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Successful and driven single mom Jenna Thompson writes teen novels, and she has only five weeks to deliver the next one to her publisher. So, this year’s annual beach vacation with her kids Nick (Luke Loveless) and Ally (Reagan Shumate), will be a working vacation for Jenna. Upon arrival, the family soon meets their new next-door neighbor, confident, devil-may-care surfer Lucas McKinnon, with whom they will be sharing walls and a patio for the next month. Lucas cranks up his music at night, sleeps late, and allows Tank to run around at will. Jenna bangs away at her novel with little success, often blaming Lucas’ loud volleyball matches and irregular hours for her inability to progress. However, after Lucas finds himself bonding with Nick and Ally, Jenna begins to see a different side of Lucas, and when the two find themselves alone together one evening for dinner, each begins to see the other in a whole new – and attractive – light. Starring Amanda Righetti and Peter Porte.
At a local Catholic school, the nuns have noticed that the priest is doing more than just leading his students in prayer. Not content to stand idly by as evil walks their halls, the Sisters decide to take action. Confronted by the nuns about his wicked ways, the priest retaliates. For defying him, the Father takes the Sisters hostage and bricks them into the walls of the school’s basement. The sadistic and fatal punishment shakes the faith of the women, forcing them to renounce their holy vows in the moments before their demise. How could they continue to believe in a power that would allow them to suffer such a fate when they were merely trying to do what’s right? Decades later, the school is now vacated and in a state of disrepair. Selected by the community as a building marked for urban renewal, a neighborhood youth group has volunteered their afternoon to come clean up the premises and prepare it for construction.
A romantic comedy full a refreshing global perspective, SIDEWALLS is director Gustavo Taretto’s clever and moving ode to the modern people and urban landscape of Buenos Aires. Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. Her head is a mess, just like the apartment where she takes refuge. Martin and Mariana are perfect for each other– they live in the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?
Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.
Paris 1930.
Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a soverign and wild region.
The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.
Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
Eddie Griffin proves once more that he’s one of the world’s premiere comedic talents in his brand-new stand-up special You Can Tell ‘Em I Said It. Eddie unapologetically rips into everything from racial stereotypes to Viagra to the First Lady and will leave you gasping for air as he buzzes around the stage and literally climbs the walls. This uncut, uncensored stand-up special live from Oakland, California will keep you laughing long after he exits the stage and coming back to watch it again and again.
Suffocated by a cruel, inescapable siege imposed by the Syrian regime and after five months of incessant and senseless shelling, a group of children living in Aleppo start painting the walls of their city. It is an act of protest as well as resistance: a small act that dares to dream of bringing back life in a place that has been humiliated by bombs and bullets, while international powers were watching without doing anything to save lives. Thus, the colours sowed throughout the devastated city sprout small beacons of hope for the thousands of people trapped in Aleppo, smothered by the ruins and rubbles. So, while the Russian forces cut off supplies of food and medicine, more than 280,000 civilians languishing without a home or a shelter try to find new hope and reasons to go on. What happened in Aleppo will never be forgotten.
Happy, beautiful and independent, Veronica enjoys being a mistress. No commitment, no strings and she never has to be vulnerable. She has carefully laid every brick in the walls of the fortress surrounding her heart. She’s safe and having a great time. However, there is one person who knew her heart before those walls were erected, her best friend Brandon, who has stood by her for too many years to count. And while Veronica has tried to keep her feelings at bay, he is the one who holds the key that opens her Pandora’s box of emotions.
Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. “Rat Film” is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore.
The Hallows Estate is on alert as strange graffiti tags with messages declaring the streets will be taken over on Halloween night begin to appear on walls around the place, along with sightings of strange figures lurking in the shadows. One of the gangs responsible for the serious anti social behavior that give the estate a bad name, decide to take these threats head on and ignore the curfew on Halloween night. But who ever, or what ever, this new threat is, they seem to have the very night on their side as they make good on their promise of claiming the streets by frightening and violent means.
Behind the walls of a forbidden city, the only thing more dangerous than its secrets is the truth.
A cursed house is host to several generations of terror after a witch casts a spell on it for eternity. Over the ensuing decades, deadly paranormal happenings haunt the home’s various occupants, as the evil in the walls grows stronger with every victim.
Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.
In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite’s cliffs. “Valley Uprising” is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity — and the laws of the land.
Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly ‘bombing’ foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and ‘tags’ virgin walls with his signature ‘Blest.’ He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his mother to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.
Paleontologist Robert Trenton (Dean Cain) is called to Northeastern Antarctica near the Indian Ocean to help the FBI build an underground maximum-security military base and prison for the world’s most dangerous criminals and terrorists. The prison is dubbed “New Alcatraz” by the staff. While building the prison, the staff accidentally awaken and unleash a prehistoric Boa Constrictor from its 200 year hibernation. The snake escapes unnoticed until the staff notice a massive hole chewed in the five-foot thick concrete walls. Soon, the staff, and prisoners begin disappearing as they are brutally hunted and eaten by the snake. The FBI agents, Trenton and the rest of the prisoners try to escape, but are hampered as they don’t have many weapons. They begin to give up hope as most of the survivors die. However, Trenton manages to blow up the snake underground before escaping to the surface with the only other survivor being his wife.
A misogynistic masked killer prepares for the routine slaying of Anna, his 27th victim, in the comfort of his own home. As Anna struggles to break out of the role the killer has chosen for her, the dead women in the walls and floors play a last desperate card.
For several decades, gifted and incredibly prolific forger Mark Landis compulsively created impeccable copies of works by a variety of major artists, donating them to institutions across the country and landing pieces on many of their walls. ART AND CRAFT brings us into the cluttered and insular life of an unforgettable character just as he finds his foil in an equally obsessive art registrar.
An eccentric Entomologist tells three dark tales about the creeping crawling insects that burrow through the walls of homes, eat through our intestines, and for some of us, driving us slowly insane.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
The lives of four twenty-somethings collide one fateful New Year’s Eve in this twisty, blackly comic crime thriller set amidst the ancient walls of Derry, Northern Ireland, in a night of fast talk, accidents and intrigue. Johnny, a small-time crook, and Marie, a dissatisfied shop assistant, are both looking for a fresh start. Greta is on the verge of taking her own life and Pearse has a bounty on his head for asking difficult questions about his missing brother Eddie Kelly. As the clock ticks down to midnight and the night’s events expertly fall into place, Jump weaves an existential portrait of the characters’ lives as their hopes, fears and secrets are revealed
The infamous Odenbrook Sanitarium closed after a mass suicide occurred within its walls. Sixty years later, six college students armed with cameras and recording equipment venture into the asylum to prove the existence of the paranormal. Thrills turn into nightmares as members of the group go missing without a sound, cell phones mysteriously vanish, corridors turn into mazes, walls appear where doors once stood, flashlights fail and something or someone begins toying with the group. Days later, when five of the six friends turn up missing, the lone survivor must go through the recovered footage in order to clear his name and find out what happened to his friends
Ann, a reclusive elegant lady, with an obsession for butterflies, is befriended by the eerily beautiful young Alice. Using her seductive innocence, Alice establishes a disturbing mother daughter relationship with Ann. Lured into her twisted world, Ann soon discovers that she is not the only recipient of the girl’s affections. Confronted by Alice’s other lady friends, Ann’s shock awakens a dark, hidden past, unchaining a spiral of madness: a series of brutal and bizarre crimes that Ann will have to commit to preserve her harmless and deceptive appearances. The only one who recognizes there’s something unsettling about Ann, is nine year old Julie, her next door neighbour’s daughter. With the inevitable curiosity of a child, Julie begins to explore the corners of Ann’s apartment, discovering a dark secret hidden in the walls of the forbidden butterfly room. No one believes what she’s seen except for Ann’s daughter. Horrified, she realises that the fate of the young girl lies in her hands.
ER nurse Helen Sterling struggles to free her grown son, a journalist captured by terrorists in the Middle East. After hitting walls with the FBI and State agencies, she discovers a clandestine community of journalists, advocates, and philanthropists who might be able to help.
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what’s more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it. The breakout is set for the day of a morale-raising football match between a ‘celebrity’ football team and the inmates of Slade. Everything is going to plan until Godber is injured on the goal post. In the ensuing confusion, Fletcher finds himself on the wrong side of the prison walls and must now try and break back into prison.
Prison Terminal: The Last Days of Private Jack Hall is a moving cinema verite documentary that breaks through the walls of one of Americas oldest maximum security prisons to tell the story of the final months in the life of a terminally ill prisoner and the hospice volunteers, they themselves prisoners, who care for him. The film draws from footage shot over a six-month period behind the walls of the Iowa State Penitentiary and provides a fascinating and often poignant account of how the hospice experience can profoundly touch even the forsaken lives of the incarcerated.
Based on a true story, “Dynamite: A Cautionary Tale” follows family man Max Bornstein who was a full-time dope fiend working within the underground, highly illegal pornography industry in 1968’s New York City. While running books and films to delivery points and mob headquarters around the east coast, Max had the Feds on his tail. But even in the wake of a federal investigation, Max’s truest worry was his wife and two young children, a family kept in the dark about Max’s reality and the walls of it caving in around him. As Max battles his consuming addiction, dissolving family unit and the growing suspicion about his drug use amongst his associates, Max watches helplessly as his well-crafted reality falls to pieces, leaving him searching for the spaces in between.
Several hundred years ago, humans were nearly exterminated by Titans. Titans are typically several stories tall, seem to have no intelligence, devour human beings and, worst of all, seem to do it for the pleasure rather than as a food source. A small percentage of humanity survived by walling themselves in a city protected by extremely high walls, even taller than the biggest Titans. Flash forward to the present and the city has not seen a Titan in over 100 years. Teenage boy Eren and his foster sister Mikasa witness something horrific as the city walls are destroyed by a Colossal Titan that appears out of thin air. As the smaller Titans flood the city, the two kids watch in horror as their mother is eaten alive. Eren vows that he will murder every single Titan and take revenge for all of mankind.
As she hurls herself headlong at modern living, Fleabag is thrown roughly up against the walls of contemporary London, sleeping with anyone who dares to stand too close, squeezing money from wherever she can, rejecting anyone who tries to help her, and keeping up her bravado throughout.
A vampire film with “altitude”. Winner of 9 awards in 2013 from the Beverly Hills Outlook! The year is 1805, the city of Nuestra Señora de La Paz lives in fear of an invasion from the indigenous population, and – within its walls – a rebellion is brewing against the Spanish crown. If this were not enough, a beautiful vampire is terrorizing the population, leaving a bloodbath in her wake. A young Irish spy, on a mission for the rebels, is found near the body of a victim. She is captured, accused of the murders, publicly flogged and sentenced to die by garrote.
St. Agatha is set in the 1950s in small town Georgia. A pregnant con woman named Agatha is on the run and seeks refuge in a convent hidden in deafening isolation. What first starts out as the perfect place to have a child turns into a dark lair where silence is forced. Ghastly secrets are masked, and every bit of will power Agatha has is tested. She soon learns the sick and twisted truth of the convent and the odd people that lurk inside its halls. Agatha must now find a way to discover the unyielding strength needed to escape and save her baby before she’s caged behind these walls forever.
The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.
It’s 1983, and hopeless junkie Dick gets an unwelcome visit from the past – his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler’s concentration camps.
