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When struggling pianist Michael lands a job at the legendary Continental Baths in NYC, his wife Tracy encourages him, emphasizing how special the institution is. Michael, however, struggles with his own homophobia, yet at the same time, starts developing feelings for his confident and sexually free co-worker, Scotti.
In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.
A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes’ new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that’s left women poised to take back their voices and be heard.
Dr. Shuki Chaftziva is a ballroom dancing instructor who tries his hand at match-making. He follows the obituaries and takes his client, Zigi Fuchsman, an auto mechanic and childhood friend, to comfort the mourners and check out the widow and her property. At the same time, Ben Gurion Shemesh, a grease monkey who wants to be a singer, tries to win the heart of Dina, the disco floozy and also Zigi’s daughter
Aumari, a young Eritrean refugee living in Israel, is about to be deported back to his home country. After a spontaneous escape attempt at the airport, he is miistaken for a Nigerian striker, who is supposed to arrive at the same time. Aumari seizes the opportunity and benefits for his change of identity as the new key acquisitions for the team of ‘Maccabi Netanya’. Despite the absence of any soccer talent, Aumari is able to cover-up and heal the divisions of his struggling team, while a tender romantic bond with charmingly unconventional daughter of the team owner is growing.
Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis’s “Memoirs Of A Geeza” starring Elliot Warren and Tony Richardson; Joe Morris’s “We Are Dancers” starring Hans Piesbergen and Simon Eckert; Zachary Ayotte’s “My Dad Works The Night Shift” starring Victor Boudreault, Antoine L’Écuyer, and François Trudel; Loïc Hobi’s “The Pier Man” starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury’s “My Sweet Prince” starring Yodi Roodner; Abel Rubinstein’s “Dungarees” starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson’s “Clothes & Blow” starring David Menkin and Nancy Baldwin; George Dogaru’s “A Normal Guy” starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood’s “Pretty Boy” starring Orlando Norman.
Ben wields a knife on stage, grabs an audience member’s head by his ears, stares down into his soul, and screams “I was on extended basic cable television!” Ben howls out to the audience with an eccentric enthusiasm – and they howl back and echo the same feral and carnivorous energy that earned this special the apt name, “Hyena”. With audience in tow, he rants about the downfall of American society and how letting go may be our last hope in this chaotic yet surprisingly optimistic view of our inevitable demise and the cackling laughter we can enjoy while watching it die.
The “Queen of Bubblegum Rap” was never a fairytale princess. Despite her early years of struggles, Nicki Minaj would prevail with 100 million records sold, 7 songs on the Billboard Charts at the same time and 10 Grammy nominations.
A father trying to mend his relationship with his wife and save his family finds himself in the midst of the coup attempt on the night of July 15th with his son. Cihangir, an engineer at TÜRKSAT, tries to prevent the coup plotters from cutting off broadcasts and breaking the people’s resistance. At the same time, Cihangir is also striving to protect his son and win back his family. In the end, Cihangir emerges victorious and becomes a true hero on his son Can’s birthday by fighting against the coup plotters.
Sune and Sophie are going on a class trip, “the secret journey”. It turns out it is the same date as Sune’s favourite grandpa is getting remarried. And his grandpa wants Sune to be his best man. When at grandpa’s he changes his mind. He has to go back to the classtrip. After this we are on a road trip, Sune is chasing Sophie and the class – and his parents are chasing Sune.
Simon, a famous violinist, sinks into alcoholism. He finds support from his lover, who is also the manager of the orchestra in which he plays. But is she really helping him or is she exploiting his dependence on her? A man who has been through the same experience as Simon, offers to help him…
When Laurel signs up for swimming lessons, she becomes best friends with her teacher Susan – until they realize Laurel’s boyfriend and Susan’s husband are the same man.
Faced with their fantasies, six couples try to explore the hidden sides of their intimate life. Six questions on access to pleasure. From role play to abstinence, via exhibition, six separate stories with the same questioning of desire today in the center.
The story of a white lion cub growing to become the king of the jungle. The movie is an edited version of the 1965 Japanese television series of the same name based on the eponymous 1950s manga. The first 2 minutes of this film are taken from the Jungle Emperor Leo (1965) TV series, while the rest is all original. Tezuka was very pleased that this film conveyed his story accurately, something he wasn’t able to do with the TV series.
Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.
How is it to be homeless in one of the World’s Richest Country, where to sleep and what to eat? Poverty is almost the same tragic situation in rich California and the poorest Appalachian region.
14-year-old Tania starts to become aware that the boys at school are interested in her at the same time as she learns that her mother has breast cancer.
Chin Siu Ho plays a young man who believes himself to be an orphan. Until one rainy night when he and three different men find themselves taking shelter from the storm in the same place. Here the man who raised him tells him at last the story of who his parents were. His father (Lu Feng) was a great swordsman trying to dispel rumors of a wrongdoing and return a lost sword to its rightful owner. Kuo Choi and Chiang Sheng (also master swordsmen) are the parties that Lu Feng is trying to rectify things with. Through cowardly trickery on Chiang’s part, a duel ensues and it all winds up with Lu’s death. His son is taken to safety by a servant (the man who since raised him). Now with the truth told, Chin Siu Ho seeks out Kuo Choi’s aid and seeks vengeance for the wrongful death of his father.
Mark Normand has been told the same advice his whole life: DON’T BE YOURSELF, whatever you’re thinking about saying, don’t. So in his first one hour special, Mark does just that.
Kamla is deeply committed to her work as a psychiatrist; her patients find her both supportive and accepting. However, society does not necessarily accept her as she’s an unmarried woman in her 40s, still living with her elderly father. Her aunt, Ansaf, insists on bringing around potential husbands. But Kamla has, in fact, met a man – a glamorous writer, Youssif, who speaks in defence of love, freedom and women’s rights – and fallen in love. At the same time, she has acquired a new patient – Asmaa, a poor prostitute who suffers severe depression. Kamla empathises deeply with Asmaa, realising they have more in common as women than may first appear. But her mistake is to get personally involved with her patient, turning her own life upside down.
The Booze Cruise is a series of three feature length comedy dramas written for British television by Paul Minett and Brian Leveson. In this episode the same characters go on a treasure hunt, and end up with their car being washed out to sea on a beach. Marcus (a businessman who deals with Dave’s company) first appears in this episode.
Businessman Evren throws a New Year’s party inside a vault with his wife and invites his friends to show off. Things do not go as planned when the vault’s door suddenly closes, trapping the guests in the soundproof area. Problems begin for guests who stay in the same room for days.
Edouard, a funeral director, leads a very quiet life. The routine: work, return home, dinner cooked by his wife and reading a story to sleep his daughter. One evening, like no other, her daughter makes a strange prayer. She predicts the death of one of her family members the next day. And every night, the same refrain. Until the dreaded day arrives – she announces the death of her father.
Two aspiring academics and best friends take a road trip through Wisconsin to compete for the same university teaching job.
L’Amore (‘Love’) is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau’s 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán’s 1904 novel Flor de santidad.
The documentary filmmakers Marta Dauliute and Viktorija Šiaulyte step into the closed-in collective with as much curiosity as much-needed skepticism. Here, capital is synonymous with the individual’s ability, and innovation is the confounding keyword. At the same time, we get to know those who rent a little “pod” that barely offers space for a bed and desk, raising questions about how the entrepreneurial ideology affects us as people. Good Life reflects on a modern phenomenon, where community has become the product of a company, but which at the same time reminds us of other collectives from a completely different time.
Nina is a young and very independent porno actress. She doesn’t need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. Following a usual medical check she discovers she has a cancer. Her life is completely different now. Nina decides to visit her father. Also the real love finds now space in her heart. In fact at the hospital, she knows Flavio, a patient following her same therapies. Nevertheless their liaison Nina still continues to act in porn movies. But for one of them there won’t be a future
The same movie with the same characters, cast and crew as I am Curious (Yellow), but with some different scenes and a different political slant. The political focus in Blue is personal relationships, religion, prisons and sex. Blue omits much of the class consciousness and non-violence interviews of the first version. Yellow and Blue are the colors of the Swedish flag.
This is the story of policeman who has been on the job for over forty years. And one of his duties is to look out for all of the officers under him cause he is the watch commander. And it seems that a lot of them have a lot of problems including the new lieutenant. And a 15 year veteran who’s feeling the stress of the job. And at the same time he is being egged by the captain to retire cause he thinks he’s too old. And his wife would like him to retire also.
She’s been around for so many decades but hasn’t aged a day. She’s had more than 180 different jobs; she’s been president, she’s been to the moon, and she’s done all the things that women aspire to do. She has a massive closet, and thousands of different outfits. Barbie is way more than just a 12-inches long piece of plastic, she is way more than a toy. The legendary blond bombshell has grown into a phenomenon and a children’s sensation. Wildly revolutionary, Barbie broke barriers, shattered glass ceilings, and has inspired countless dreams, wonder and imagination, with her signature color: Pink. The history of the doll is a testament to its enduring appeal and impact. Things have changed for her the same way things changed for women. Whatever we may think about Barbie – love or loathe her – it is impossible to ignore her worldwide impact. Let’s step into the beautiful world of Barbie and take a look at her cultural revolution through the decades.
Lydia, a midwife very invested in her work, is in the middle of a breakup. At the same time, her best friend, Salomé, announces to her that she is pregnant and asks her to follow her pregnancy. The day Lydia meets Milos, a one-night stand, while she is holding her friend’s baby in her arms, she sinks into a lie, at the risk of losing everything.
Young Benjamín Sheinberg begins as a doctor in Buenos Aires, while at the same time a bomb explodes at the AMIA, causing the death of 85 people. He decides to go to Israel. He will andquot;travelandquot; in time, entering the ancient history of…
Aaron, a hopeless romantic, finds himself reliving the same day after an awkward but intense encounter with the mysterious Trevor. His excitement at the opportunity for a do-over soon turns sour as Aaron suspects Trevor may be the cause of his time loop. Aaron’s relentless pursuit of love forces him to confront his own insecurities and the blurred boundaries between infatuation and self-destruction.
Best friends Toni and Bri have worked at the same card shop for more years than they should as both struggle to find their true life’s path. This holiday season, Toni and Bri decide to shake up their humdrum world by creating new identities to crash the amazing Christmas parties from the shop’s confidential invitations. All harmless fun! Until Toni gets mistaken for a lawyer, which isn’t too far off the mark since she did finish law school…just never completed the bar exam. Toni and Bri are then whisked away to a fancy corporate Christmas retreat in the snowy Vermont mountains by handsome business mogul, Justin (McNally), whose crush on Toni is real even if her legal career isn’t.
The new Dutch owner of a Croatian marketing agency is organizing an action-style team building for his employees over weekend. After rafting which ends up with an incident, the employees divide in two paintball groups. While making their way through the forest full of surprises – a local family who is plotting against their lives, suspicious instructors, a random pair of hikers and bizarre accidents. As the day comes to its end, it is clear that, after this game, nothing will ever be the same.
Romania’s winning streak at festivals continues, but the most unusual and ambiguous one still lurks in mysterious darkness. The undeservedly underrated Gabriel de Achim challenged the widely renowned Cristi Puiu (“The Death of Mr. Lazarescu”) to make a film using all the things, which the established Romanian master most detests in cinema. He constructed a non-linear story with wickedly tangled flash backs and flash forwards and set the same actors to perform different and multi-faceted roles.
When Toy, the prankster, gets trapped in a time loop, he repeats New Year’s Eve over and over again. As he spends the day trying different ways to escape this tedious cycle, he meets Vee, a mysterious girl in the same predicament. Together, they search for hidden Perfect Moments during the day. The two grow closer, eventually learning to accept life’s little imperfections and cherish every minute.
“A musical film of the totalitarian era” is the the second title of the film. The film is based on a legendary school film of Tomáš Vorel, called INg (1985).The story line stays the same – a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.
Chander Pahar follows Shankar Choudhury, a 20 year-old that takes a job working for the Uganda Railway, and winds up quitting his job in search of diamonds and the Kenya’s Mountain of the Moon. Based on the popular Bengali adventure novel of the same name.
