Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

Finishing his trilogy about desperate young women in New York, Amos Kollek focuses on an alcoholic, who tries to regain custody of her son. Being addicted to alcohol, single mother Anna had to give her son to foster parents, but they would “sell” him back if she offers enough money. When she gets to know Pete, the mentally handicapped son of a wealthy author, his father asks her to marry his son for one million dollar.

Transforming Harry Potter’s fictional competition into a physically demanding, real-life sport, quidditch has secured its place as one of the fastest growing collegiate club sports today. MUDBLOODS follows the resilient underdogs of the UCLA Quidditch team as they make their way to the Fifth Annual Quidditch World Cup in New York City. Through nail biting victories and losses, the dreamers, creators and athletes who make up this exceptional community come together to make this magical sport into something you could’ve never imagined, until now.

A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.

Nassau County, New York Police detective Jesse turns vigilante as she investigates her brother’s murder and enters into a world of crime, corruption, and shocking deception.

Welcome to Pine Hill follows Shannon, a recently reformed drug dealer, now working as a claims adjuster by day and bouncer by night. When Shannon receives earth-shattering news, he is compelled to make peace with his past and search for freedom beyond the concrete jungle of New York City.

Two friends, Dan and Pete, move to New York City to discover that the Outer Boroughs, while more affordable than Manhattan, are vastly haunted by all sorts of ghouls, ghosts and goblins. How can Dan and Pete handle power demons and the undead when they can barely pay the rent? Tune in to witness all the horrors that await this supernatural odd couple in…The Outer Boroughs.

Meet Ralph, charismatic New York adman about town. Encouraged by his sexist boss and unlucky-in-love buddy Peter, Ralph’s life revolves around the pursuit of the opposite sex. Enter his match, smart and beautiful account executive Elizabeth, who is put off by his sex-obsessed ways, convincing Ralph to see a therapist. Just when a relationship between the two begins to flourish, Ralph gets thrown together with supermodel Amber. Now Ralph has to decide whether to change his player-like ways or risk losing the one woman he truly loves.

Peter and Chloe, a young married couple from New York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the journey, Chloe begins to feel neglected and betrayed by Peter, who is focused on gathering information for an article he plans to publish on their return about the work of one of their fellow passengers, the whale biologist Roger Payne. After an unforgivable betrayal of trust by Peter, Chloe turns their fledgling marriage upside down by moving into her own room and staking out her independence onboard the ship. Drawing attention to the poles within each of us, the impressionistic story oscillates between the super-confined interiors of the ship and the vast open spaces of Antarctica. In the end, it’s not until Chloe and Peter are lost – perhaps literally, perhaps metaphorically – in the Antarctic ice that they discover how essential one is to the other.

Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City–as if to test the limits of her own safety–propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact–and about her own.