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Set against the backdrop of 1971 Indo-Pak war, the movie is inspired by real incidents and the protagonists are inspired by Param Vir Chakra recipients. The movie shows what consequences of war are on the lives of soldiers on either side of the border.
Friends since childhood, Eric, Dana and Frank have insatiable curiosity about the unknown driving them to experimentation in paranormal. This ultimately leads to an incident that so frightens and overwhelms them it causes a twelve-year rift in their relationship. Now after finding new evidence, the three reunite. It’s time to finish their work and put an end to unanswered questions.
An avid collector of Greek objects in Asia Minor, Dimitris, prepares an exhibition on multicultural life in Smyrna before World War I. In a trip to Izmir his girlfriend Rita, he finds in a small antique shop a Greek wedding dress that is stained with blood and an old photograph that send him on a journey to bridge the past with the present.
The inside story of Alexander Litvinenko’s murder in London and the subsequent international manhunt that led to the Kremlin, told in full for the first time, with exclusive access to key individuals.
Built upon a 14 hour interview, McKellen: Playing the Part is a unique journey through the key landmarks of McKellen’s life, from early childhood into a demanding career that placed him in the public eye for the best part of his lifetime. Using an abundance of photography from McKellen’s private albums and cinematically reconstructed scenes, a raw talent shines through in the intensity, variety and devotion to that moment in the light.
Prequel to 2004 coming-of-age live-action film Hana & Alice. After her parents separate, 14 year-old Tetsuko (who will soon be nick-named Alice) moves with her mother to a new town in what she calls “The Boonies” and must enroll as a transfer student in a new middle school. She immediately finds herself bullied due being assigned the seat of “Judas” who is said to have been murdered over a year before. She is told that if anybody knows his fate it would be Hana, the recluse in the house next door, who has been unable to bring herself to attend class since “Judas” disappeared.
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
In JINGLE BELL ROCKS!, director Mitchell Kezin delves into the minds of some of the world’s most legendary Christmas music fanatics and hits the road to hang with his holiday heroes – including hip hop legend Joseph “Rev Run” Simmons of RUN-D.M.C., The Flaming Lips’ frontman Wayne Coyne, filmmaker John Waters, bebopper Bob Dorough, L.A. DJ and musicologist Dr. Demento, and Calypso legend The Mighty Sparrow. In his search for the twelve best, underappreciated Christmas songs ever recorded, Kezin both asks and answers the question, “Why, when Christmas rolls around, are we still stuck cozying up with Bing Crosby under a blanket of snow?”
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.
Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.
Filmmaker and omnivore John Papola, together with his vegetarian wife Lisa, offer up a timely and refreshingly unbiased look at how farm animals are raised for our consumption. With unprecedented access to large-scale conventional farms, Papola asks the tough questions behind every hamburger, glass of milk and baby-back rib. What he discovers are not heartless industrialists, but America’s farmers – real people who, along with him, are grappling with the moral dimensions of farming animals for food.
Two brothers witness the murder of their parents and grow up dealing with the tragedy in very different ways. As one brother struggles with mental illness and sleep paralysis, the other finds success in the unique world of found object art.
Neurotypical is an unprecedented exploration of autism from the point of view of autistic people themselves. Four-year-old Violet, teenaged Nicholas and adult Paula occupy different positions on the autism spectrum, but they are all at pivotal moments in their lives. How they and the people around them work out their perceptual and behavioral differences becomes a remarkable reflection of the “neurotypical” world — the world of the non-autistic — revealing inventive adaptations on each side and an emerging critique of both what it means to be normal and what it means to be human.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
A doe-eyed knife-wielding killer is on the loose in a small town slicing and dicing men of questionable intent left and right. As her brutality leaves a town littered with corpses, her unquenchable blood-lust is lost on her young lover who is willing to pursue her regardless of the obvious warning signs of psychosis. Will he meet his end at the end of her blade? She decides who lives or dies!
Odile suspects her husband, Jean, is cheating. Thus she decides to give him a taste of his own medicine. Fate gets her in touch with an actor, Daniel, who she will use for her revenge. The actor, living with a former serviceman, Albert, will make love with her. But there will be unexpected consequences: Odile and Daniel will be bound forever by an irrepressible love.
The Bad Boy Squad, a variety of private detective agency, is composed of King (Ekin Cheng Yi-kin), Queen (Kristy Yeung), and Jack (Louis Koo Tin-lok), whose primary source of business is the reuniting of clientèle with their first flames, and when the trio of young operatives returns to Hong Kong from an assignment in Thailand and the Squad’s next three customers supply photographs of lost loves, the women in the pictures appear to be the same individual.
Internationally acclaimed comedian Trevor Noah challenges the status quo through his unique perspective, breaking down cultural flaws on all sides and finding our mutual connections with laughter. Born a mixed-race child in South Africa under Apartheid, ‘Trevor Noah: African American’ is Noah¿s search for identity in a world obsessed with labels.
From the 1930’s to the 1970’s, pretty well every comedian or comic you might see on TV or the movies was Jewish. Jews came to dominate the world of western‐society comedy on radio, stage and screen alike.Why did Jews dominate comedy in this period? And why did that domination end? Were Jews just funnier back then? And if so, did that extend to your average Jew on the street? In this 90 minute documentary acclaimed director Alan Zweig will examine these questions and many others in this exploration of 20th century humour, cultural decay, and a search for a missing heritage.
Starting with a scientific argument in regards to the Sasquatches and Bigfoot issue, this film covers the chronological history of the creature from ancient to present day. Researchers and scientists cover the hardest questions in regards to proving this creature is real. Looking at photographic, video, and scientific fact based trace evidence from credible encounters with these creatures. What was it related to in the fossil record? We analyze the fossil evidence compared to eye witness accounts of the creature which may still exist today. Bill Miller and Thomas Steenburg uncover the harsh truths about why this creature won’t be taken seriously by the mainstream scientific community and provide evidence that we are dealing with an intelligent animal. Stories and dramatic explanations about some of the more credible encounters follow. The question of whether these creatures exist should be well proven by the time the film has concluded.
What is home? And how do we find it? TINY follows one couple’s attempt to build a Tiny House from scratch with no building experience, and profiles other families who have downsized their lives into houses smaller than the average parking space. Through homes stripped down to their essentials, the film raises questions about sustainability, good design, and the changing American Dream.
A beautiful Puerto Rican girl and her family in Spanish harlem devise a novel plan to attract business to their restaurant, causing a wildly comic sequence of events ending in near disaster.
Money & Life is an inspirational essay-style documentary that asks a provocative question: can we see the economic crisis not as a disaster, but as a tremendous opportunity? This cinematic odyssey connects the dots on our current economic pains and offers a new story of money based on an emerging paradigm of planetary well-being that understands all of life as profoundly interconnected.
Heidi Bergman is a caseworker at Homecoming, a Geist Group facility helping soldiers transition to civilian life. Years later she has started a new life, living with her mother and working as a waitress, when a Department of Defense auditor questions why she left the Homecoming facility. Heidi quickly realizes that there’s a whole other story behind the story she’s been telling herself.
A group of amateur ghost hunters go missing as they journey into the bowels of an abandon Insane Asylum in a search for evidence of the ‘Lady in White’ said to haunt the grounds. The only evidence of their quest of no return are video cards discovered by workman as they demolish what’s left of the vacant structures. Some of the footage was salvageable and reveals the missing ghost hunters fate as they traverse into the unknowns of the Asylum
Tom Fiorini (Anthony Michael Hall, The Dead Zone) owns a successful construction company. After his long time foreman goes missing, events take a drastic turn for the worse. During the search for his foreman, Tom plummets down a slippery slope of violence and hired hit men, only to find the fire with which he plays is much hotter than he could have ever expected. Director Thomas Farone (Nate Dogg) brilliantly creates a haunting, emotional film with richly layered performances by its multi award-winning cast—which includes a tour-de-force by the late Chris Penn, in his final film. Absorbing and complex, Aftermath is a Cinequest 23 highlight and a stylish noir crime thriller that will have audiences talking long after.
A time to remember and celebrate the founders of this great group of troubadours, who started it all back in 1962: Ronnie Drew, Luke Kelly, Ciarán Bourke and Barney McKenna. These were the originals who lit the flame 50 years ago, and set fire to the world of folk music. For the filming of this DVD, hundreds of old photographs were assembled; audio and video clips were retrieved from the archives to capture the spirit of the group down through the decades. Projected performances from the past played an integral role in this celebration concert. The atmosphere was electric, with music, stories and poetry flowing from reservoirs of memory — a unique collaboration between the original group and the current line-up, a perfect party to celebrate 50 years.
‘THE UPPER FOOTAGE’ is the first film experience of its kind. The film is an edited version of 393 minutes of recovered footage documenting a young girl’s tragic overdose death and subsequent cover up by a group of affluent socialites. What started as a blackmail plot played out over YouTube, became Hollywood’s biggest drug scandal, turned into a heavily controversial film property that was rumored to be held by some of the biggest names in Hollywood. Now, after playing itself out in the media for 3 years it is finally making its way to the public.
Four guys, best friends, have grown up together in DANCER, TEXAS POP. 81, a tiny town in West Texas. Years ago, they made a solemn vow to leave town together as soon as they graduate. Now, it’s that weekend and the time has come to “put up or shut up.” The clock is ticking and as all 81 people in the town watch, comment, offer advice and place bets, these four very different boys with unique backgrounds struggle with the biggest decision of their lives… whether to stay or leave home.
Dramatic comedy about two unlikely people who find each other while looking for love. Judith Nelson (Holly Hunter) is suddenly single after discovering her husband of fifteen years, a successful doctor (Martin Donovan), has been having an affair with a younger woman. Judith stews, plans, plots and fantasizes, but she can’t decide what to do with her life until she goes out to a night club to see singer Liz Bailey (Queen Latifah), who is full of advice on life and love. While out on the town, Judith is suddenly kissed by a total stranger, which opens her eyes to new possibilities … which is when she notices Pat (Danny De Vito), the elevator operator in her building.
Chappelle’s Show is an American sketch comedy television series created by comedians Dave Chappelle and Neal Brennan, with Chappelle hosting the show as well as starring in various sketches. Chappelle, Brennan and Michele Armour were the show’s executive producers. The series premiered on January 22, 2003, on the American cable television network Comedy Central. The show ran for two complete seasons and a third, truncated season.
After numerous delays, production of the third season of the show was abruptly ended when Chappelle left the show. Three episodes were compiled from the completed work and these episodes aired from July 9 to July 23, 2006. Re-runs frequently air on Comedy Central and around the world on MTV in Germany, Comedy Central in Brazil, The Comedy Network in Canada, The Comedy Channel and 7mate in Australia and FX in the United Kingdom.
Chappelle’s Show was also shown on WGN America and was syndicated to various television stations across the U.S. including MyNetworkTV. TV Guide ranked it #31 on their list of “TV’s Top 100 Shows”.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Patty McCormack’s “Mommy” is psychotically obsessed with her 12-year-old daughter Jessica Ann — so much so that when she finds out Jessica didn’t get the “Student of the Year” award again, she solves the problem by murdering the teacher who didn’t recommend her for it. She dismisses the killing as inconsequential (“a minor accident”), but the homicide detective assigned to the case suspects her immediately, and an insurance investigator who also suspects her tries to get close to Jessica Ann to find out what really happened.
When Dorine Douglas’ job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn’t know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.
Tommy has just joined the cast of the top-rated kids’ show, “Captain Mike’s Mystery Monsters,” and is anxious to find out just how the special effects crew gets the monsters to work. Imagine his surprise when he discovers they’re not special effects at all! Adding to the situation, the monsters’ original owner, evil Queen Mara, has returned to Earth to reclaim her property and take revenge on Captain Mike for stealing them.
The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but that relationship creates scandalous situation and is likely to lead to monarchy crisis.
