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We Are the Giant tells the stories of ordinary individuals who are transformed by the moral and personal challenges they encounter when standing up for what they believe is right. Powerful and tragic, yet inspirational, their struggles for freedom echo across history and offer hope against seemingly impossible odds.
We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.
Cowboy Bill Martin has traveled the world doing his own brand of original stand-up comedy. Now, in his first one-hour special, the man they call, Cowboy Bill returns home to talk about love, the frailty of life and the magnitude of being a modern man. Sure he wears cowboy garb on stage and he speaks with a Texas accent, but his comedy touches people of all cultures. CMT, along with Inception Media Group, Middlin’ Creative and Cowtown Drive-In Productions are proud to announce the World Television Debut of the stand-up comedy one-hour special, “Cowboy Bill Martin: Let the Laughter Roll”, Saturday Night, Nov. 21, 2015.
In 1990, seven young male dancers joined Madonna on her most controversial world tour. Their journey was captured in Truth or Dare. As a self-proclaimed ‘mother’ to her six gay dancers plus straight Oliver, Madonna used the film to make a stand on gay rights and freedom of expression. The dancers became paragons of pride, inspiring people all over the world to dare to be who you are. Twenty-five years later, the dancers share their own stories about life during and after the tour. What does it really take to express yourself?
Two scientists of different studies bare witness to an interconnection of separate events that extend beyond their realm of understanding.
Eliska’s husband has left her for a younger woman. She is childless, in her early forties, yet still attractive. Till then she had taken care of her successful husband, but now she has to start anew without his financial support. Eliska starts teaching at a local village school. Since she can’t find a lodging, she moves to a former morgue. The small house is already occupied by a quirky and grumpy graveyard keeper named Bozicek. Their house sharing leads to a series of comical conflicts, but they eventually fall in love and Eliska proves to her ex-husband that she is able to stand on her own.
Hannibal Buress braves Scotland’s epic Fringe festival in Edinburgh, performing dozens of wry stand-up sets and testing new material on the locals.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Rise follows real life events of a young nurse, Will McIntyre, who has his freedom taken after a one night stand leads to a charge of rape. Despite his innocence, he is found guilty upon trial. We are taken into the maximum security prison where Jimmy Cove, a hardened inmate, infamous for a string of armed robberies is positively impacted by Will’s courage and struggle to make sense of it all. Meanwhile, a Queen’s Counsel Barrister, Julie Nile, is challenged to compromise her status and wage to prove his innocence.
Professor Richard Fortey delves into the fascinating and normally-hidden kingdom of fungi. From their spectacular birth, through their secretive underground life to their final explosive death, Richard reveals a remarkable world that few of us understand or even realise exists – yet all life on Earth depends on it.
Among serial killers, Israel Keyes is an enigma. When police picked him up in Texas in March of 2012, it was for the murder of 18-year-old Samantha Koenig, whom he had brazenly kidnapped from a coffee stand in Anchorage, Alaska. Once in custody, however, he confessed to other murders and bank robberies and alluded to many more crimes. He ultimately claimed to have killed up to 11 victims between 2001 and 2012, but couldn’t – or wouldn’t – tell the authorities exactly when and where. He told them enough, however, for them to take him seriously. Then, in December 2012, after nine months in custody, he killed himself, taking his secrets with him to the grave.
Thirty years on from the 1984 Union Carbide plant malfunction, the consequences of which are tragically ongoing, A Prayer for Rain is the powerful and moving story of the Bhopal tragedy, one of the great corporate and environmental scandals of the last half-century. It dramatises the dependence of the local community on the chemical plant that will eventually cause catastrophe, and the series of oversights that led to an event that stands as a benchmark for corporate irresponsibility in the developing world.
A mother intends to relocate Grandpa’s grave from the countryside to the city, where he could be re-buried with Grandma. However, her decision sparkles a conflict with Nana, Grandpa’s first wife. Nana is childless, and all she has is her husband’s grave. As a result, she fights flat out to stop Mother moving the grave. At first, Weiwei, caught between her mother and Nana, is turning the fight over the grave into a story on television, but after having spent time with Nana, she learns a new understanding of life. In the end, these three women of different generations, each facing her own problems in her love life, follow their hearts and make their decisions, which result in an unexpected ending to the incident.
An intimate journey through the formative years of [Lynch’s] life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema’s most enigmatic directors. David Lynch: The Art Life infuses Lynch’s own art, music and early films, shining a light into the dark corners of his unique world, giving audiences a better understanding of the man and the artist.
The Surire Salt Flat is located at an altitude of 4300 m in the Chilean High Plateau and is one of the most remote places in the world, keeping the treasure of untouched nature with all its beauty but also holding an allurement: a huge amount of borax, promising the mining industry profits at unknown levels. Surire, metaphorically tells us in an outstanding visual way the story of our planet – about the very important subjects of the disappearance of traditional indigenous culture, untouched nature, the environment, and the clash of new and old.
Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios’ house must be decorated.
USSR, Late November, 1941. Based on the account by reporter Vasiliy Koroteev that appeared in the Red Army’s newspaper, Krasnaya Zvezda, shortly after the battle, this is the story of Panifilov’s Twenty-Eight, a group of twenty-eight soldiers of the Red Army’s 316th Rifle Division, under the command of General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though armed only with standard issue Mosin-Nagant infantry rifles and DP and PM-M1910 machine guns, all useless against tanks, and with wholly inadequate RPG-40 anti-tank grenades and PTRD-41 anti-tank rifles, they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.
Jung-Woo (Kim Sung-Su) is a neurosurgeon and also works in bioengineering research. He is married, but has an ongoing relationship with Yoo-Gyeong (Han Go-Eun). She is a doctor and stands by Jung-Woo. Yoo-Gyeong has a mysterious accident one day and her hand is cut off in the accident. Thanks to Jung-Woo’s quick thinking, her hand is reattached successfully with surgery. Yoo-Gyeong’s health improves after the surgery, but bizarre events take place around her constantly.
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
In the follow up to the box-office hit Nitro (2007), we catch up with Max as he serves time for the role he played in the death of a police officer. When the film begins, Max learns that his 17-year-old son Theo has just been recruited by a criminal organization. Desperate to get him out of this situation, Max escapes from prison. He discovers that Theo and his best friend Charly have fallen under the control of Daphne, an alluring femme fatale, who is taking advantage of the teens’ expert computer skills to plan a bold and risky burglary. Quickly understanding he’ll be unable to persuade his son to walk away from it all, Max joins the team in order to protect them. His driving skills and his athletic prowess will prove to be invaluable assets in this action-packed sequel.
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a ‘live in the now’ mentality, Cristina’s second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina’s journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love… what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
Mastering classic pinball arcade games requires focus, agility and dedication. Robert Gagno has all these traits. It might explain why he surged from a complete unknown to one of the world’s best players in five years. The achievement is even more impressive considering he was diagnosed with autism at age three. His success on the pinball circuit made him part of a community that provided acceptance and encouragement. With his parents’ support and determination, Robert has exceeded every expectation placed upon him. As he approaches adulthood, his next challenge is to become more self-sufficient and gain his independence. From high-stakes tournaments across the continent to his day-to-day search for employment, we follow Robert’s persistent progression to overcome obstacles and manage the highs of success and lows of falling short. In Wizard Mode, flashing lights and triple combos highlight an outstanding individual who continues to beat the odds and set records.
Filmed in front of a sold-out hometown crowd in New York City, “SMD” is the first Comedy Central stand-up special from Saturday Night Live’s Pete Davidson. The special is filled with Davidson’s unfiltered, brutally honest anecdotes about smoking a Snoop Dog amount of weed, texting his mom dick pics, and his issue with male porn stars. From his stint in “prehab” to this one time at a Justin Bieber concert, Davidson proves that even at 22, he and his friends have had some high times and heavy experiences.
Selections include Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!
Brash, bold and never afraid to go blue, comedian Lisa Lampanelli offers a raucous and raunchy performance in her first stand-up special for EPIX. Taped at the Music Hall in Tarrytown, New York, the set includes Lampanelli’s signature brand of insult comedy as well as her personal experiences with weight loss and divorce.
After a hilarious run-in with the law, Madea is sentenced to community service. Determined to do good for the ‘hood, Madea enlists Aunt Bam and Uncle Joe to try and save the Moms Mabley Youth Center from being shut down. With her irresistible sass and wisdom, Madea rallies the local kids to make a stand-and proves that behind her tough exterior is a whole lot of love!
