The gangster Colorado kidnaps Marshal McKenna. He believes that McKenna has seen a map which leads to a rich vein of gold in the mountains and forces him to show him the way. But they’re not the only ones who’re after the gold; soon they meet a group of “honorable” citizens and the cavalry crosses their way too – and that is even before they enter Indian territory.

It’s a full Valentine’s Day weekend at the Inn when Olivia and Mick host Mick’s sister Bonnie and her finance Sean, Mick’s daughter Julie and her boyfriend Wyatt, and Olivia’s mother Nora and her boyfriend Johnny. Bonnie brings her new fiancé Sean, and they plan to marry at the Inn that weekend, and Julie announces she plans to drop out of college to pursue her passion for cooking. While Olivia plans the wedding, Mick expresses his concerns to both Bonnie about the distant Sean, and to Julie about dropping out of college. Wyatt, too, is troubled by Julie’s decision to leave college, and the two have a fight that may end their relationship. As the wedding approaches, Sean reveals a secret that he has been keeping all weekend, and Johnny has a surprise of his own in store.

Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as ‘The Girl’, Sal must find her before he becomes the next victim.

Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.

“The Mystery Cruise” centers around best friends and impending business partners, Alvirah Meehan (Gail O’Grady), a lottery winner turned amateur sleuth, and Regan Reilly (Michelle Harrison), a private investigator. After rescuing the diamond-collared pooch of a wealthy socialite (Carol Higgins Clark), the two heroines set off with their spouses to join Regan’s mom, Nora Reilly (Colleen Winton), a world famous mystery writer, on a luxurious three day cruise around the San Juan Island off the coast of Washington. The cruise serves as the setting for a mystery game created to promote the release of Nora’s latest book. As the boat calmly sets sail, everyone is enjoying getting into character, especially Alvirah, who may or may not be the games “murderess.” But troubled waters lie ahead when Alvirah gets a hunch that a real killer may be on board and, together with Regan, the pair teams up to solve the high seas whodunnit.

Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

Man tries to recover a horse stolen from him by a Mexican bandit. The Appaloosa (also known as Southwest to Sonora) is a 1966 American Western film Technicolor (set in the 1870s) from Universal Pictures starring Marlon Brando, Anjanette Comer and John Saxon, who was nominated for a Golden Globe for Best Supporting Actor for his portrayal of a Mexican bandit. The film was directed by Sidney J. Furie, shot in Mexico. The 2008 Appaloosa film (starring Ed Harris and Viggo Mortensen) is not related nor a remake of this film, although it has almost the same title.

Wily roving gunslinger Sartana arrives in a small town and tries to find a hidden fortune of half a million dollars in gold and two million dollars in counterfeit money. Naturally, a bunch of other treacherous folks who include conniving widow Senora Manassas, shrewd fellow gunslinger Grand Full, and the vicious and unhinged General Monk are also looking to get their greedy hands on said fortune.

Ah-Zhou, who is about to be honorably discharged from the military service, has a surreal dream. In the dream he sees the dead body of Shing-Shing Chen, a classmate in elementary school from years back. Is this dream implying that Shing-Shing Chen might have died? Soon afterwards, Ah-Zhou gets an unexpected five-day vacation and decides to look for Shing-Shing Chen. Nevertheless, he quickly learns that the special vacation is for him and another soon-to-be-discharged solider, Xiao-Gui, to go after a deserter, Kuen-He, who ran away with weapons two days ago. Both of them are worried about this assignment because they, the old birds, used to pick on Kuen-He, a spring chicken. And Kuen-He is now a deserter, armed and dangerous.

Five young adults are about to find themselves in a fight for their lives, pitted against evil itself! While on vacation in a foreign city, one of the five makes a seemingly innocent albeit ignorant mistake and soon all of them will realize the cost of such an inconsequential action. A stranger appears to help them, but is this too little, too late?

Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She’s surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora — until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.

Recently released from military prison with a dishonorable discharge and a broken heart, John Hidell decides to travel to New York City. However his preparations are complicated by an unexpected relationship.

While vacationing separately in small-town USA, Elwood and Nora, two of Santa’s elves, receive an urgent transmission, initiating a series of events that will change their lives, and the world, forever. With the help of one good little girl, they set out to rid the town out of an economic depression and turn the wayward children back from naughty to nice. As their relationship blossoms, they discover the limits of their magic, the true meaning of Christmas and the joy of helping others.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.

In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king’s newest mistress. In Vatel, she finds someone who’s authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?

Robgen industries newest security system is “The J Series Automatic”, an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.

Kyle was honorably discharged from the U.S. Navy in 2009 and published his bestselling autobiography, American Sniper, in 2012. An eponymous film adaptation of Kyle’s book, directed by Clint Eastwood, was released two years later. On February 2, 2013, Kyle was shot dead at a shooting range near Chalk Mountain, Texas. His friend, Chad Littlefield, age 35, was also killed.[10] The former Marine accused of killing Kyle, Eddie Ray Routh, was found guilty of murder and sentenced to life in prison without parole.[

A vampire film with “altitude”. Winner of 9 awards in 2013 from the Beverly Hills Outlook! The year is 1805, the city of Nuestra Señora de La Paz lives in fear of an invasion from the indigenous population, and – within its walls – a rebellion is brewing against the Spanish crown. If this were not enough, a beautiful vampire is terrorizing the population, leaving a bloodbath in her wake. A young Irish spy, on a mission for the rebels, is found near the body of a victim. She is captured, accused of the murders, publicly flogged and sentenced to die by garrote.

After the loss of their mother, 17-year-old Dylan, his two sisters, and father are forced to move back to the small town where their parents met and grew up. While getting back on their feet, the family stays with their eccentric Aunt Norah and tries to adjust to a new life. They meet a quirky neighborhood kid, Pete, who convinces them to embark on a “bucket-list” type adventure inspired by a list found in their Dad’s high school storage boxes. The task is not as easy as it seems and ultimately teaches everyone about managing grief, moving forward, and the importance of family.

A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, “After” is about the Valentinos, a middle class clan facing financial hardship–their family stone cutting business is slowly failing–and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.

To the average person, psychic abilities might seem a blessing; for Kusuo Saiki, however, this couldn’t be further from the truth. Gifted with a wide assortment of supernatural abilities ranging from telepathy to x-ray vision, he finds this so-called blessing to be nothing but a curse. As all the inconveniences his powers cause constantly pile up, all Kusuo aims for is an ordinary, hassle-free life—a life where ignorance is bliss. Unfortunately, the life of a psychic is far from quiet. Though Kusuo tries to stay out of the spotlight by keeping his powers a secret from his classmates, he ends up inadvertently attracting the attention of many odd characters, such as the empty-headed Riki Nendou and the delusional Shun Kaidou. Forced to deal with the craziness of the people around him, Kusuo comes to learn that the ordinary life he has been striving for is a lot more difficult to achieve than expected.