Search
Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.
Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.
December 2006. On a cold winter’s night, just before Christmas, the 16-year-old youth, Nick van Sant, escapes from an orphanage in the Belgian Ardennes. He encounters Leon Gevers, a down on his luck ‘has-been’, from the world of show business who is on his way home from another disappointing gig. At first their relationship is uneasy but Leon decides to help Nick find his grandmother, Alice Gardner. As she is the only one who holds the truth about what happened with Nick Parents. The notary Bruno Weinberg, who advises Alice, will do everything in his power to prevent this from happening. Uncovering the secrets of the past finally brings them to Paris. Written by Hans Royaards
Twenty-seven-year-old Deandrea Smith, wife of prominent business owner Walter Smith, deals with his treacherous actions causing her to become destitute and enraged with revenge. Deandrea confides in her best friend, Nola, an exotic dancer, and they recruit two more women, Crystal, a religious single mother, and Daisy, a street thug, to help them execute a plan to steal $50,000 from Walter. After the successful theft from Walter, the group decides to try their fortune at bigger spoils and come up with a plan to rob Nola’s place of employment, the strip club, dubbing themselves, The Bag Girls. Gaining notoriety, The Bag Girls are hired to do a job that’s way over their head when they’re put up against the Cuban mafia.
Macie (Patty Srisuwan), a Thai immigrant adopted into a North American family, must look after her dementia suffering grandfather (John Rhys-Davies). When she discovers that her birth mother may not have died in a tsunami fifteen years earlier, Macie teams up with grandfather to discover the truth about her past in order to decide which family means the most to her.
Set in the late 90s, Rustic Oracle is a dramatic feature about Ivy, an 8-year-old girl trying to understand what happened to her big sister who has vanished from their small Mohawk community. With minimal clues, Ivy and her mother Susan embark on an unwelcome journey to find Heather which will ultimately bring the pair closer together despite challenging circumstances. Behind the story of desperation, told through the eyes of a child, lies one of hope, growth, awakening and love.
School captain Ellie is seriously crushing on her rebellious classmate Abbie. Determined to ask her first love to the year 12 formal, Ellie devises a plan to go public with the invitation but before she can go through with it, her dead aunt Tara reappears from beyond the grave. Believing she’s been brought back from the dead to be Ellie’s fairy godmother, Tara dishes out unwanted dating advice based on her life as an out lesbian in the ’80s.
Liberty, a socially awkward 16-year-old, returns from two months at camp to a blindsided introduction of her mother’s fiancé, John Smith, whose charm, intelligence, and beauty paint the picture of a man too perfect to be human.
When a daughter becomes concerned about her mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.
Rose, a 17-year-old Filipino-American teenager from Texas, dreams of becoming a country music icon. She has to fend for herself when her mother is arrested by ICE, and must choose between following her dreams without her mother or leaving her passions behind.
From filmmaker Dawn Porter (who earlier this year directed “John Lewis: Good Trouble”), the film explores the remarkable journey of Jordan from modest Southern origins to national renown as a pioneering attorney, businessman, civil rights leader, and as a fixture (could one also say a “fixer?”) on the DC scene. Jordan’s story is told principally through a chronological narration of his life and accomplishment, most of it taken from recent (2019) interviews with and narration by Jordan himself. His early life in Atlanta is limned, where Jordan describes the treasured influence of his mother Mary and his early academic successes (including a law degree from Howard University). His activities in the civil rights movement in the 1960’s and 1970’s are highlighted, culminating in his ten-year tenure as director of the Urban League.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it’s pushed aside when their mother suffering from dementia looses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world’s population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark’s School for Boys is in short supply. Its high walls can’t stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn’t helping him concentrate on staying alive.
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.
Having escaped from a cult as a child, a mother must face her past when its sinister members break into her home and attempt to steal her eight-year-old son, David. Now the two are on the run pursued by a detective determined to save them both. Since his aborted kidnapping something has changed in David and the boy has succumbed to a mysterious illness. Following her maternal instincts to save him, his mother commits unspeakable acts to keep him alive but is losing the battle. Soon, she has to decide how far she is willing to go to save her son.
16-year-old Claudia has grown up in isolation from the outside world. Stranded on a remote property after her mother’s death, she is shocked when Grace, a spirited local teen, appears in the garden like a mirage, a breath of fresh, sugary air. The pair find in each other the support, love and intimacy they need, and teach each other the restorative power of human connection. But their idyllic peace is a fragile one as the adult world closes in and threatens their secret summer love.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
Taking advantage of his mother’s absence as she departs on a cruise ship for some rest and relaxation, 12-year-old Félix sets out to find his father, a fisherman who disappeared at sea two years earlier.
Jon & Kate Plus 8, renamed Kate Plus 8 for the sixth and seventh seasons, is an American reality television series which aired from April 4, 2007 until September 12, 2011. After the success of two one-hour specials, Surviving Sextuplets and Twins and Sextuplets and Twins: One Year Later, the series aired on the Discovery Health Channel for the first two seasons before being moved to TLC. It follows the daily lives and challenges of the Gosselin family, consisting of parents Jon and Kate and their eight children: fraternal twins and sextuplets.
During its run, the series was one of the network’s highest-rated programs, with the fifth season premiere seen by a record 9.8 million viewers, the most watched show of that evening including broadcast television, twice as many viewers as the show’s previous series high.
After the Gosselins’ divorce in 2009, the final episode of Jon & Kate Plus 8 aired on November 23, 2009, announced by TLC three days earlier. The series was later renamed Kate Plus 8 on June 6, 2010, focusing on Kate as a divorced mother raising the children, with Jon appearing less frequently. However, filming was later suspended due to Jon’s lawyers delivering letters to TLC demanding that they cease and desist production and barred production crews from the couple’s Pennsylvania property on October 1, 2009. This led to putting the show’s revamping on hold. TLC planned for “a series of specials” if the series did not go into production.
Having escaped from the psychiatric prison, Dr. Albert Beck (Eric Roberts) hides out in an empty house–until its new owners unexpectedly arrive to move in! Forced into the attic to evade the recently widowed mother, Beck watches from above–undeniably attracted to her 18-year-old daughter.
16 and Pregnant is an American reality television series that debuted June 11, 2009, on MTV. It follows the stories of pregnant teenage girls in high school dealing with the hardships of teenage pregnancy. Each episode features a different teenage girl, with the episode typically beginning when she is 4 ¹⁄2 – 8 months into her pregnancy. The episode typically ends when the baby is a few months old. The series is produced in a documentary format, with an animation on notebook paper showing highlights during each episode preceding the commercial breaks. 16 and Pregnant has spawned several spin-off series: Teen Mom, Teen Mom 2 and Teen Mom 3. Each series follows the lives of four girls from their respective season of 16 and Pregnant as they navigate their first years of motherhood.
As of July 2013, casting for the fifth season of the series is taking place.
When a recently widowed mother becomes houseless, she convinces her 8-year-old daughter that they are only camping for fun while working to get them off the streets.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
In her turbulent life as a professional assassin, Scarlet was cruelly forced to abandon her daughter Sam and go on the run. Years later, despite the estrangement, Sam has also grown up into a cold blooded hitwoman. After a high-stake mission spins out of control, putting an innocent 8-year-old girl in the middle of the gang war she has unleashed, Sam has no choice but to go rogue. This ultimately leads her back to her mother and her former hitwomen sidekicks, who all join forces in an avenging war against those who took everything from them.
A man is released from prison after 15 years. He reunites with his high school girlfriend, now a single mother of three. What follows is a lyrical take on love, regret and second chances.
Kidnapped by her father in their own home basement, after several failed escape attempts, Sharon and her elder daughter devises a plan to run away from the atrocities and abuse suffered over 24 years. An emotional and upsetting story of a mother who, despite her severe depression, tries to save her seven siblings sons from their ogre father-grandfather. Will she succeed to change their destiny?
In a world mostly wiped out by the plague and embroiled in an elemental struggle between good and evil, the fate of mankind rests on the frail shoulders of the 108-year-old Mother Abagail and a handful of survivors. Their worst nightmares are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg, the Dark Man.
Now in their 50’s, three friends recreate an inter-rail journey across Europe, but this time 18-year-old Maddie is taking her mother’s place, fulfilling her dying wish. With lost passports, train strikes and romantic entanglements thrown in their way, they must put old feuds aside to complete the journey within five days and remind themselves that they are still at their peak.
John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child’s mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.
Yoshito grew up with his mother Yasue after his father passed away. His mother ran a yakiniku (grilled meat) restaurant that his father had left behind. Yoshito enjoyed eating his mother’s cooking and their restaurant was loved by many people. Things changed after popular food critic Furuyama Tatsuya published false statements about their yakiniku restaurant. Due to that, their restaurant saw a sharp drop in customers. Yasue worked hard to recover business for the restaurant. Due to Yoshito’s behavior in wanting attention from his mom, Yasue decided to shut down the restaurant. 18 years later, Yoshito lives alone and he works as a freelance writer. One day, he takes work for a new online foodie website. He works with editor Takenaka Shizuka. Their first assignment involves yakiniku. Around that time, Yoshito hears that his estranged mother Yasue has collapsed.
In 1990, at a secluded community center, the custodian murders all the guest lodgers and kills himself. Ever since, on every Old Year’s Night, paranormal events begin to take place within the building. Eventually, the center is shut down and left abandoned for years. A renowned paranormal investigator who had lost his mother during an exorcism and three college students who heard about the rumor of the unexplained phenomena heads over to the building, resolved to uncover the buried secret.
An astonishing record of the hereditary nature of trauma, Jacinta follows the lives of three generations of women struggling to find stability amid years of dependency. Jacinta leaves the Maine Correctional Center, leaving her mother behind to complete her own sentence, and attempts to rebuild her relationship with Caylynn, her preternaturally wise pre-teen daughter who craves time and attention from the mother she adores. But as the pressures of shaping a life in a world she has hardly known sober proves increasingly challenging, she brings the viewer into her emotional, day-to-day battle to find peace with herself and earn the trust of her family.
Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney’s age, and the parallels — illustrated by comical flashback sequences starring a young Max — are both amusing and enlightening.
Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney’s age, and the parallels — illustrated by comical flashback sequences starring a young Max — are both amusing and enlightening.
Dana, daughter of the only survivor of a massacre in 1993, is going on a weekend trip with her friends. After their car breaks down in the very same town where her mother once fought the Driller Killer, Dana and her friends must come face-to-face with the man who has haunted her mother’s life for the past 30 years.
Following years of abuse while being raised in the Children Of God cult, Ricky Rodriguez seeks revenge against the cult’s leader – his mother.
Melissa, a happily married woman with an eight-year-old daughter, invites her husband’s mother to live with them, only to realize that Grandma is unhinged and wants to kidnap Melissa’s daughter to replace her own dead child.
12-year-old Seon-yoo and her mother struggle for a new start after her father killed himself with huge debt behind.
A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
