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GOLDSTONE, the award-winning new feature from Australian auteur Ivan Sen (Mystery Road), is a complex and stylish crime thriller that explores themes of racism, human trafficking, police corruption, corporate malfeasance, and the trampling of indigenous people’s rights. On the trail of a missing person, troubled indigenous detective Jay Swan (Aaron Pedersen, Mystery Road) finds himself in the small mining town of Goldstone, where he is arrested for drunk driving by local cop Josh (Alex Russell, CBS’s “S.W.A.T.”). When Jay’s motel room is blasted with gun fire, it becomes clear that something larger is at play. While struggling to overcome their mutual distrust, Jay and Josh uncover a web of crime and corruption, which leads directly to the town’s cold-blooded Mayor (two-time Oscar nominee Jacki Weaver, Silver Linings Playbook) and its smarmy gold mine director (David Wenham, Lord of the Rings).
A disgraced FBI agent with a drinking problem joins nine other troubled law enforcement officers at an isolated detox clinic in the wilds of Wyoming. But the therapeutic sanctuary becomes a nightmarish hellhole when a major snowstorm cuts off the clinic from the outside world and enables a killer on the inside to get busy.
Based on the wraparound story penned by Clive Barker in the author’s “Books of Blood” collection, the story centers on a paranormal expert who, while investigating a gruesome slaying, finds a house that is at the intersection of “highways” transporting souls to the afterlife.
Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.
Donald Lawson, the devil child from “666: The Child”, is now an adult and is determined to fulfill his destiny as the Antichrist.
When Jeff and his friend rescue a young beautiful woman (Kelly Preston) from an apparently abusive boyfriend, the trouble starts. Jeff unknowing becomes involved with Miranda (Kelly) and the web of intrigue that follows her. Miranda is on the run from the witches coven (to which she belongs). Miranda tells Jeff of her situation, but not the entire truth. Jeff willingly helps Miranda out of her troubles, but creates his own.
Madea winds up in the middle of mayhem when she spends a hilarious, haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls, and zombies while keeping a watchful eye on a group of misbehaving teens.
MAD AS HELL follows Cenk Uygur’s transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show “The Young Turks,” which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.
Masha (37) is in an overwhelming relationship with Luuk, father of two and separated. Nothing seems to stand in their way until Luuk turns incurably ill, leaving Masha without status.
Rachel Carson, a best-selling crime novelist, is devastated and filled with guilt over the accidental death of her son. Hoping that a change of scenery will help alleviate her suffering, she leaves her home in the city and moves into a vacant country house owned by a friend and begins a relationship with charming local Angus. But, just as her life is taking a turn for the better, Rachel realizes she’s being romanced by a ghost, leading her to doubt her own sanity.
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does – and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts – some, like Louis, who claim to have wandered in looking for choir practice, who don’t call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child – as they talk about their lives at the meeting
Once upon a time … Angie, an aging star reluctantly goes on one last shoot for a seedy Producer, on location, in an enchanting old cabin deep in the shadowy forest. While on the shoot the cast and crew encounter Henry, and his little sweet sister Patti, two strange and mysterious children who seem to live in the woods. A violent attack on the second evening of shooting sends Angie and the rest of the crew into a frighten frenzy. They lock themselves into their secluded cabin and find themselves trapped and surrounded by an unknown assailant. Could these two children be responsible for these vicious attacks?
When Derek (AnDrew Seeley) moves to a new town and discovers a shortcut through the woods to his high school, he learns about a crazy old man who lives near its path: Legend has it that he abducted a group of teenagers years ago. Ignoring the warning, Derek and his friends set out to uncover the dark secret that’s buried deep in the woods. But will they survive to tell it?
On a night of teenage partying in the woods, Paige unwittingly sets in motion a chain of events that plunge her into a waking nightmare. Tormented by terrifying and increasingly violent supernatural visitations, Paige starts digging into the past and uncovers a sinister secret, buried for decades. Behind the force that now haunts her is a malevolent entity of unspeakable evil. As its power grows and her friends fall prey to its savagery, can she (or anyone) stop The Poltergeist of Borley Forest?
Todd grew up under the strange shadow of his older mentally challenged brother Shonzi. As kids, Shonzi forced Todd to make action movies. As adults he pressures him to share love life details, even showing Shonzi a sex tape he made with an old girlfriend to help him cope when family tragedy hits. When their dad suffers a heart attack, Shonzi (now 40, and still a virgin) moves in with Todd and his new girlfriend Lindsay. Shonzi wants desperately to be included in their relationship like old times. When Shonzi’s begging become threats to reveal secrets from their past, Todd must find the courage to be honest with Lindsay, even if it means the end of their relationship.
Michael Harding (Penn Badgley) returns home from military school to find his mother (Sela Ward) happily in love and living with her new boyfriend, David (Dylan Walsh). As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side?
The Football Factory is more than just a study of the English obsession with football violence, it’s about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they’re not good enough and using their fists as a drug they describe as being more potent than sex and drugs put together.
At the age of 34, former New Orleans Saints defensive back Steve Gleason was diagnosed with ALS and given a life expectancy of two to five years. Weeks later, Gleason found out his wife, Michel, was expecting their first child. A video journal that began as a gift for his unborn son expands to chronicle Steve’s determination to get his relationships in order, build a foundation to provide other ALS patients with purpose, and adapt to his declining physical condition—utilizing medical technologies that offer the means to live as fully as possible.
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A historic Hollywood hotel houses a supernatural evil. It’s been subdued for decades – but when renovations start, a series of murders take place. It’s up to our heroine to solve the mystery.
From the Academy-Award nominated creators of the Broadway show STOMP and the award-winning film Wild Ocean, The Last Reef is an uplifting, inspirational large-format and 3D cinema experience capturing one of nature’s more vibrant and diverse wonderlands. Exotic coral reefs, vibrant sea walls in the sub-arctic pulsating with anemones and crustaceans: these biodiversity hot spots are as vital to our lives as the rainforests. Shot on location in Palau, Vancouver Island, French Polynesia, Mexico, and The Bahamas using groundbreaking 3D cinematography, The Last Reef takes us on a global journey to explore the connection of our cities on land with the ocean’s complex, parallel world of the coral reefs beneath the sea.
A documentary film crew investigate a series of brutal killings known as the Black Water murders. As they delve deeper into the story, they stumble upon a horrifying secret. One they may not survive.
After retiring from his life as an outlaw, ranch owner Nathaniel Reed quietly leads an honest existence with his devoted wife, Laura Lee. But his gun-slinging past suddenly comes back to haunt him when he learns that the man he once maimed during a stagecoach robbery is now a U.S. Marshal who will stop at nothing to find vengeance.
Joe, a programmer and obsessive self-quantifier, and Emily, a budding comedy performer, are happily married until they decide to use one another in their work. A dark comedy about love, technology, and what can’t be programmed.
Diane Blaine has the face of a movie star. Unfortunately, fallen star/tabloid queen Jamie Stephens already made it famous. Hollywoods constant rejection due to what Diane refers to as “TJS” (“Too Jamie Stephens”) has made her bitter, frustrated….and, yes, whiny. Co-worker/boyfriend Jack Sanders doesn’t help matters. His idea of ambition is letting it ride. Now he’s in major debt to a trigger-happy mobster who, interestingly enough, has a thing for Jamie Stephens. Jack’s only way out? Convince Diane to be Jamie and wipe out the debt having one meal with a made man. It’s literally the performance of her life. With Jack’s on the line.
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn’t met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
Centers around the lives of Victoria, Zenobia, Clevon, and Phil — all friends approaching the age of 35 and struggling to build the families they’ve always dreamed of. While Zenobia (Nicole Ari Parker) is still looking for a man, Victoria (Tamala Jones) is married to a man who doesn’t want children. Clevon (Kevin Hart), meanwhile, is too geeky to get a woman, and Phil (Keith Robinson) is already married with children, but his wife is not very interested in being a mother. All four of them try to rectify their romantic lives and futures while their biological clocks tick away.
An awkward young teen working at a spa becomes overly attached to her fellow worker, a lonely outcast. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. Amid emotional crises, the three woman steal and trade one another’s personalities.
On a star-filled night, homeless Thomas seeks warm shelter. Still grieving his late wife, ruined and desperate, he comes across a vast house with the lights on and an inviting open front door. But the next morning, the premises will not let him leave. Destiny has brought Thomas to this place and now he must survive a very personal ordeal. For what appeared a safe haven turns out to be something far more malevolent. From Arrow in The Head blogger, writer and director John Fallon, a psychological horror show tapping into fears of the mind, body and soul.
Steve, a young professional snowboarder, ruins a high-paying photo shoot by playing a silly prank. He, his girlfriend Branka and fellow snowboarder Joschi are left behind on the mountain. They seek shelter in an après-ski tavern that is hosting an all-night party. Things go from bad to worse when a scientific experiment unleashes an epidemic of zombies and mutant wildlife. This is mostly lost on the local drunkards, as they are not always easy to distinguish from zombies themselves. But Steve, Branka and Joschi have to find a way to survive this hellish night.
An ordinary suburban couple finds it’s not easy keeping up with the Joneses – their impossibly gorgeous and ultra-sophisticated new neighbors – especially when they discover that Mr. and Mrs. “Jones” are covert operatives.
Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.
