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Summer Heights High

Summer Heights High

Summer Heights High

IMDb: 7.4
2007
min

Summer Heights High is an Australian television mockumentary series written by and starring Chris Lilley. It is a parody of high-school life epitomised by its three protagonists: effeminate and megalomaniacal “Director of Performing Arts” Mr G; self-absorbed, privileged teenager Ja’mie King; and disobedient, vulgar Tongan student Jonah Takalua. All played by Lilley, the characters never interact. It lampoons Australian high school life and many aspects of the human condition and is filmed in a documentary style, with non-actors playing supporting characters.

Following a similar format to Lilley’s previous series, We Can Be Heroes: Finding The Australian of the Year, Lilley plays multiple characters in the show. Filmed in Melbourne at Brighton Secondary College, the series premiered on 5 September 2007 at 9:30 pm on ABC TV and continued for eight weekly episodes until 24 October 2007. Each episode was also released as a weekly podcast directly after its screening via both the official website and through any RSS podcast client in either WMV or MPEG-4.

Summer Heights High was a massive ratings success for the Australian Broadcasting Corporation, and was met with mostly positive critical reaction. In 2008, the series won a Logie Award for Most Popular Light Entertainment/Comedy Program.

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The Boondocks

The Boondocks

The Boondocks

IMDb: 7.8
2005
min

The Boondocks is an American adult animated sitcom on Cartoon Network’s late night programming block, Adult Swim. The series premiered on November 6, 2005 and was created by Aaron McGruder, based upon McGruder’s comic strip of the same name. The show begins with an African-American family, the Freemans, having moved from the South Side of Chicago, Illinois to the fictional, peaceful and mostly white suburb of Woodcrest. The perspective offered by this mixture of cultures, lifestyles, socioeconomic classes, stereotypes, and races provides for much of the comedy and conflict in this series.

There have been a total of 45 episodes over the course of the shows first three seasons. The two part season two finale “The Hunger Strike” and “The Uncle Ruckus Reality Show” was never aired on American television as Adult Swim feared legal actions against them from BET. Both episodes were aired on Teletoon and were released on DVD in the United States. The season three episodes “Pause” and “The Story of Jimmy Rebel” have been pulled from general episode rotation following the television debuts and no longer appear in reruns. A fourth season containing twenty episodes has been announced to air in January 2014.

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Scooby-Doo! Mystery Incorporated

Scooby-Doo! Mystery Incorporated

Scooby-Doo! Mystery Incorporated

IMDb: 7.3
2010
min

Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.

Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.

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The House on the Witchpit

The House on the Witchpit

The House on the Witchpit

IMDb: 5.1
2016
78min

No details about this film (other than the name of the writer/director) were released prior to the sold-out premiere screening at Horror-on-Sea in 2016. No plot synopsis, cast list or trailer was issued. The only image released was the teaser poster. Subsequent to the screening, director Pat Higgins physically destroyed both the master copy and the only back-up live on the stage, effectively destroying that version of the film. Higgins made a new version of the film available to rent through Vimeo On Demand–for only one day– on Halloween 2017.

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Workaholics

Workaholics

Workaholics

IMDb: 7.3
2011
min

Workaholics is an American sitcom that premiered on Comedy Central on April 5, 2011. The series is in its third season, and is predominantly written by its stars Blake Anderson, Adam DeVine, Anders Holm, and co-creator Kyle Newacheck who play, respectively, three recent college dropouts, roommates, and co-workers at a telemarketing company—and their drug dealer, in Rancho Cucamonga, California.

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The Legend of Korra

The Legend of Korra

The Legend of Korra

IMDb: 7.9
2012
min

The Legend of Korra is an American animated television series that premiered on the Nickelodeon television network in 2012. It was created by Bryan Konietzko and Michael Dante DiMartino as a sequel to their series Avatar: The Last Airbender, which aired on Nickelodeon from 2005 to 2008. Several people involved with creating Avatar, including designer Joaquim Dos Santos and composers Jeremy Zuckerman and Benjamin Wynn, returned to work on The Legend of Korra.

The series is set in a fictional universe where some people can manipulate, or “bend”, the elements of water, earth, fire, or air. Only one person, the “Avatar”, can bend all four elements, and is responsible for maintaining balance in the world. The series follows Avatar Korra, the successor of Aang from the previous series, as she faces political and spiritual unrest in a modernizing world.

The series, whose style is strongly influenced by Japanese animation, has been a critical and commercial success. It obtained the highest audience total for an animated series in the United States in 2012. The series was praised by reviewers for its high production values and for addressing difficult sociopolitical issues such as social unrest and terrorism. It was initially conceived as a miniseries of 12 episodes, but it is now set to run for 52 episodes separated into four seasons, each of which tells a separate story.

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