Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.

Six animated shorts eschew traditional animation by featuring supernatural elements and darker themes, such as alien snatchings, life among mannequins and a spiritual rebirth. Among the films are “Ape,” which features a couple fighting over a cooked monkey every night; “The Story of the Cat and the Moon,” which is a tale of unrequited love; and “Gentle Spirit,” which is based on a Fyodor Dostoyevsky story.

Peter and Chloe, a young married couple from New York, decide on impulse to take a belated honeymoon on-board a research vessel en route to the icy wastes of Antarctica. Not long into the journey, Chloe begins to feel neglected and betrayed by Peter, who is focused on gathering information for an article he plans to publish on their return about the work of one of their fellow passengers, the whale biologist Roger Payne. After an unforgivable betrayal of trust by Peter, Chloe turns their fledgling marriage upside down by moving into her own room and staking out her independence onboard the ship. Drawing attention to the poles within each of us, the impressionistic story oscillates between the super-confined interiors of the ship and the vast open spaces of Antarctica. In the end, it’s not until Chloe and Peter are lost – perhaps literally, perhaps metaphorically – in the Antarctic ice that they discover how essential one is to the other.

After surviving a vicious assault in the city, Betsy moves to the country in hopes of starting over, but as she begins to recover, something begins clawing its way into the moonlight.

A father comes home to Tennessee from the “police action” in Korea to take over operation of the family moonshine making operation, but runs afoul of some gangsters who want in on the action.

Samuel Peters (Edward Furlong), once an ordinary man, dabbles in the laws of voodoo to bring his wife back from the grave. He soon encounters the God of malevolence ‘Kalfu’ (Corey Feldman), and makes a pact with him to destroy the underworld and bring chaos to earth. In return, he will become ‘The Zombie King’ and walk the earth for eternity with his late wife. But, as the ever growing horde of zombies begins to completely wipe out a countryside town, the Government set-up a perimeter around the town and employ a shoot-on-sight policy. Trapped within the town, the locals, an unlikely bunch of misfits, must fight for their lives and unite in order to survive. Can our heroes unravel the clues in time and survive or will The Zombie King and his horde of zombies rise on the night of the dark moon?