Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.

There is a centuries-old seawall in the ancient port of Akka, located on Israel’s northern coast. Today, Akka is a modern city inhabited by Muslims, Christians, Jews, and Baha’i, but its history goes all the way back to rule of the Egyptian Pharaohs. Young people dare to stand atop the 40′ one-meter thick block structure and risk their fate by jumping into the roiling sea. This perilous tradition has continued for many generations, and has become a rite of passage for the children of Akka. “It’s Better to Jump” is about the ancient walled city of Akka as it undergoes harsh economic pressures and vast social change. The film focuses on the aspirations and concerns of the Palestinian inhabitants who call the Old City home.

This hidden-camera series follows four lifelong friends — Brian “Q”‘ Quinn, James “Murr”‘ Murray, Joe Gatto and Sal Vulcano — who take dares to an outrageous level. To find out who is best under pressure, the guys compete in awkward and outrageous hidden-camera hijinks with the loser performing what is deemed to be the most-mortifying challenge yet.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie’s world turns to madness, he tries to counter it with further insanity, with dire consequences.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

The unknown, large mafia organization is now showing its true face. The pressure that GSI and John Falk and his family have put on the organization, makes them fight back on all fronts. The rule book is thrown out. But to go after Johan Falk’s family, to try to kill his wife, could be the biggest mistake the organization has done. GSI closes up around Johan’s family, and the final battle begins.

An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.

Street vendor Marcia is scraping together a living in the ghetto section of Kingston, Jamaica. Her young daughter is being hounded by a rich sugar daddy who has been supporting the family; her brother’s life is being threatened by a local thug. So, when the licentious patron threatens to abandon the family, and her brother breaks down under pressure, Marcia hits bottom. She needs to escape to a haven where she can get lost in fantasy; Marcia, don in sex-me-up clothing and outrageous glamour, finds refuge in the beats of the very dance hall outside of which she normally vends.