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On the verge of achieving his dream career, Tomás allows his older brother Martin Farina an inside look at his life as a professional football player. Martin, never able to fulfill his own dream of playing football, steps into the world of Tomás and his teammates through the lens of his camera. However, the rest of the club has their own opinions, some viewing Martin as an intruder, as he exposes their most vulnerable moments, and their concerns for the future after the game has ended. Fulboy offers an uncensored, confessional look at how the athletes behind the most popular sport in the world behave during their time off the field. At the same time, Fulboy reflexively interrogates Farina’s aesthetic choices and point-of-view, as well as the viewer’s gaze at the male form.
Marnie is a beautiful kleptomaniac who is in love with businessman Mark Rutland. Marnie who is a compulsive thief is being watched by her new boss Mark who suspects her of stealing from him and thus decides to blackmail her in the most unusual way. A psychological thriller from Alfred Hitchcock based on a novel of the same name by Winston Graham.
When they can no longer stomach the ever-growing weed of suburban crime, Jay and Silent Bob take on the mantles of costumed avengers Bluntman and Chronic, smashing the super-villains they accidentally create! Can the Doobage Duo save their beloved Jersey ‘burbs from their new arch enemies, The League of Shitters? While clearly not the comic book movie the world wants, GROOVY MOVIE is the comic book movie the world needs!
When Julián receives an unexpected visit in Madrid from his lifelong friend Tomás, who now lives in Canada, the encounter is bittersweet. Diagnosed with terminal cancer, Julián is focused on putting his affairs in order, while Tomás is still grasping at hope. For four intense days, the two men, accompanied by Julián’s faithful dog, Truman, tour the city, sharing emotional, hilarious and surprising moments.
High school student Saya Toma (Erika Toda) lost her parents and younger brother in an airplane accident. Detective Akio Kondo (Yu Tokui) came and told her “your family has a high possibility that they were killed by people who have spec.” That was the first time she heard of “spec”. 6 years later, Saya Toma, who has never forgotten what the Detective said, decides to become a detective. She returns to Japan after receiving training by the FBI in the United States. Saya Toma is assigned to work unsolved cases in the Public Security Bureau. Meanwhile, because of Satoshi Chii’s (Yuu Shirota) scheme, Juichi Ninomae (Ryunosuke Kamiki) considers Saya Toma his parents’ enemy and tries to push her to the edge. Satoshi Chii’s scheme has also caused Saya Toma and Juichi Ninomae to forget that they are brother and sister. The siblings are headed to a life-staking fight. A girl named Maho Ueno (Umika Kawashima) becomes involved in their fight. To protect Maho Ueno, Saya Toma uses “spec”.
A man and his friends come up with an intricate and original plan to destroy two big weapons manufacturers. Avid movie-watcher and video store clerk Bazil has had his life all but ruined by weapons of war. His father was killed by a landmine in Morocco and one fateful night a stray bullet from a nearby shootout embeds itself in his skull, leaving him on the verge of instantaneous death. Losing his job and his home, Bazil wanders the streets until he meets Slammer, a pardoned convict who introduces him to a band of eccentric junkyard dealers including Calculator, a math expert and statistician, Buster, a record-holder in human cannonball feats, Tiny Pete, an artistic craftsman of automatons, and Elastic Girl, a sassy contortionist. When chance reveals to Bazil the two weapons manufacturers responsible for building the instruments of his destruction, he constructs a complex scheme for revenge that his newfound family is all too happy to help set in motion.
The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead. All of this inevitably culminates a martial arts showdown between the drug lord and the ranger, and involving the woman they both love.
Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.
Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.
Bruce is a trucker who works the hog fat lines between Earth and the Titan Station. He’s content with his life but a bit lonely. A month away from the Titan Station Bruce picks up Max, an easily bored automation engineer with a broken shuttle. As Max is about to go crazy from space boredom they receive a strange distress call. Bruce’s long range receiver is broken so the signal is close by. Soon they discover a huge dark object on a collision course. Bruce and Max must risk everything to survive their deadly encounter and deliver the hog fat.
A story within a story within a story. In Australia’s Northern Territory, an Aboriginal narrator tells a story about his ancestors on a goose hunt. A youngster on the hunt is being tempted to adultery with his elder brother’s wife, so an elder tells him a story from the mythical past about how evil can slip in and cause havoc unless prevented by virtue according to customary tribal law.
The Man from Bitter Ridge is a film directed by Jack Arnold. Jeff Carr, a special investigator, arrives in Tomahawk. His assignment is to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the town. Sheepman Alec Black is suspected by the local population but it is not long before Jeff realizes the man is innocent. Alec even becomes a good friend although he is in love with the same woman as him, Holly. Jeff will manage to arrest the real culprits but not before the latter try to compromise him down.
American: The Bill Hicks Story is a biographical documentary film on the life of comedian Bill Hicks. The film was produced by Matt Harlock and Paul Thomas, and features archival footage and interviews with family and friends, including Kevin Booth. The filmmakers used a cut-and-paste animation technique to add movement to a large collection of still pictures used to document events in Hicks’ life. The film made its North American premiere at the 2010 South by Southwest Film Festival. The film was nominated for a 2010 Grierson British Documentary Award for the “Most Entertaining Documentary” category. It was also nominated for Best Graphics and Animation category in the 2011 Cinema Eye Awards. Awards won include The Dallas Film Festivals Texas Filmmaker Award, at Little Rock The Oxford American’s Best Southern Film Award, and Best Documentary at the Downtown LA Film Festival. On Rotten Tomatoes, 81% of the first 47 reviews counted were rated positive.
Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple’s aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals…
College friends Devin, Jack, Shelly, Kristy, Shaun, and Flower rent a spacecraft to autopilot them to Centauri Five for a holiday break. Impatient over the rental agency restricting the ship’s speed to 10x, Devin and the others convince Shaun to remove the craft’s constrictor device. Doing so damages the computer’s automated systems, as well as the ability to send a distress beacon, causing the six friends to crash land on an uncharted alien planet.
Farmer’s wife and mother of three Hanni worries about her youngest, Magdalena, who’s smaller and more sensitive than her siblings. She gets stomach flu and can’t see well. The doctors prescribe nothing but panaceas, and don’t take her case seriously. While Hanni searches for a doctor who will take Magdalena’s symptoms seriously, her husband and sons feel neglected. Ultimately, Hanni will have to take on the government, and confront her childhood memories of grim courtrooms and dark halls. A family drama of forceful intensity, a courtroom thriller based on a true story.
In the distant technological future, civilization has reached its ultimate Net-based form. An “infection” in the past caused the automated systems to spiral out of order, resulting in a multi-leveled city structure that replicates itself infinitely in all directions. Now humanity has lost access to the city’s controls, and is hunted down and purged by the defense system known as the Safeguard. In a tiny corner of the city, a little enclave known as the Electro-Fishers is facing eventual extinction, trapped between the threat of the Safeguard and dwindling food supplies. A girl named Zuru goes on a journey to find food for her village, only to inadvertently cause doom when an observation tower senses her and summons a Safeguard pack to eliminate the threat. With her companions dead and all escape routes blocked, the only thing that can save her now is the sudden arrival of Killy the Wanderer, on his quest for the Net Terminal Genes, the key to restoring order to the world.
Set during the last days of the Ottoman Empire, a love triangle develops between Mikael, a brilliant medical student, the beautiful and sophisticated artist Ana, and Chris, a renowned American journalist based in Paris.
Sinners are invited to a theme park where they endure the repetition of their transgressions. What chances do a conniving kleptomaniac, a gullible teenager, and an obsessed father stand when facing their own moral failings? Lucifer and his colorful cast of singing carnies invite you to grab a ticket to The Devil’s Carnival to find out!
Delhi-based Sonia agrees to deliver a package for Vladimir Dragunsky and asks her rather unkempt and debt-ridden fiancé, Tashi Malhotra, to do it for her. Tashi, in turn, asks one of two of his room-mates, Arup. But Arup forgets to do so due to an upset stomach ailment commonly known as ‘Delhi Belly’ as well as his plan to blackmail their landlord, Manish and asks the third roommate Nitin to deliver the package. A gangster, Somayajulu, who was the recipient of this package, starts by brutally questioning Vladimir, and finds out that the package may be in the possession of the trio. While Tashi must deal with his attraction for Journalist Menaka and incur the wrath of her husband, Rajiv, he still has to fully come to terms whether or not he wants to marry Sonia. And the entry of ruthless Somayajulu and his gang seriously jeopardizes any plans Tashi and his friends may have for the future.
A man trapped in an automated prison must outsmart a computer in order to escape and try and find his way back to the outside world that may already be wiped out.
In this provocative documentary, worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy consider the impact of technological advances on the two certainties of human life: work and death. Charting human developments from early man, past the Industrial Revolution, to the digital age and beyond, THE FUTURE OF WORK AND DEATH looks at the astonishing exponential rate at which mankind creates technologies to ease the process of living. As we embark on the next phase of our ‘advancement’ with automation and artificial intelligence driving the transformation from man to machine, the film gives a shockingly realistic look into the future of human life.
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Tomás Kóblic, a former pilot and captain of the Argentinian Navy, disobeys an order and becomes a fugitive in order to survive. He chooses to hide in a small town in the south of the country, where his presence will catch the attention of the unscrupulous and violent local marshal.
For siblings Brie, Daniel, Crew, and Jess, family has always come first. But when Crew (Daniel DiTomasso) invites his girlfriend Sara (Kate French) into the family, distrust begins to bubble between the siblings. Seeing Sara as a threat, Brie (Fiona Dourif) grows spiteful and increasingly suspicious that she is being replaced. That is, until the night Crew attempts to murder her in their family house. Traumatized, Brie is sent to a mental facility where she is tormented by hallucinations of Crew from the night of the attack. But when the visions begin to bleed into reality, Brie starts to fear that it’s not just her sanity that’s in danger, and she flees the facility. In a frantic attempt to return to her remaining siblings and warn them, Brie begins to uncover a trail of gory, sinister secrets that lead her to believe that she might not know her family as well as she thought.
Rob Haley (Dougray Scott), an up-and-coming chef and restaurateur in London, is grief-stricken when he loses his wife. With encouragement from his infamous friend and real life TV Chef Gordon Ramsay, Rob decides to spice up his life by turning a run-down country pub into a gourmet restaurant. His food catches the eye – and taste buds – of beautiful American food critic Kate Templeton (Claire Forlani) and they soon both write a recipe for love that leaves both their hearts – and their stomachs – in full.
Shotgun Jimmy is a nasty piece of work. Ripping off drug dealers, killing policemen, he’d decapitate his own grandmother for a sack full of loot. Schizophrenic, psychopathic, his only friend is Mary the Shotgun – his trusty, reliable pump-action. But during a violent road-rage incident, something goes horribly wrong and Jimmy finds himself chained in shackles in a dark, grimy dungeon where he ponders over a deeply buried secret past… Tomas Sorescu’s been a bad man. He likes his whiskey. And brandy. Vodka, rum or gin? Hell, he’ll drink petrol if it isn’t nailed down. Only now he’s done a rather silly thing. He’s crashed his car – and killed his wife and little girl in the process. Tomas feels pretty bad about the situation. So bad, in fact, he needs another drink. But then it gets worse as a tall, powerful, gas-mask wearing figure pulls Tomas from the wreckage and introduces him to a special place… Sophie Scott is a successful career journalist in the sleepy village of Ramsbottom.
The Future Doesn’t Need Us… Or So We’ve Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn’t just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?
Movie contains the stories of three people: Suzuki (Toma Ikuta), Kujira (Tadanobu Asano) and Semi (Ryosuke Yamada). Suzuki is a former middle school teacher. His girlfriend was killed, which led him to quit his job and attempt to take revenge on her murderer. To do so, Suzuki has to infiltrate the underground world of criminals. Kujira is a contract killer for hire. He makes his targets fall into confusion and eventually commit suicide. Semi is a contract killer who uses the knife to take out his targets.
A girl named Olga is pursued by both the World Government and a man named Mad Treasure, as she is the only one who knows the location of the Pure Gold, a substance that can buy the entire world. Olga ends up sailing with the Straw Hat Pirates, and they journey to find the Pure Gold on the lost island of Alchemi, which is located inside the stomach of a large angler fish named Bonbori.
Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.
A trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
In Los Angeles, Emily Brown is a kleptomaniac and addicted in pills that misses her father and is having therapy sessions trying to resolve her compulsion. She has a record in the police for shoplifting, and her mother Teresa is a compulsive shopper. The security guard Nick of the Bernstein’s department store sees Emily through a camera and becomes fascinated for her. When Nick gets in trouble dealing ecstasy, he presses Emily to help him in a robber of Bernstein.
Two teenagers joining the same class in a high school die on the same day. The one to be top of the class is killed by a big knife on the street, the other – the second best of the class indeed – seems to be jumped from the top of the school building. Everybody believes that he first killed his classmate and than himself. But when the police finds small pill boxes into the stomachs of both kids confessing their murder two South Korean cops are torn into a new case of murder series. While they try to hunt down the serial killer, more pupils are getting killed…
Saya Toma (Erika Toda) is a female detective with an IQ of 201. Takeru Sebumi (Ryo Kase) is a career detective with a distinguished background. They work on cases by postulating the “SPEC” of the unknown criminals and then deduce the criminal’s unknown “SPEC” to make arrests. A mystery occurs when bodies are found on a cruiser in the ocean. Saya Toma and Ryo Kase of the Tokyo Metropolitan Police Department are brought in to solve the case.
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
Ty’s pal J.J. frames him in a murder and cocaine theft in Hong Kong in 1992. Ty’s wife Rachel may be in on the con, so, when Ty gets early release from prison as a gesture of good will from the city’s new Mainland government, he doesn’t bother to look her up. But she finds him in Southern California to warn him that J.J. wants him dead. Whack J.J. first, she tells Ty, so he heads for Manila where J.J. runs a lucrative business under the cover of exporting tropical fish. But what is that business and who’s pulling the strings? With the help of Inez, a young Filipina prostitute, Ty gets to the heart of the matter even after Inez no longer has the stomach to pursue the guilty ones.
