The film tells the story of documentary filmmaker Michael King (Shane Johnson), who doesn’t believe in God or the Devil. Following the sudden death of his wife, Michael decides to make his next film about the search for the existence of the supernatural, making himself the center of the experiment – allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him – in the hopes that when they fail, he’ll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go.

After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.

It’s been more than 10 years since our last appointment at Calvin’s Barbershop. Calvin and his longtime crew, including Eddie, are still there, but the shop has undergone some major changes. Most noticeably, our once male-dominated sanctuary is now co-ed. The ladies bring their own flavor, drama and gossip to the shop challenging the fellas at every turn. Despite the good times and camaraderie within the shop, the surrounding community has taken a turn for the worse, forcing Calvin and our crew to come together to not only save the shop, but their neighborhood.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

As Nell Sweetzer tries to build a new life after the events of the first movie, the evil force that once possessed her returns with an even more horrific plan.

Barney, Christmas and the rest of the team comes face-to-face with Conrad Stonebanks, who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill… or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables — but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables’ most personal battle yet.

While indulging his appetite for the grim and gruesome by patronizing a voyeuristic Web site that’s based in a house where a serial killer once lived, a hearing-impaired boy begins to suspect that the site’s violence is more than just make-believe.

Stand-up comic Gabriel Iglesias delights audiences during his sold-out “Unity Through Laughter” tour, which spans more than 400 cities in 23 countries. During his set, Iglesias — nicknamed “Fluffy” — pounces on topics like communicating with his teenage son, struggling with his weight, performing his concert tour across India, and handling the reappearance of his father after a 30-year absence.

Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah.

THE WALKING DECEASED is the Scary Movie of the zombie genre, ripping on the biggest and best of zombie pop-culture, arguably the most crazed genre in the world. The story follows a group of survivors from all walks of the apocalypse – an idiotic Sheriff with definite coma-induced brain damage, his hardass son and a hobo with only a crossbow to stave off the walking dead, four squabbling friends forced to survive this zombieland together, and a lonely zombie who just needs love to fully regain his warm body – who leave their once-safe mall hideout in search of the rumored Safe Haven Ranch, a refuge untouched by the zombie virus that has ravaged humanity. But despite the comforting name, they discover that this sanctuary may not be as welcoming as advertised.

An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi’s interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: “there is more to life than lights… camera… and action!”

Everybody has the sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz, Miranda and Natalie, that person is their perennially upbeat brother Ned, an erstwhile organic farmer whose willingness to rely on the honesty of mankind is a less-than-optimum strategy for a tidy, trouble-free existence. Ned may be utterly lacking in common sense, but he is their brother and so, after his girlfriend dumps him and boots him off the farm, his sisters once again come to his rescue. As Liz, Miranda and Natalie each take a turn at housing Ned, their brother’s unfailing commitment to honesty creates more than a few messes in their comfortable routines. But as each of their lives begins to unravel, Ned’s family comes to realize that maybe, in believing and trusting the people around him, Ned isn’t such an idiot after all.

The Umbrella Corporation’s deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race’s last and only hope, Alice, awakens in the heart of Umbrella’s most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by new found allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.

Fugitives of the Federation for their daring rescue of Spock from the doomed Genesis Planet, Admiral Kirk (William Shatner) and his crew begin their journey home to face justice for their actions. But as they near Earth, they find it at the mercy of a mysterious alien presence whose signals are slowly destroying the planet. In a desperate attempt to answer the call of the probe, Kirk and his crew race back to the late twentieth century. However they soon find the world they once knew to be more alien than anything they’ve encountered in the far reaches of the galaxy!

The concept of an elevator to space is not new. In the world of Arthur C. Clarke, it is a natural progression. What most people don’t know is that men and women around the world are working hard to build it right this moment. Some want to solve the energy crisis, some want easier access to raw materials in the solar system, and some just want to travel to space and gaze upon their home planet. For all of them though, the elevator is more than just a science fiction plot, it is a way of life. Discover what happens when egos and passions collide in a quest to build the impossible.

Having lost all his fortune and loved ones from gambling, Gao Ye walks out from prison to a even more cruel world. Intrigued by a beautiful hooker who approaches him for unknown reason, he comes up a master plan to redeem everything he once had. But things immediately spin wildly out of control as they found themselves fallen into a bigger scheme set up by the underground. Will they survive this one night to see another sunrise?

2ELEVEN IS THE TALE OF TWO BROTHERS HUSTLING TO SURVIVE IN THE STREETS OF DETROIT. ZO, THE CALM, AMBITIOUS BROTHER WANTS NOTHING MORE THAN TO GIVE HIS DAUGHTER, NATTY, A BETTER LIFE WHILE MURDA, THE FLASHY HOT TEMPERED BROTHER LOVES THE FAST LIFE AND EVEN FASTER MONEY. TWO VERY DIFFERENT BROTHERS WITH THE SAME OCCUPATION, COMMITTING ROBBERIES. ZO, MURDA, AND THEIR ACCOMPLICE, RELL START OFF AS SMALL TIME THIEVES UNTIL ZO LINKS UP WITH A SEASON VETERAN WHO GIVES THEM THE OPPORTUNITY TO CATCH BIGGER FISH AND MAKE MORE MONEY. ONCE THESE “JACK BOYS” BEGIN TO SEE A SHIFT IN INCOME, THE DIFFERENCES BETWEEN ZO AND MURDA BECOME MORE APPARENT. TEMPERS FLARE, BLOOD IS SHED, AND LINES ARE CROSSED. THE MORE MONEY THAT IS MADE, THE MORE LOYALTY IS TESTED. THIS URBAN DRAMA IS SURE TO LEAVE YOU THINKING

Meet Peltzer Arbuckle, a bullied office employee, humiliated by his megalomaniac boss, teasing colleagues and cheating partner. Stuck in his mundane, nightmarish reality, once news about an embarrassing sexual accident circulates the workplace, Peltzer decides to put up with his misery no more, and conjures up his childhood imaginary friend Ronnie who manipulates him to exact gruesome revenge on his tormenting co-workers. As the body count rises, Peltzer must either run away from his past or take control of his future, battling between sanity and madness in a twisted tale of infidelity, revenge and snapped banjo strings.

Two people meet again after more than 50 years. They were lovers once, but their lives took different turns: she married his best friend. Fifty years later, they meet again and passion flares up. But is it possible to pick up the thread of a life that unraveled fifty years ago? The story of a wonderful last love affair, which is relived with the intensity of a first.

Three filmmakers receive an unsettling postcard from an estranged friend living in a secluded commune. The filmmakers take their cameras into the wilderness of Montana to document the mysterious inner workings of the group. On their disconcerting road to self-sufficiency, witnessing something more shocking than they ever imagined.

Madeline is married to Ernest, who was once arch-rival Helen’s fiance. After recovering from a mental breakdown, Helen vows to kill Madeline and steal back Ernest. Unfortunately for everyone, the introduction of a magic potion causes things to be a great deal more complicated than a mere murder plot.

Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his “special” gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.

Jerry Mulligan is an exuberant American expatriate in Paris trying to make a reputation as a painter. His friend Adam is a struggling concert pianist who’s a long time associate of a famous French singer, Henri Baurel. A lonely society woman, Milo Roberts, takes Jerry under her wing and supports him, but is interested in more than his art.

The time is the late ’80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.

Orthodox tells the story of Benjamin, an Orthodox Jewish man who alienated himself from his community by becoming a boxer. When his life took a wrong turn he ended up in prison, losing his wife and children in the process. Now he is out and desperate to reintegrate, he finds that acceptance harder than he ever imagined. He turns back to his old boxing coach thinking there he has an ally, but a truth about the past emerges which leaves him even more isolated than he once thought. Benjamin must make a choice which will effect not just his own future but the life of a young Jewish boy whose life he can relate to. He is determined not to allow history to repeat itself.

48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.

Elaine and Ed Kendall have more than their share of grief and suffering. Once a young couple in love they now struggle for a sense of stability in their Staten Island home. Their eldest son is suffering from the physical and psychological effects of war; his younger brother takes it upon himself to bring him peace and relief. Meanwhile, their special needs daughter brings another kind of chaos to the family. Even though Ed and Elaine explore options for her care, they’re really just hanging on to hope that things improve somehow.

Introverted and peculiar, Mara spends her days fabricating props for movies. But her reclusive persona conceals an internal wrath. Terrified of being alone, Mara refuses to let her lovers leave, sadistically murdering them and keeping their corpses as living dolls. When she’s hired by Kat, a fledgling producer, the two instantly hit it off. As their relationship grows more intense, Mara begins to lose her already fragile grip on reality. When her dolls begin demanding all of her attention, and Kat threatens to break her heart, Mara spirals into psychosis, leaving her no choice but to kill again.

Sentenced to six years in prison, Malik El Djebena (Tahar Rahim) is alone in the world and can neither read nor write. On his arrival at the prison, he seems younger and more brittle than the others detained there. At once he falls under the sway of a group of Corsicans who enforce their rule in the prison. As the ‘missions’ go by, he toughens himself and wins the confidence of the Corsican group.

A high school girl and her bullying peers are terrorized by an escaped psychotic killer who is more than meets the eye. The Night Daddy Came Home! Tormented at high school, Emily Hanson’s only escape is drawing graphic sketches depicting a crazed masked killer on a bloody rampage. Except the deranged maniac is her father who snapped eight years ago and is now locked away in a mental institution where Emily’s bullying classmates taunt she should be too. On the anniversary of his massacre, the In Crowd throw a party while Emily babysits her mute little brother. Little does she know she’s in for a night of unrelenting terror and madness, forced to confront her demons once and for all.

Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears…

Ti, a really poor construction worker that struggles to keep his son, Dicky, in private school, mistakes an orb he finds in a junkjard for a toy which proves to be much, much more once the young boy starts to play with it.

In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body’s exact location. As the group continues looking, its members can’t help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.

Unholy Women (Kowai onna), is a composite of three unrelated half-hour horror movies. A compilation of 3 separate short horror films (Rattle Rattle, Hagane, The Inheritance) written and directed by Keita Amemiya, Takuji Suzuki, and Keisuke Toyoshima respectively. The first segment, “Rattle Rattle”, tells the story of a young woman who is pursued by an evil other-worldly being. The second movie, “Steel”, concerns a young man who agrees to take the sister of his boss out on a blind date, drawing him into a world more frightening than he ever dreamed possible. The third and final episode, “The Inheritance”, is a supernatural tale of a woman and her young son, scarred by abuse and psychological trauma.

When astronaut Spencer Armacost returns to Earth after a mission that nearly cost him his life, he decides to take a desk job in order to see his beautiful wife, Jillian, more often. Gradually, Jillian notices that Spencer’s personality seems to have changed, but her concerns fade when she discovers that she’s pregnant. As Jillian grows closer to becoming a mother, her suspicions about Spencer return. Why does it seem as if he’s a different person?

When jobless Tommy Collins discovers that sequestered jurors earn free room and board as well as $5-a-day, he gets himself assigned to a jury in a murder trial. Once there, he does everything he can to prolong the trial and deliberations and make the sequestration more comfortable for himself.

Fanarchy explores the rise of fan culture and ways in which fans are threatening the Hollywood system by becoming a creative force in their own right. With affordable technology at their fingertips, fans are producing more new content per month than studios or networks combined. Whether it’s an original idea or a personal spin on a favorite film or TV show, fans are taking the reins and blurring the line between amateur and professional. Written and directed by Halifax’s own Donna Davies, Fanarchy exposes the burgeoning media landscape and the issues that complicate it – copyright, intellectual property and the concept of originality in a remix culture.

Four teenagers go looking for a legendary haunted house that gives you money back for every floor you can complete. Once finding it, they realize the house is much more terrifying than a normal Halloween attraction – the house knows each of their secrets and one by one uses them against the teens.

Amid the modern wastelands and toxic factories of Italy, wife and mother Giuliana (Monica Vitti) desperately tries to conceal her tenuous grip on reality from those around her, especially her successful yet neglectful husband, Ugo (Carlo Chionetti). Ugo’s old pal, Corrado (Richard Harris), shows up in town on a business trip and is more sensitive to Giuliana’s anxieties. They begin an affair, but it does little to quell Giuliana’s existential fears, and her mental state rapidly deteriorates.

It is 1943, and the German army, ravaged and demoralised, are hastily retreating from the Russian front. In the midst of all this madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich are still vastly superior to the Russian army; however within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors. Steiner’s lack of respect results in a growing animosity between the two…