A woman in Oregon opens a box of Halloween decorations and finds a distressing letter written by a political prisoner from inside a Chinese labour camp.

Dean Randall has sponsored a young Chinese orphan Mei Mei for many years, when she arrives in Sydney out of the blue to thank him, their lives are changed forever.

In the northern Chinese city of Manzhouli, they say there is an elephant that simply sits and ignores the world. Manzhouli becomes an obsession for the protagonists of this film, a longed-for escape from the downward spiral in which they find themselves.

San Francisco is preparing for the premiere of a new staging of the Puccini opera, Turandot. The passionate story of the Chinese princess Turandot, and the mysterious three riddles which are the key to her heart, are on the lips of opera buffs throughout the city. At the same time, a serial killer is haunting the gay bars of the city and is killing HIV positive long-term survivors. Stefan, a young gay East German medical student, arrives in the city for a medical congress and is following the trail of his dead father, a once high ranking AIDS researcher in the East. Stefan is investigating whether the HIV virus was an incremental result of secret human experiments that were conducted in US prisons in the seventies – a thesis of the Berlin professor Jakob Segal, which was spread by state agents of former East Germany. Secret lists involving these biological experiments are rumored to have surfaced in San Francisco.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

After a small airplane crash lands in a remote area of Central China, several passengers survive, including a Chinese boy and his American guardian. As they wait to be rescued, they soon encounter the mysterious Yeren– an elusive ape-man creature rumored to have inhabited the Shennongjia mountains for many centuries. When ruthless poachers arrive to capture the Yeren, our heroes must decide if the unique creature is their friend or foe.

At the age of 11, Li was plucked from a poor Chinese village by Madame Mao’s cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.

The film is set in five parts, five seasons that are part of the Chinese almanac. The story takes place in the jianghu, the world of the martial arts. Ouyang Feng has lived in the western desert for some years. He left his home in White Camel Mountain when the woman he loved chose to marry his elder brother rather than him. Instead of seeking glory, he ends up as an agent. When people come to him with a wish to eliminate someone who has wronged them, he puts them in touch with a swordsman who can do the job.

Hollywood actor Jason Scott Lee, actor in The Bruce Lee Story and himself an expert developed by Bruce Lee’s fighting style “Jeet Kune Do” fulfilled his lifelong dream: In an intensive two-week Kung Fu boot camp, Jason is in the centuries introduced ancient secrets of Shaolin Kung Fu. Bei Shi Yongxin, the highest monk of Chinese Kung Fu Temple, learns Jason how the human body into the ultimate martial arts weapon you transformiert.Erleben highest martial arts, combined with mental abilities, according to the traditional teaching of Zen Buddhism, through which generations of fans around the world were inspired. Using the latest 3D technology combined with high-speed mobile 3D slow motion hand-held cameras for the first time it was possible to capture breathtaking images in Kung Fu and its full dynamic range.

To save her family from being homeless and her father suffering from a heart condition, Mayen desperately agrees to take the offer of a Chinese matchmaker for a huge amount of money. In exchange, Mayen must submit herself as a Ghost Bride to a wealthy but dead Chinese man. This deal, however, happens to be a deadly curse when the deceased groom’s ghost becomes jealous and possessive of Mayen.

Change of Gangster’ (转型团伙) is a Chinese gangster comedy directed by Francis Ng. The film centres around an actor who is injured in a shooting accident and wakes up believing he is a triad boss. The cast includes Francis Ng, Qiao Shan, Feynman Ng, and Wen Song.