When their plans for a nature trip go awry, Polly and boyfriend Seth decide to check into a motel. On their way, they’re carjacked and kidnapped by low-rent crooks Dennis and Lacey, who take the victims and their SUV to a nearby gas station. Along the way, they encounter an increasingly terrifying horde of parasites, and if any of them intend to survive, they’ll have to outsmart the deadly organisms.

Yeo-jin and Jae-yeong are two teenage girls who are trying to earn money for a trip to Europe. To reach this end, Jae-yeong is prostituting herself while Yeo-jin acts as her pimp, setting her up with the clients and staying on guard for the police. Things take a turn for the worse when Yeo-jin gets distracted from her duty and the police raid the motel where Jae-yeong is meeting with a client. To avoid getting caught, Jae-yeong jumps out of a window, fatally injuring herself.

Grassroots activists in the Philippines are spurred into action when a local transgender woman is found dead in a motel room with a 19-year-old U.S. marine as the leading suspect. As they demand answers and a just trial, hidden histories of U.S. colonization come bubbling to the surface.

Taking refuge in a shabby Brooklyn motel after narrowly surviving a failed mission in Eastern Europe, Black Ops soldier Malcolm Gray (Idris Elba) begins to disintegrate mentally as he broods over the legacy of his actions in this taut psychological thriller. Haunted by his demons while holed up in his room, Malcolm ponders the ascent of his brother (Eamonn Walker), an ambitious senator with designs on the presidency.

3 years on from hospitalité, Kiki Sugino and Koji Fukada are back again with this socially-conscious film about a 18-year-old girl in-between adolescence and adulthood who spends a summer in a valley and enjoys romance. Sakuko, a 18-year-old girl studying for her university entrance exams, decides to accompany her aunt Mikie on a trip to a seaside town. There she befriends Takashi, a refugee from Fukushima who has dropped out of high school and works at a motel run by Ukichi, a friend of Mikie. In-between childhood and adulthood, Sakuko starts to understand the difficulties of becoming an adult.

The tango king Harry Koivikko was found dead six years ago in a sleazebag motel, with a knife is his back. The biggest manhunt in the county faded away without results. Jussi Vares gets a phone call from a down-and-out journalist; the informant tells Vares he knows the murderer. Then the journalist disappears without a trace and Vares has to face the biggest challenge of his career. To add insult to the injury, an old acquaintance Veikko Hopea gets his first prison furlough…

A sexy brain teaser of a thriller with nods to classic film noir of the past mixed with a post-modern flair of David Lynch-style surrealism and surprises. When Mickey Lewis, a homeless struggling artist crosses paths with Katrina, the beautiful rich wife of Arthur Webb and is enlisted to paint their home, deadly passions ignite. Soon hidden agendas, dangerous seductions, double and triple-crosses spiral Mickey’s life out of control leading to a motel in the middle of nowhere filled with strange people and twisted secrets that all hold the key to the mystery of Mickey’s past, present, and future. All it takes is – ONE IN THE GUN.

Italian Stefano arrives on Dolphin Island off the coast of Georgia and gets a job as a handyman at a motel. He strikes up a romance with an emotionally troubled young woman, who works as a motel maid/laundress and stripper in a small coastal town in Georgia.

Johnny Scardino is working for blackmailers, photographing wealthy guys in seedy motels. One such assignment turns the wrong way and blackmailers die one by one. Is Johnny the next on the list?

Precocious young Harriet (Evan Rachel Wood) lives with her much older sister, Gwen (Mary Stuart Masterson), at a New Hampshire motel owned by their mother (Cathy Moriarty), and dreams of a life beyond her neglectful family and stultifying town. When Ricky (Kevin Bacon), a mentally disabled man, stays at the motel, Harriet finds him to be kinder and more interesting than anyone she has ever known before. After tragedy strikes, Harriet and Ricky cling to each other ever more tightly.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina’s. It’s the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Kip’s perfect life is put in jeopardy when the waitress with whom he’s having a casual fling is accidentally killed in their motel room. Desperate, he turns to childhood friend and loser, Marvin, to help get rid of the body. Marvin agrees which begins the unraveling of their friendship and ultimately leads both to murderous acts they never thought themselves capable of.

A pair of siblings suffer through a night of frightening practical jokes during their stay at a secluded motel.

Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.