Based on the Vanity Fair article of the same title, a story about a young boy drawn into a web of lies through an online chatroom.

Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal’s hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.

Driving to a weekend getaway, a car breakdown strands young couple Don and Nancy (David James Elliot and Heather Marsden) while passing through a small, rural Louisiana town. Finding the couple on the roadside, the towns inhospitable Sheriff Taylor (Jeff Fahey) tells them therell be no one to repair their car before morning. He directs them to a nearby motel for the night run by Carter (Michael Madsen). Checking into the seedy, rundown establishment, Don and Nancy have no way of knowing how this place deals with outsiders. Badge aside, the Sherriff answers to Carter, as do a gang of twisted, masked kidnappers, torturers, and killers. By the time Don and Nancy realize whats happening, its too late to flee. They must fight to survive the night, or be the next victims of the Terror Trap…

The Color Of Noise The Color of Noise is a full length documentary about the Artist Haze XXL (Tom Hazelmyer) and his notorious record label, Amphetamine Reptile Records. Throughout the 80’s and 90’s the label would achieve almost cult like status for being adventurous and daring in the midst of a time where “safe” punk rock would rule the airwaves with a newly accepted style of music by the mainstream college goers, Grunge. Though with AmRep, not only a roster of the most outrageous performers would find a home, but also a legion of poster artists who broke all of the rules. Armed with a computer and an aesthetic of bold imagery, an artist would emerge in Hazelmyer. This is an American mid-west story about a man who created his own path, far from the norm and how he brought along with him countless others who would achieve greatness by sheer proximity and participation. This is the true American underground.

With their sights set on a £25,000 reward promoted by a local newspaper, American documentarians Georgia and Matt head to Exmoor in North Devon to film the fabled beast supposedly slinking through the remote terrain. Is the creature a leopard, a panther, a family pet crossbreed, an imaginary predator? Setting up a forest camp with an old acquaintance harbouring his own dark secrets, the trio fix 42 cameras to the trees and rocks, linked back to a computer nerve centre where nothing should go unnoticed as they take turns to night watch. But then they discover some putrefying body parts all neatly tied up… then some more. And before long they realise they are in the lair of a beast right enough, but certainly not one of the four-legged variety. For they have discovered a serial killer’s playground and are soon to become his most wanted prey.

The ten-year marriage of Mark and Joanna Wallace is on the rocks. In flashback they recall their first meeting, memorable moments in their courtship and early wedded life, their travels through Europe, their broken vow never to have children, and their increasing tensions that led to both of them having extra-marital affairs.

A frizzy-haired, pink-cheeked outcast named Spork navigates her way through the annals of junior high.

Actor Park Joong-hoon makes his directorial debut with this tale of a talent manager, Taeshik, who is discovered as an actor himself and sees his success quickly surpass that of his prior client. But Taeshik is compelled to hold on to his stardom through any vile means necessary. He recalls Alain Delon’s Tom Ripley in Purple Noon. As Tom Ripley had wanted everything the millionaire and his girlfriend had, Taeshik also wants everything that his former employer Wonjoon had. Having taken.

The discovery of an illicit love affair leads two young Angelenos on a violent, sexually charged tour through the dark side of human nature.

A pair of former brothers-in-law embark on a road trip through Iceland.

Airline pilots Cool, Sam and Guy were proud womanizers whom all took tremendous pleasure in making the rounds with every stewardess they came across. But one day during a seemingly routine flight, they encountered a violent magnetic storm that sent them falling through a wormhole. Upon landing, they assumed the storm had blown them off course onto a film set, but in reality, they had travelled back in time to Ming Dynasty, China.

Dutch and his group of commandos are hired by the CIA to rescue downed airmen from guerillas in a Central American jungle. The mission goes well but as they return they find that something is hunting them. Nearly invisible, it blends in with the forest, taking trophies from the bodies of its victims as it goes along. Occasionally seeing through its eyes, the audience sees it is an intelligent alien hunter, hunting them for sport, killing them off one at a time.

As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.

Eleven articulate people work through affairs of the heart in L.A. Paul produces Hannah’s TV cooking show. Mark is dying of AIDS. Men have scalded Meredith so she rebuffs Trent’s charm, but he persists. The trendy, prolix Joan tries to pull the solitary Keenan into her orbit. An adulterous couple meet at hotels for evening sex. Hugh tells tall tales, usually tragic, to women in bars.

“Muffin Top: A Love Story” is the story of Suzanne (Cathryn Michon) a Women’s Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and yet is made insecure by the constant parade of female perfection that is our airbrushed culture. She has been going through IVF treatments to get pregnant by her network executive husband (Diedrich Bader), but discovers on her birthday, that her husband has knocked up his younger, skinnier, co-worker (Haylie Duff) and wants a divorce. Happy Birthday! She goes on to find a more authentic version of who she really is, despite the delights of being suddenly single in Los Angeles, where low self-esteem for women is our number one export to the world.

Three friends, whose lives have been drifting apart, reunite for the funeral of a fourth childhood friend. When looking through their childhood belongings, they discover a trunk which contained details on a quest their friend was attempting. It revealed that he was hot on the trail of the $200,000 that went missing with airplane hijacker D.B. Cooper in 1971. They decide to continue his journey, but do not understand the dangers they will soon encounter.

Kate and Martin escape from personal tragedy to an Island Retreat. Cut off from the outside world, their attempts to recover are shattered when a man is washed ashore, with news of airborne killer disease that is sweeping through Europe.

In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women’s clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and in We are Twisted fucking Sister he explores the decade that preceded their breakthrough.

When David is left by his fiancé just days before the wedding, Flula, his relentlessly upbeat best man, insists that the pair go on David’s previously planned honeymoon: a seven-day backpacking trip through the breathtaking mountains of Oregon. Their adventures are bookended with passages from William Clark’s diary describing his friendship with Meriwether Lewis and the terrain they crossed during their expedition.

Harvey Cheyne, Jr., second richest person in the world, orphaned and spoiled rotten, encounters a cigar and the sea on his way to England for boarding school. Seasick, over the rail for real, rescued by Dan Troop of a Gloucester fishing sailboat. Three months at sea, under a firm but fair Captain Troop (fair wages of $10.50 a month, if you don’t work you don’t eat). A hard life and a dangerous one, and a lot of growing up to do through hardship and tragedy.

Call him a city slicker. Call him a tenderfoot. But don’t call him a member of the family–yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie’s lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don’t make a cowboy, and it’s going to take more than mere posturing to charm Mr. Ryder…in fact, it just may take a miracle.

THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

María Nieves Rego (80) and Juan Carlos Copes (83) met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations. Now, at the end of their lives, the two dancers are willing to open up about their love, their hatred, and their passion. In “Our Last Tango” Juan and María tell their story to a group of young tango dancers and choreographers from Buenos Aires, who transform the most beautiful, moving and dramatic moments of the lives into incredible tango-choreographies. These beautifully-shot performances compliment the soul-searching interviews and documentary moments of the film to make this an unforgettable journey into the heart of the tango.

Join Barbie, Chelsea, and her puppy Honey as they swim through rainbow rivers with beautiful mermaids and fly through cotton candy clouds with fairies.

Marco Vasquez and his family have seen tragedy and despair throughout their lives at the hands of an evil entity. Now that Marco is about to start a family of his own, he is forced to return to his childhood home where it all began to put a stop to it once and for all.

After losing his bride in a Luftwaffe air raid, bomber pilot Forrester becomes a solitary killing machine, who doesn’t care whether he dies. The reckless Canadian pilot is both admired and feared by the rest of his squadron in World War II Burma. The squadron physician is assigned to determine the embittered Bill Forrester’s fitness for duty. To break through the nightmare-haunted man’s wall of silence, the physician drives Forrester to visit an outpost of English-speaking refugees, which includes an alluring young Burmese woman.

Surveillance expert Harry Caul is hired by a mysterious client’s brusque aide to tail a young couple. Tracking the pair through San Francisco’s Union Square, Caul and his associate Stan manage to record a cryptic conversation between them. Tormented by memories of a previous case that ended badly, Caul becomes obsessed with the resulting tape, trying to determine if the couple are in danger.

A pair of failing high school students — Bill S. Preston, Esquire and Ted “Theodore” Logan — are visited by a time traveler from the future who takes them on an adventure through time to gather up actual historical figures to help them with a history report.

A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.

Three tales are told, each one increasingly terrifying. The first tells the story of a woman being stalked by an axe-weilding maniac. The second is the story of a man who pays the ultimate price for a beautiful head of hair. The final tale shows what it is like to see life through the eyes of a killer.

Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg’s head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.

Ebeneezer Scrooge (Alastair Sim) contentedly meanders through his life as a cruel miser until one fateful Christmas Eve when he is visited by three ghosts. The spirits show him how his behavior over the years has made him a lonely, bitter old man, and how his heart has grown colder. Using events from Scrooge’s idealistic past, dreary present and dismal future, the apparitions try their best to melt his steely soul. Tightfisted Ebeneezer Scrooge learns the error of his ways through the intervention of the ghost of his former partner and of the three spirits and, just in time for the holidays, manages to make everyone’s lives a little brighter, his included!

Music fans know Maynard James Keenan as the frontman of such bands as Tool, A Perfect Circle, and Puscifer, but in this documentary filmmakers Christopher Pomerenke and Ryan Page offer a closer look at one of the prolific rocker’s more unexpected hobbies — winemaking. Along with his business partner Eric Glomski, Keenan has managed to transform an arid stretch of Arizona desert into a lush vineyard that yields some particularly tasty grapes. Through unguarded conversations with Keenan and Glomski, Pomerenke and Page discover just what got the pair interested in winemaking, and why they chose such a hostile natural environment to serve as the site of their winery.

Ray Nettles, a detective of San Francisco, and his partner Fuzzy must take up to one of the most dangerous terrorist gangs of the city. When one of the terrorists, the beautiful scientist Claire Manning is arrested, Swan, the leader of the terrorists, claims he will let explode bombs throughout the city if she will not be released. Because of the possible bloodshed, Nettles calls for the help of explosive expert Frank Glass…

Mickey, who happens to be a werewolf and a crime boss, gets all worked up and hairy during a private dance at a strip club. Justice, the dancer, grabs the nearest weapon and lands a fatal blow: her silver fountain pen right through Mickey’s wolfed-out eye. This ignites a small-scale war between Mickey’s group of werewolf mobsters and the sultry strippers of Vixens.

The best of Led Zeppelin’s legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. The Song Remains the Same is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member’s individual fantasies and hallucinations. Includes blistering live renditions of “Black Dog,” “Dazed and Confused,” “Stairway to Heaven,” “Whole Lotta Love,” “The Song Remains the Same,” and “Rain Song” among others.

Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers’ force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? “Sweetheart, come.” Written by

Tells the story of one day in the lives of the various people who populate a police detective squad. An embittered cop, Det. Jim McLeod (Douglas), leads a precinct of characters in their grim daily battle with the city’s lowlife. The characters who pass through the precinct over the course of the day include a young petty embezzler, a pair of burglars, and a naive shoplifter.

Gangsters abound in this lively, romantic crime drama that is set in Shanghai during WW II. The tale of Taiwanese patriot Hsu Wen-Chiang begins as he is washed up on a beach near Shanghai. He is taken in by Ting Lik, a kindly beggar who is desperately in love with Feng Ching-Ching, the daughter of a prominent gangster. It isn’t long before Ting Lik successfully rises through the underworld ranks to become one of the city’s most powerful gangsters. Hsu is beside him all the way and uses his own power to get revenge against those who tried to have him killed much earlier. The film’s later focus is on the exploits of Feng who long ago had a relationship with Hsu when he was on the lam in northern China. Back in the present, Hsu and Feng meet again by chance and they resume their affair until Hsu learns that Feng’s father is one of his enemies and kills him. Poor Feng goes mad with grief. Ting finds out and swears revenge upon Hsu.