Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios’ house must be decorated.

Half-Chinese and half-Japanese Mari Hirakawa is the daughter of a Karate coach. Since her childhood, she was forced under her father’s training, and has resented Karate for as long as she can remember–her only wish is to sell the dojo after her father passes away. Following his death, Mari starts fantasizing about her life of freedom; however, she finds out from her lawyer that her father has only left her 49% ownership of the property, the other 51% was left to one of his worst pupils, Chan Keung. The two clash, and Chan has a proposition – if Mari is able to win a match in a legitimate martial arts competition, he will unconditionally give her his share of the property. Mari is trapped in a dilemma, and will have to make a choice that will change her life…

“Blazing Famiglia” centers around a family of former teenage gangsters. Tetsu Hino (Yoshimi Tokui) was once the leader of the most feared motorcycle gang in the Kanto area. Now, Tetsu Hino is middle-aged man who is looked down upon by his rebellious son Shuhei (Kento Hayashi). One day, Tetsu and his old biker gang gather together again after the daughter of a member is assaulted. Tetsu, worried about his day to day life, nevertheless regains the passion from his biker days. Tetsu then finds out that Ken Igarashi (Jun Murakami) is the man behind the attack. Ken Igarashi has had a grudge against Tetsu for a long time.

Brandon, a respected street fighter, is forced to flee the city after his brother is murdered and the money that was supposed to be paid back to a local gangster is stolen. While lying low at his father’s house in a small Southern town, Brandon soon gets involved in the local underground cage-fighting circuit. With the help of Drake Colby, a former MMA champion, Brandon devises a scheme to bring a massive payday, if they are able to survive.

The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.

Devathai, who is the daughter of the ex minister Chitravel comes across her first love Kaushik at her grandmother’s death.She starts her love adventure to know more about Kaushik. Meanwhile her elder sister Nithya develops a relationship with her father’s rival Paddi Alandhan’s son Prakash. A special investigating officer Nagaraj is set to unravel the clues and discover the man behind the four mysterious murders which occurred in Chitravel’s house.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station’s bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.

One of music’s biggest stars returns home to Fayetteville, NC, delivering a riveting performance in the exclusive HBO presentation J. COLE FOREST HILLS DRIVE: HOMECOMING, debuting SATURDAY, JAN. 9 (10:00–11:30 p.m. ET/PT). Part concert film, part backstage pass, the special tells his compelling life story through Cole’s own words and music, and through the observations of those who know him best. Featuring guest appearances by Jay Z and Drake, J. COLE FOREST HILLS DRIVE: HOMECOMING showcases live versions of all 13 songs from his third album, “2014 Forest Hills Drive.” Cole delivers a powerful performance that leaves his fans elated or in tears, connecting with audiences in a way few others can. Songs from “2014 Forest Hills Drive” include “January 28th,” “Wet Dreamz,” “03’ Adolescence,” “A Tale of 2 Citiez,” “Fire Squad,” “St. Tropez,” “Love Yourz,” “G.O.M.D.,” “No Role Modelz,” “Hello” and “Apparently.”

Katia (Kostrzewa), a young Polish woman adrift in London, meets Bob (Brake), an American tattoo artist. Katia is drawn to his mysterious aura and the taboo culture of body modification, but Bob has a dark, secret desire to leave his mark on the world and little does Katia know that her fascination with him will put her life in danger.

Four women, who have their own different sorrows, embark on a road trip. They look back at their past and restart their lives… Jinko (Aoi Miyazaki) and Motoko (Sakura Ando) have been friends since their university days. One day, they hear a rumor about their former classmate and friend Miki (Kazue Fukiishi). The rumor is that Miki ran into the sea, but got out safely. Jinko and Motoko decide to visit Miki to see if she is OK. In addition, Haraki (Shiori Kutsuna), who Jinko met at the library where she works, joins their trip as a driver. Their one night and two days road trip begins.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

Detective Murakami meets a girl who suffers from memory loss. The girl has special abilities including the ability to talk with the dead. Detective Murakami names her Maki. Detective Murakami and Maki work together to solves a massive murder case involving a mad bomber. Maki’s identity is revealed during their investigation.

Baris, Cenk and Deniz prepares a surprise party to celebrate Ayhan’s birthday. Ayhan is lack of love, unemployed and he doesn’t have a goal in life. Baris is engaged and has to do his military service. Deniz has to marry a girl, whom his pious father arranged for him. And Cenk is about to be a father soon. These four men who are in different stages in their adult life, start to eat, get drunk, tell stories to each other, get blue, get angry, fight each other, confess their sins and sing songs to the sky on the raki table which was set in the sea at an Aegean bay from dusk till dawn.

Kitano plays Murakawa, a Tokyo yakuza tiring of gangster life. Along with a few of his henchmen, he is sent by his boss to Okinawa to help end a gang war, supposedly to mediate between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, Murakawa’s headquarters are bombed and he and his gang are ambushed in a bar.

Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.