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A young boy discovers a deadly alien creature and winds up entangled in a top secret government operation.
A story about two boyhood friends who come to a crossroads in their adult relationship when one of them finds true love. The story explores the blurry line between love and friendship & obsession and jealousy. FIERCE FRIEND is a thrilling ride into the psyche of a sociopath.
A dissolute scriptwriter and a dejected actor become unwittingly drawn into a labyrinthine mess when several people experience bizarre accidental deaths in their flat. Though the men didn’t deliberately cause any of the incidents, they fear that they will be unfairly pegged as murderers if they relay information to the cops, and promptly set about disposing of the corpses in gruesome ways.
Jim, a white straightedge punk with a violent past, and Fred, a young black hip-hop revolutionary struggling to raise a son, spend their lunch breaks at St. Mark’s Comix together. Overwhelmed by the violence that surrounds them, the two form a friendship despite the fact that they come from different worlds. Jim’s friends, a crew of noble but misguided kids, learn that a friend was killed by a drunk driver. In their rage and frustration, they form a gang called One Less Drunk, intent on stopping drunk drivers before they get to their cars.
Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.
Dong-chul is a typical “salary man”, a doting father and a loving husband. But he’s got a secret that’s catching up with him fast. He can barely pay the interest on a debt he has to repay to a sinister loan shark. To make matters worse, the due date on the principal is approaching like a runaway train. When he gets caught up in a kidnapping scheme with his friend Man-ho, he finds out exactly why he makes a pretty terrible kidnapper. He fumbles with the rope when tying his hostage up and he can barely make the ransom call. So when she gets the call from the kidnappers who took his daughter, he’s caught between a rock and hard place.
Jim Gaffigan bursts back on the scene with this eagerly anticipated fourth comedy special. Dubbed the “King of Clean Comedy” by The Wall Street Journal, Jim’s obsession with all things food comes to fruition on Obsessed as he tackles a cornucopia of new food topics from fruit to seafood to donuts. Get ready for 70 minutes of non-stop laughs at Jim’s twisted-yet-enlightened observations on the seemingly mundane topics that have made him a fixture in the comedy world for audiences of all ages.
The story of Skip, a young ex-convict who takes a position as a night janitor at an old-west theme park. His supervisor Archie, teaches him the ropes, but more importantly attempts to convey critical philosophical messages through a series of four stories: a down and out boxer is given the opportunity to become a real golden gloves killer; an assassin kidnaps three people in order to find out who hired him for his latest hit; a new recruit is initiated into a lodge of fez-wearing businessmen where hazing can take a malevolent turn; and a member of a suicide club introduces real fear into a man about to jump to his death.
Santi, a young high-school student with a serious physical reaction to sunlight, is forced by his health to move with his single mother to a shadowy, isolated village in the mountains of Spain where the inhabitants begin to reveal themselves as strangely xenophobic. When terrible, violent events begin to occur, Santi becomes first a pariah at school and then strongly suspected by the police of hideous murders. Santi himself, however, wonders if he is not the next victim.
The Go Master is a 2006 biopic by director Tian Zhuangzhuang of renowned twentieth century Go master Wu Qingyuan, better known by his adopted name of Go Seigen. The film, which premiered at the 44th New York Film Festival, focuses on the life of this extraordinary player from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous global conflicts between his homeland and his adopted nation. The film also features a scene involving the Atomic bomb go game.
Divided into chapters, the film first chronicles Hemel’s many sexual conquests, but then takes on a different tone as it explores her complicated relationship with her father, Gijs. A dapper auctioneer, Gijs has dated a series of younger women since Hemel’s mother’s death. But when Gijs starts seeing the charming Sophie, for the first time Hemel feels that her special relationship with her father is threatened…
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
Gaia, Aga and Awan only have one goal in their lives: to play music. They formed a band, produced their own mini-album, and distributed it with the support of a local music store. Soon, the album made them local heroes. But outside the band, they each have their own secrets. Despite the maturity of their music, they are still young and restless, and are still looking for their true identities. As Garasi gains popularity, their friendship is put to the test. The hidden love, the miscommunication, their conflicts with their families, and judgments from the media and society force them to realize who they truly are and how much they love their music.
Three high school virgins, suspended from school on a bogus graffiti charge, flee to the inner city in an attempt to live out the plot of The Catcher in the Rye – a book they neither have read nor understand. BINDLESTIFFS documents their struggles along the way as they surrender their virginities to vagrants, prostitutes, and crack fiends. Hot on their tail is Charlie, the deranged school security guard. Under the impression that the boys are planning a school shooting, he takes the law into his own hands to stop them and save America.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West’s most maligned musical genre – heavy metal – has impacted the world’s cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world’s emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren’t just absorbing metal from the West – they’re transforming it – creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
A landmark court decision in Massachusetts allows gay people in that state to marry – forcing activists, legislators, and ordinary people to reconsider how they view same-sex relationships.
A young girl is sold into the red-light district Yoshiwara and is put under the care of the oiran (lead prostitute) of the Tamakiku house. The girl is rebellious, but the more experienced people in the household begin to think that she will be one day a great oiran, since an oiran needs not only beauty and talent, but she should also have the tenacity to maintain the position.
Bryant spends most of his time taking care of his daughter, and working as an exec at an ad agency. But when he comes across the online profile for a woman in Los Angeles, he becomes intrigued. She’s beautiful, fun, quirky, and successful. They strike up a long-distance relationship traveling back and forth for several months before Bryant decides that she is the perfect woman for him. He proposes, she moves across the country, and within two more months, the couple is married. But this union is a far cry from newlywed bliss.
Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…
This Is Not A Test is a comedy/drama directed by Christopher Angel. The film is based around a man called Carl (Hill Harper) who’s living his everyday life whilst trying to cope with his fear of terrorist nuclear attacks. However, with the threat so high he soon lets loose and jeopardizes his family and friends.
New York City teenager Jo (Ana Villafañe) witnesses the gruesome murder of both her parents and is sent to rural Montana as part of the Witness Protection Program. On top of having no cell phone, email or any contact with her past life, plus hiding from a dangerous hitman out to finish her off, Jo must also deal with the drama of being the new kid in the small town’s high school (www.tribute.ca).
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.
Lydia is an overweight sales clerk in a trendy home furnishings store, nearing 30. Though she is a member of a Fat Acceptance Group (a movement dedicated to fighting prejudice against overweight people), she is still struggling with complex feelings about her body and its place in the world. Darcy, a recovering-anorexic real estate agent in her mid-20s, is struggling with the same issues from a very different perspective.
Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party boy who only looks forward to bedding a new guy every night.
Ja-yeong(42) gets a message from her husband that he is going to immigrate. Being afraid of not seeing her son again, she escapes from the mental hospital. Cho-hee(17) cannot resist the hospital director’s sexual assault. When she sees a positive result in the pregnancy test, she feels happy rather than afraid about having a family. She escapes from the mental hospital to protect her baby. The two women who succeeded in escaping travel together. Meanwhile, the hospital director hires Hyeon-su, a private detective, to chase them. Ja-yeong and Cho-hee come across various people. When they understand each other, their illusions are broken.
Dangerous Men has many characters like Mina whose life is shattered when two bikers with rape on their minds attack and kill Daniel, her fiancé. Driven by grief, she embarks on a killing rampage, wreaking vengeance upon all the men that she seductively lures into her trap. In her twisted world, cops and killers are all the same – David, Daniel’s brother, is a cop who relentlessly pursues the killers, while facing a nest of drug dealers, followed by the FBI and the police SWAT team, also in hot pursuit. Mina, a victim of violence, carrying a twisted obsession for justice, is caught between opposing forces in a world of dangerous men
Imagine asteroids so large that they can wipe out all life on the planet constantly bombarding the Earth. The only things standing in the way are the Rock Jocks, a top-secret band of government employees, who pilot asteroid-killing satellites. The story takes place during a Rock Jocks night shift. Though they are there to fight off asteroids, they spend most of the night fighting off boredom, themselves, and the occasional meddling government bureaucrat hell-bent on cutting their department’s budget.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
Michael Madsen stars as Max Walker, a down-and-out cop who becomes the target of a bloodthirsty drug cartel after he leads a narcotics bust to intercept a large shipment of heroin. When someone starts picking off his team members — and the drugs seized in the raid suddenly disappear — Walker pairs up with one of his detectives (Daryl Hannah) to uncover a conspiracy that may go straight up the chain of command.
Hiroshi, a 30 year-old businessman, has traveled back in time 20 years. He encounters Kazumi, a young woman who was gravely ill. Hiroshi regarded this as an opportunity to help the young woman from his past, the memory of whom he had always cherished.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
A set of twins — one a hard-working student and the other a drifter — team up with a dropout to unlock the secrets of the universe and to build one of their own.
The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.
When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn’t sure how to convince the boy that he’s making a crucial mistake. Ana’s client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana’s dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.
When Anita Raja, CEO of Sheppard power plant, brings a power plant proposal to set up in rural Mahrashtra before the Nagres, insightful Shankar is quick to realise the benefits the power plant can bring to the people.
