HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

A sexy brain teaser of a thriller with nods to classic film noir of the past mixed with a post-modern flair of David Lynch-style surrealism and surprises. When Mickey Lewis, a homeless struggling artist crosses paths with Katrina, the beautiful rich wife of Arthur Webb and is enlisted to paint their home, deadly passions ignite. Soon hidden agendas, dangerous seductions, double and triple-crosses spiral Mickey’s life out of control leading to a motel in the middle of nowhere filled with strange people and twisted secrets that all hold the key to the mystery of Mickey’s past, present, and future. All it takes is – ONE IN THE GUN.

Fifteen stories, contemporary and some historical, where humorous, sarcasm and courage passed bills to pain, old age, death and love, but above all with human stupidity, without concessions, watching her face the difficult life balance and human misery.

The Hong Kong police is hunting a counterfeiting gang led by a mastermind code-named “Painter” (Chow Yun-fat). The gang possesses exceptional counterfeiting skills which makes it difficult to distinguish the authenticity of its counterfeit currency. The scope of their criminal activities extends globally and greatly attracts the attention of the police. In order to crack the true identity of “Painter”, the police recruits a painter named Lee Man (Aaron Kwok) to assist in solving the case.

Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.

Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.

Children Underground follows the story of five street children, aged eight to sixteen who live in a subway station in Bucharest, Romania. The street kids are encountered daily by commuting adults, who pass them by in the station as they starve, swindle, and steal, all while searching desperately for a fresh can of paint to get high with.

Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri’s mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri’s brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri’s, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, “I want to see you.” Because she blames herself for her brother’s death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app’s users begin to die.

Laurie Kilmartin’s tweeting while her father was in hospice quickly garnered press and Twitter followers. Her comments are as painful as they are hilarious and give voice to the very human thoughts we keep to ourselves as a loved one passes from life to death. Filmed at The Lyric Theater in Los Angeles, California, Laurie speaks about cancer, hospice, death, grieving, and funerals.

When art student Kangsheng returns to his remote hometown village with his classmates to search of ancient murals, they are witness to a fatal car accident. Kangsheng’s girlfriend Wangzhi unintentionally interrupts the local witchcraft ritual for the deceased. Horrified, the group flee the scene and settle at the inn owned by Kangsheng’s mother. The following day, out searching for murals, the group find instead a mysterious hand-painted sign in a cave. The surprises are only beginning.

During World War II, a hand-picked group of American GI’s undertook a bizarre mission: create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. The 23rd Headquarters Special Troops used inflatable rubber tanks, sound trucks, and dazzling performance art to bluff the enemy again and again, often right along the front lines. Many of the men picked to carry out these dangerous deception missions were artists. Some went on to become famous, including fashion designer Bill Blass. In their spare time, they painted and sketched their way across Europe, creating a unique and moving visual record of their war. Their secret mission was kept hushed up for nearly 50 years after the war’s end.

A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, “After” is about the Valentinos, a middle class clan facing financial hardship–their family stone cutting business is slowly failing–and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.