Hawks and their AH–1 Cobra escorts, the army turns to the new AH–64 Apache attack helicopter, which can match its enemies’ maneuverability and firepower.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
While passing through the town of Bannock, a bunch of drunken cattlemen go overboard with their celebrating and accidentally kill an old man with a stray shot. They return home to Sabbath unaware of his death. Bannock lawman Jered Maddox later arrives there to arrest everyone involved on a charge of murder. Sabbath is run by land baron Vince Bronson, a benevolent despot, who, upon hearing of the death, offers restitution for the incident.
Bo Burnham is back with a new one-man show full of his patented songs and wordplay, as well as haikus, dramatic readings, blasphemy, and so much more in his first hour-long special, shot live in his home town of Boston.
The debut film from pop singer turned film director Mike Sarne (Joanna; Myra Breckinridge) is an ‘anti-travelogue’ starring Udo Kier, Melissa Stribling, and Gabriella Lucidi. The stylishly shot film tells of a woman who has a brief amorous liaison while on a trip along the South of France to Saint Tropez, but returns disillusioned.
Through unprecedented backstage access and candid interviews, the film weaves through the absurd world of the working comedian and reveals a crazy and hilarious psychological profile of its practitioners. We also follow retired comic Ritch Shydner’s attempt to climb back on stage after a thirteen-year hiatus. At the top of his game in the 1980’s, Shydner had HBO specials, shot five pilot TV shows, and numerous late night appearances (Carson, Letterman, Leno, etc.) but the big time eluded him. Equipped with the collective wisdom and nutty musings of over 80 of his peers, he gives it another shot. Does Ritch have what it takes to connect with today’s young crowds and still get the laughs?
Jesús, a young hairdresser, works at a Havana nightclub for drag performers, and dreams of being a performer himself. Encouraged by his mentor, Mama, Jesús finally gets his chance to take the stage. But when Angel, his estranged father, abruptly reenters his life, his world is quickly turned upside down. The macho Angel, recently released from a 15-year stint in prison, tries to squelch his son’s ambition to perform in drag. Father and son clash over their opposing expectations of each other, struggling to understand one another and reconcile as a family. Shot in a gritty neighbourhood far from the Havana most tourists know, Viva is a heartrending story of music, performance and survival.
John has lead a solitary life for thirty years since the death of Moonyeen Clare. But now Owens, a close friend, insists that he care for his niece, Kathleen, orphaned when her parents were lost at sea. Kathleen is five, but the years pass and now she is a young woman who is the image of Moonyeen. Willy wants Kathleen for his wife, but Sparks fly when she meets Kenneth Wayne one dark and stormy night. John is horrified for it was Wayne’s father who shot Moonyeen dead on her wedding day and John has never found him or forgiven the family. When Ken goes off to war, John forbids any marriage and Ken agrees, while Kathleen does not. When Ken returns four years later when the war is over, he is crippled. He conceals his condition and makes plans to leave for America.
Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar first exploded onto the West End stage in 1971 and it was clear that the musical world would never be the same again. For the first time ever, Jesus Christ Superstar has been specially filmed for video. Shot at Pinewood Studios, this brand new filmed stage version starring Glenn Carter and Rik Mayall captures one of the best score Andrew Lloyd Webber has ever written and is packed with hit songs including, ‘I Don’t Know How To Love Him’, ‘Gethsemane’ and ‘Superstar’.
It was an ingenious enough plan: rob the Riviera Casino’s count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, Michael must track down Murphy.
Imagine leaving everything you have, everyone you know, everyone you love, behind. Having to cross half a continent on foot, atop freight trains, inside truck trailers. Swimming across wild rivers. Crossing borders illegally. Walking across the Arizona desert. Being shot at, robbed and beaten. Raped. Surviving it all. Crossing into the USA, after life in the poorest parts of Central America. Succeeding. Now. In the “promised” land, you don’t belong, legally; or socially. You don’t understand the language. No one knows you arrived, no one knows you exist. Imagine…. being Nobody. Then imagine a bag being shoved over your head. Getting your clothes stripped from you. Getting tossed in a closed room with a dozen others. A loaded gun is pointed at your head. You are forced to call back home and beg for money, a ransom for your life.
During autumn of 1944, an RAF Hudson carrying a VIP passenger in possession of highly secret information is shot down and ditches in the North Sea. Fighting the elements and trying to keep up morale, the occupants of the aircraft’s dinghy talk about their lives awaiting the rescue they hope will come. The film’s title reflects the motto of the RAF’s Air Sea Rescue Service, one of whose high speed launches battles against its own mechanical problems, enemy action, time and the weather to locate and rescue the downed crew and the vital secret papers they carry.
This is the story of touring musician, Jeff Mix, who finds himself at the Gateway Motel, in the same city he got hitched in. That evening a gun shot rings out. Someone will lose their life. With so many shady people, the shot could be meant for any one of them. The prostitute, the motel manager, the mob guy, the conman, the mysterious man in search of a woman and her daughter.
Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and the officers frame him as a drug dealer. Rainwood is convicted of drug dealing, based on the perjured evidence of a police informant. Thrown into a seedy jail, fighting to prove his innocence is diffucult when he has to deal with the realities of prison life, where everyone claims they were framed.
When U.S. B-24 bomber pilot Clair Cline is shot down and captured in northern Germany, one war ends and another begins — to keep hope alive. Now behind Nazi barbed wire and oppression, Cline and his fellow POW’s must find a way to bond together to not just survive but transcend their captivity. Inspired by true events.
The Fox tells the story of The Hague-based Europol agent Simon Fox (Morgan C Jones). He leads a troubled life after he accidentally shot and killed a child. Struggling with this trauma Simon is confronted with a secret post-war resistance organization called ‘Gladio’. The organization is abused by illustrious politicians in their hunger for power, as a result of which The Netherlands is likely to degenerate into a police state. When it becomes clear that Simon’s father established ‘Gladio’ after the war with very different intentions, Simon is determined to turn the tide..
One year after the events of “Kickboxer: Vengeance”, Kurt Sloan has vowed never to return to Thailand. However, while gearing up for a MMA title shot, he finds himself sedated and forced back into Thailand, this time in prison. He is there because the ones responsible want him to face a 6’8″ 400 lbs. beast named Mongkut and in return for the fight, Kurt will get two million dollars and his freedom back. Kurt at first refuses, in which a bounty is placed on his head as a way to force him to face Mongkut. Kurt soon learns he will have no other choice and will undergo his most rigorous training yet under some unexpected mentors in order to face Mongkut in hopes to regain his freedom.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
A lifetime hood has one night to repay a debt to an up and coming shot caller before he can leave town, all the while trying to duck a crooked P.O., a former partner with a grudge and a burned out Narc Cop, as well as do his best to win back the woman he left behind, who has spent her last few years paying a hard price for his mistakes.
Mike Kendall, a disgraced ex-cop, is fighting a losing battle with the bottle. When he finds a woman left for dead at the side of a road, Kendall turns private eye to track down her killers, taking one last shot at redemption.
Filmed Live at the Plaza de Toros, Madrid 1996, this editors cut includes Back in black/ shot down in flames/ thunderstruck/ girls got thythm/ hard as a rock/ shoot to thrill/ boogie man/ hail caesar/ hells bells/ dog eat dog/ the jack/ ballbreaker/ rock and roll ain’t noise pollution/ dirty deeds done dirt cheap/ you shook me all night long/ whole lotta roise/ tnt/ let there be rock/ highway to hell/ for those about to rock (we salute you)
American viewers may know him best as the British correspondent on “The Daily Show,” but John Oliver is also an accomplished stand-up comic. In his first Comedy Central special Oliver tackles the topics that perplex him about the United States. He takes well-aimed shots at the American political process and the invasion of Iraq (including how the Brits would have done it differently), and argues for reparations from the Revolutionary War.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band’s complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
A wild batchelorette weekend in a foreign city spins hilariously out of control in this over-the-top sequel to the box office smash GIRLS. After a drinking contest with some questionable local spirits, three friends wake naked on a beach to discover two are handcuffed to a locked suitcase, one has a strange new tattoo, and none of them have any clue what happened the night before. When they soon find themselves pursued by local gangsters, their only shot at making it home – and to the altar – is to piece together the previous night’s events while on the run.
With the help of a hilarious, all-female slate of stand-up comedians, Jenny McCarthy takes an outrageous look at life as a contemporary woman: from single motherhood to casual sex. Shot at the Hard Rock Hotel & Casino, this one-hour special includes sets from Justine Marino, Tammy Pescatelli, Lynne Koplitz, Paula Bel and Tiffany Haddish, as well as a series of sketch vignettes from McCarthy herself.
Ray, an ex-cop, is starting a new life looking to stay out of trouble. One evening, on Ray’s watch, the nightclub he works for is robbed and the owner’s son is shot dead. As his criminal past is exposed Ray hunts for the person responsible for this crime in an effort to clear his own name. Ray must get to the bottom of this as both the mob and cops start to close in on him as their target suspect.
A hyper-hipster 1980s horror comedy about a group of teenagers that discover a mysterious abandoned building where bad things happen. Shot in Wisconsin for $6000, Blood Junkie is a refreshing new vision in DIY independent film making.
Generation Startup takes us to the front lines of entrepreneurship in America, capturing the struggles and triumphs of six recent college graduates who put everything on the line to build startups in Detroit. Shot over 17 months, it’s an honest, in-the-trenches look at what it takes to launch a startup. Directed by Academy Award winner Cynthia Wade and award-winning filmmaker Cheryl Miller Houser, the film celebrates risk-taking, urban revitalization, and diversity while delivering a vital call-to-action-with entrepreneurship at a record low, the country’s economic future is at stake.
Jamie and Christian are giving their marriage one last shot for the sake of love and their young son, Dylan. But when Christian proves unable to hold up his end, forces both within and outside their relationship will decide their future (IMDb.com).
Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There’s no way to find the guilty one, but there’s Ipu, the madman of the village, whom they promise a hero’s funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.
Shotgun Jimmy is a nasty piece of work. Ripping off drug dealers, killing policemen, he’d decapitate his own grandmother for a sack full of loot. Schizophrenic, psychopathic, his only friend is Mary the Shotgun – his trusty, reliable pump-action. But during a violent road-rage incident, something goes horribly wrong and Jimmy finds himself chained in shackles in a dark, grimy dungeon where he ponders over a deeply buried secret past… Tomas Sorescu’s been a bad man. He likes his whiskey. And brandy. Vodka, rum or gin? Hell, he’ll drink petrol if it isn’t nailed down. Only now he’s done a rather silly thing. He’s crashed his car – and killed his wife and little girl in the process. Tomas feels pretty bad about the situation. So bad, in fact, he needs another drink. But then it gets worse as a tall, powerful, gas-mask wearing figure pulls Tomas from the wreckage and introduces him to a special place… Sophie Scott is a successful career journalist in the sleepy village of Ramsbottom.
Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past in 1969. Over the course of one fateful night, everyone will have a last shot at redemption.
The film revolves around a pair of big-boned, bumbling cops who find themselves at the heart of a drug trafficking case. The agent “J” (Zhang Wen) was shot in the head during an A-level mission, causing damage to the intracranial hypothalamus. During the period of rehabilitating, J gradually became a big fat man of three hundred pounds and suffered from severe narcolepsy, but J still considered himself a ace agent. Finally, J received the task again and went to Japan to retrieve the confidential documents. After the file was obtained, J arbitrarily opened the file and decided to continue the task of hiding the organization for the organization, but he fainted in the izakaya. J who woke up in the hospital got to know the security guard Handsome Hao (Bei-Er Bao), Handsome Hao to prove that he is not a waste of nothing to resolutely join the mission. In the process of carrying out the task, the temporary partner has experienced the ridiculous and dangerous crisis of time over and over …
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
Larry Burrows is unhappy and feels powerless over his life. He believes his entire life could have turned out differently had he not missed that shot in a baseball game when was a kid. One night he meets this mysterious man, who could change his fate by offering him that alternative life he always dreamed of. But as Burrows embarks on this journey of self discovery he realises that even this new life has its problems and drawbacks..
David Blaine travels around America to perform tricks in the UK premiere of his show What Is Magic? He visits New Orleans where he carries out a money trick in front of locals, producing hundreds of dollars at their fingertips before stopping off at New York to conduct magic in front of Orlando Bloom. But the jewel in David’s crown is his shot at the infamous The Bullet Catch; a trick which sees a 22 calibre bullet being fired at point blank range directly at the magician who then has to catch the bullet in a small metal cup in his mouth. The stunt is filmed using Phantom Camera technology which shoots 10,000 frames per second so that not a fraction of the action is missed.
