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Having lost his horse in a bet, Pat Brennan hitches a ride with a stagecoach carrying newlyweds, Willard and Doretta Mims. At the next station the coach and its passengers fall into the hands of a trio of outlaws headed by a man named Usher. When Usher learns that Doretta is the daughter of a rich copper-mine owner, he decides to hold her for ransom. Tension builds over the next 24 hours as Usher awaits a response to his demands and as a romantic attachment grows between Brennan and Doretta.
Sexy hippie chicks Carol and Maureen get more than they bargained for when they hitch a ride with groovy hippie dude Chuck in his nifty mobile bus home. The trio get lost in the Florida Everglades following a fierce rain storm and embark on a startling spiritual journey of self-discovery.
A hitchhiker named Martel Gordone gets in a fight with two bikers over a prostitute, and one of the bikers is killed. Gordone is arrested and sent to prison, where he joins the prison’s boxing team in an effort to secure an early parole and to establish his dominance over the prison’s toughest gang.
Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.
With his wife in labor, father-to-be Thomas (Malik Zidi) speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone’s lives forever, including the young man’s mother Marie-France (Nathalie Baye), who cannot recover from the trauma. Nine years later, Marie-France takes a job as Thomas’s secretary without him knowing about her connection to his past. As Marie-France’s maternal rage reaches tragic proportions, she insinuates herself into his life, his work and his family in this classic thriller à la Hitchcock.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
Fran, an unemployed slacker and best friend The Lord of Evil and darkness are two lost souls on a road trip through the Southern California desert. They pick up a hitchhiker, who claims to be an Alien from the planet Zoltran.
While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.
On the way from Berlin to Portugal in her rusty ‘303’ camper van, young biology student Jule picks up hitchhiker Jan. While having intense conversations about everything and the world, they try not to fall in love.
The Cat in the Hat joins Nick and Sally who are exploring the backyard when something extraordinary finds them-a flying robotic dog. The robot lands and does some exploring of his own, gulping up rock samples and photographing the Cat, Nick, Sally, and Fish before blasting off back into space. What was that thing? Where did it come from? Where is it going? The Cat in the Hat fires up his Space-ama-racer and whisks Nick, Sally and Fish off on a cosmic adventure in search of the robot. Together, they survive a dust storm on the surface of Mars, rocket through an asteroid belt, and then narrowly escape being sucked into Jupiter by its huge gravitational pull. Ultimately, they hitch a ride on a comet that leads them all safely back to the Space Station, along with plenty of space samples, and stories and even a small souvenir that follows The Cat in the Hat and our crew back to Earth.
A fast food clerk’s life spins out of control when he meets a cute but murderous hitchhiker.
The Olivier Award-winning Mischief Theatre brings Peter Pan Goes Wrong to BBC One. As part of its commitment to community theatre, the BBC has commissioned The Cornley Polytechnic Drama Society, an amateur dramatics group, to recreate the JM Barrie classic as part of their festive programming. But can they pull it off? Narrated by David Suchet and filmed in front of a live audience, watch as Peter Pan flies through the air, Captain Hook and his pirates set adrift in the lagoon, and Tinkerbell is due to light up the stage in a stunning electrical costume… what can possibly go wrong?! With their trademark comic mayhem, expect hilarious stunts, chaos, technical hitches, flying mishaps and cast disputes on the way to Neverland with hilarious and disastrous results.
A wife’s husband is cheating on her. She decides to go on a road trip with her husband’s other woman. While driving the two women pick up a hitchhiker. The man they pick up may be a robber and murderer on the run from the cops. A policeman who is tracking the hitchhiker has a close eye on them, but the question is why?
Running Time was filmed in black and white, in real time, and seemingly takes place in one continuous, fluid shot. It’s a little like Hitchcock’s “Rope,” but it’s on location! Carl, an ex-con who sets out to rob the prison laundry system where he worked for 5 years (while in the pen), has spent ten years in prison planning the ultimate heist. Upon his release, he meets up with a high school buddy, who’s made all the arrangements for the job, and rented him a hooker for his first encounter in a decade with a real girl. After picking up the safecracker and their getaway driver, they’ve got twenty minutes to pull off the perfect heist…but soon everything falls apart before Carl’s eyes. He might still get the girl, though! Written by Scary Mary
Anchored by intimate, one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time.
Darwin meets Hitchcock in this documentary. Directors Dan Geller and Dayna Goldfine have created a parable about the search for paradise, set in the brutal yet alluring landscape of the Galapagos Islands, which interweaves an unsolved 1930s murder mystery with stories of present day Galapagos pioneers. A gripping tale of idealistic dreams gone awry, featuring voice-over performances by Cate Blanchett, Diane Kruger, and Gustaf Skarsgard.
In the summer of 1969, Bernard, a Gaspesian fisherman’s son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the ‘Fisherman’s House’. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio’s ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.
On a spur of the moment road trip, new friends Sophie and Pete hatch a misguided plan to get hitched.
Matt, with the assistance of his new friend Riley, is moving out to Los Angeles California to fulfill his dream of making movies. Everything is off to a good start! That is until Matt’s childhood best friend Chaps decides to crash the road trip and invite himself along. When old friends don’t mix well with new friends, jealousy enters the picture. And if that wasn’t enough to put a damper on the road trip, a menacing hitchhiker turns their world upside down leading to a maddening chase that spins wildly out of control.
A dark, twisted retelling of “Dante’s Inferno,” done in the torture-porn style of “Hostel” and “High Tension.” To escape her abusive foster home, headstrong 18-year-old Danielle Hitches a Ride with an affable psycho who calls himself Virgil and has an axe to grind against women based on his warped religious beliefs. She realizes she hasn’t quite found her knight in shining armor when she awakens half-naked, chained to a post in Virgil’s basement. As Virgil, puts Danielle through a sadistic “moral cleansing” of debauched torture sessions that could kill her at any moment, she must choose either to fight back or to become as inhuman and deranged as Virgil himself. What Virgil doesn’t know is that Danielle may be more than up to the challenge of his psychotic head games.
A “contemporary prequel” to the 1960 film Psycho, depicting the life of Norman Bates and his mother Norma prior to the events portrayed in Hitchcock’s film, albeit in a different fictional town and in a modern setting. The series begins after the death of Norma’s husband, when she purchases a motel located in a coastal Oregon town so she and Norman can start a new life.
When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realize that the game is far from over… One by one, Max’s family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humor. Meanwhile, Max’s brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night.
Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.
Steve Morgan kills a man in a holdup and hitches a ride to Los Angeles with Fergie. At a gas station, they pick up two women. Encountering a roadblock, Morgan takes over and persuades the party to spend the night at an unoccupied beach house. The police close in as one by one, the others learn that Morgan is a killer.
