Raised on the streets of turn-of-the century London, orphaned Peter and his pals survive by their fearless wits as cunning young pickpockets. Now, they’ve been rounded up by their mentor Jimmy Hook to snatch a priceless, some believe, magical treasure which transports them to another world. Neverland is a realm of white jungles and legendary mysteries of eternal youth, where unknown friends and enemies snatched from time welcome the new travelers with both excitement and trepidation. These groups include a band of 18th century pirates led by the power-mad Elizabeth Bonny, and the Native American Kaw tribe led by a Holy Man, which has protected the secret of the tree spirits from Bonny and her gang for ages, and that has meant war. But as the fight to save this strange and beautiful world becomes vital, Hook, Peter, and the ragamuffin lost boys consider that growing old somewhere in time could be less important than growing up, right here in their new home called Neverland.

The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There’s only one catch – he didn’t write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man’s work, and for placing ambition and success above life’s most fundamental three words.

In The Equalizer, Denzel Washington plays McCall, a man who believes he has put his mysterious past behind him and dedicated himself to beginning a new, quiet life. But when McCall meets Teri (Chloë Grace Moretz), a young girl under the control of ultra-violent Russian gangsters, he can’t stand idly by – he has to help her. Armed with hidden skills that allow him to serve vengeance against anyone who would brutalize the helpless, McCall comes out of his self-imposed retirement and finds his desire for justice reawakened. If someone has a problem, if the odds are stacked against them, if they have nowhere else to turn, McCall will help. He is The Equalizer.

Joe Toy, on the verge of adolescence, finds himself increasingly frustrated by his single father, Frank’s attempts to manage his life. Declaring his freedom once and for all, he escapes to a clearing in the woods with his best friend, Patrick, and a strange kid named Biaggio. He announces that they are going to build a house there, free from responsibility and parents. Once their makeshift abode is finished, the three young men find themselves masters of their own destiny, alone in the woods.

When you become a detective in Warsaw Indiana – you go to Poker Night, where you play against some of the best cops in the business. They tell you stories about their time on the job – their successes and failures. When new Detective Stan Jeter leaves the game, he is caught by a vicious psychopath and locked in a basement. Using the stories he heard at Poker Night, he must match wits against his captor – and save not only himself, but the young girl trapped in the basement with him. Like Seven and Usual Suspect, Poker Night combines thrills and twists and turns that will leave you guessing till the very end.

The Boat that Rocked is an ensemble comedy, where the romance is between the young people of the 60s, and pop music. It’s about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60’s when the Labour government of Harold Wilson, wanted to bring the pirate stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967

The youngest son of an alcoholic former boxer returns home, where he’s trained by his father for competition in a mixed martial arts tournament – a path that puts the fighter on a collision course with his estranged, older brother, an ex-marine with a tragic past.

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.

1975, Swiss Alps: In a remote mountain village, an immesely beautiful but disturbed and dumb woman shows up. Only the village policeman Reusch takes care of the strange woman and tries to find out whoshe is. There are hints that she came from the Höhenalp Alp, where herdsmen do unthinkable things to get the company of women. Many dark truths are revealed that should better have remained hidden. A tragedy of lust, insanity and murder is brought to a seemlingly pure and perfect world. It is the beginning of a nightmare of religious insanity, hypocrisy, abuse and belief in demons, who destroys a young family and brings a whole village to destruction.

The year is 1991, and Spud Milton’s long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.

An Australian urban legend comes screaming on the Ozploitation scene. It’s said that if you drive down the creepy road of Lemon Tree Passage, and witness a sudden flash of light in the trees, you’ll be forever haunted by the tormented spirit of a man killed by thrill speeding teenagers. Wanting to put this old wives’ tale to the test, a car-load of non-believers take the supposedly cursed journey and do indeed see a strange manifestation. But it’s not the one of popular myth – this sudden possession of one of their number involves another altogether more shocking crime. That of a young girl raped and murdered on the same stretch of highway. As one urban legend trumps another, the scared passengers must sort out the facts of both cases before vengeful justice from beyond the grave can be meted out with moody atmosphere, ghostly thrills and supernatural suspense.

Wendy, her husband Dan and their kids have just moved to the small town of Stull, Kansas, where Dan is the new pastor. But in this sleepy community of friendly neighbors, a horrific series of occurrences awaits them: Their teenage daughter is being tormented by grisly visions. Her younger sister has been marked for a depraved ritual. And deep within the heartland darkness, one of The Seven Gates of Hell demands the blood of the innocent to unleash the creatures of the damned.

Maggie is an uptight, single mother and college writing teacher from New York City. In an effort to reconnect with her troubled teen daughter Summer, she decides to embark on a journey to a Tuscan village where she frequented in her younger days. Upon arrival, Maggie runs into Luca a handsome former lover who is still a bachelor and lives with his eighty-year-old mother Carmen. Summer (missing her “bad boy” boyfriend in NYC) and Carmen (secretly planning a wedding against Luca’s wishes to MARCELINO, her one true love in Rome) impulsively steal Luca’s car and race off to Rome. Maggie and Luca quickly pursue allowing the two mismatched couples to spend some time together and develop a new understanding of each other.

Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they’re hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.

In a futuristic world where the polar ice caps have melted and made Earth a liquid planet, a beautiful barmaid rescues a mutant seafarer from a floating island prison. They escape, along with her young charge, Enola, and sail off aboard his ship. But the trio soon becomes the target of a menacing pirate who covets the map to ‘Dryland’ – which is tattooed on Enola’s back.

The photographer Leon lives with his girlfriend and waitress Maya waiting for a chance to get in the photo business. When Maya contacts their friend Jurgis, he schedules a meeting for Leon with the successful owner of arts gallery Susan Hoff; she analyzes Leon’s work and asks him to improve the quality of his photos. During the night, the upset Leon decides to wander on the streets taking pictures with his camera, and he follows three punks down to the subway station; when the gang attacks a young woman, Leon defends her and the guys move on. On the next morning, Leon discovers that the woman is missing. He goes to the police station, but Detective Lynn Hadley does not give much attention to him and discredits his statement. Leon becomes obsessed to find what happened with the stranger and he watches the subway station. When he sees the elegant butcher Mahogany in the train, Leon believes he might be a murderer and stalks him everywhere, in the beginning of his journey to the darkness.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

YOUTH explores the lifelong bond between two friends vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?

When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel’s fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp’s walls.

The Devil’s Cauldron, a city where depravity and violence has forged a society in which only the lethal and callous can survive, two young men who possess the intellect and ferocity to flourish, carve a name for themselves as the most efficient and unstoppable hit men. Side by side, these two brothers are the deadliest killers, feared by even the most evil criminals. But when a woman of rare beauty mysteriously enters the brother’s lives she blinds them with her sweet promises and turns them against each other, resulting in an epic battle that threatens to bring the Devil’s Cauldron to the brink of destruction.

Inara, The Jungle Girl (2012) is about a young girl in the military whose world comes crashing down when her father passes away. Offered a mission to the remote island of N’iah in order to exploit the precious oil and metals found there. Inara discovers that the jungle and the women who inhabit it, have more in common with her than she knows.

A naive young man assumes a dead man’s identity and finds himself embroiled in an underground world of power, violence, and chance where men gamble behind closed doors on the lives of other men.

Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace.

With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.

While in medieval Korea, a young girl sets out to revenge the betrayal and the death of her mother. But therefore she must face one of the most powerful men and warriors of the Goryo Dynasty.

Lost in White takes places in the north-east of China, where two bodies have been found under the ice of a frozen lake, their remains made unidentifiable by carnivorous fish, but still bearing the mark of having been dragged with an ice hook. In charge of the investigation is Captain Zhou (Tony Leung Ka Fai), a dedicated cop who’s dragging along his teenage daughter Xinyi (Zhou Dongyu). Soon he’s joined by Wang Hao (Tong Dawei) a young Shanghai detective who’s on a missing person case that has led him to the same village where the murders happened. The two cases prove to be connected: the missing person and the two victims were part of a quartet of businessmen who ten years ago opened a refinery in the region, and disposed of chemical waste in an unethical way that has poisoned the waters and led to malformed babies in the following decade. Is the missing businessman the killer, the next victim or a red herring?

Suzanne Waters (Karen Abercrombie) has just passed the baton as the principal of the local high school. Having spent a lifetime teaching life lessons, the journey into retirement is about to bring her one of her greatest lessons. Her lesson plan will come from a troubled young man, Eli, as she invests in his life. Suzanne also becomes a first-time grandmother, and the new life of the baby brings renewed hope to the family as each member discovers their core value in God’s path for their lives. As Suzanne reflects back on her life of faithfulness, we are reminded that there are no accidents in God’s Kingdom, no chance meetings, no purposeless steps taken.

This fun and sexy comedy tells a timelessly entertaining story where wealthy, secret passions and mischievous women put love to the test.. When a spirited young woman, Fanny Price, is sent away to live on the great country estate of her rich cousins, she’s meant to learn the ways of proper society. But while Fanny learns “their” ways, she also enlightens them with a wit and sparkle all her own!

A retired bodyguard who has settled into a corner of the world where China, Russia and North Korea meet as he suffers from early dementia finds a new friend in a young girl. When her life is threatened by her father’s connection with a local crime lord, .the bodyguard must call upon his long forgotten skills to save her.

Eli is a man in his twenties with a calling on his life from a young age, but he’s been running from that calling – a modern day Jonah. After being fired by his father, arguing with his girlfriend in front of their daughter, and then a visit to the local pub, Eli decides to get out of town. On a lonely mountain highway Eli misses a turn and careens over an embankment, landing deep in the forest. It is a place of mystery with no way out, but it is there where God works on his heart. Satan is not far behind of course, working to convince Eli to take a different path. In the end Eli is faced with a choice that will have repercussions on generations as his destiny is to be the Billy Graham of his time.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

Sham Shui Po, there is the most famous red-light district in Hong Kong. Li (Carrie Ng) owns a few of the apartments in the building and she earns a living by renting them out to the prostitutes. To the prostitutes though, she is more a friend than just a landlord. She gets together a group of prostitutes and work as hard as they could, trying to attract business to turn the tide. Still, they do not know they are quietly approaching death. It begins with the missing of a prostitute Ping. Ping is one of the tenants who live with her young daughter. In the process of finding Ping, Li discovered there had been a lot of missing prostitutes in this building, yet none of them were found. The building was somehow isolated from the outside world and a massacre begins. Li and the prostitutes have to find Ping and to fight a battle of wits with the invisible murderer. As more evident of the murderer’s identity revealed, a tragic truth hidden for over twenty years starts to unveil.

Having just moved back to her hometown without her serviceman husband but with her young son, Gretchen Daniels finds her life in disarray as Christmas approaches. But she discovers new purpose when she helps to deliver a message to her neighbor, Melissa, which makes her an ally in the quest to find the neighbor’s sibling she never knew she had. The women become bonded not only by the search, but by the understanding that being there for each other means they’re no longer alone. This friendship becomes the greatest Christmas gift of their lives. Based on a bestselling novel by Donna VanLiere.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Two Korean girls, Jung-Min (14) and Young-hee (15) are kidnapped by the Japanese Imperial Army and taken to a ‘Comfort Station’ in China. There, they join other kidnapped girls in serving Japanese soldiers as sexual slaves known as ‘Comfort Women’. Decades later, an elderly lady attempts to reunite with the spirit of her lost friend. Inspired by the testimony of Kang Il-chul.

Long-awaited sequel to the 1995 film. A young British Asian, Mo is a fast-rising police officer who goes under cover infiltrating Shadwell’s resurgent hooligan element, who are fired up by Shadwells’s takeover by a Russian oligarch and their unlikely adventure into European competition. Mo quickly becomes embroiled in the local schism between the BNP and EDL and plans to build a new mosque in the shadow of the Shadwell ground creates an explosive environment in which football and political violence form a perfect storm of social unrest. In the midst of this, Mo is faced with the essential existential question of of who he really is and where he really belongs. It’s 20 years on and clever Trevor is now chief super, but what happens to the rest of the gang?

A group of paranormal investigators sojourned to the Chicago walk-up where deranged drifter Richard Speck systematically slew eight student nurses back in ’66, looking for restless spirits. Their unfortunate success gets shockingly documented in this fear-filled found-footage foray featuring a bright young cast.

It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.

Based on a screenplay by the prolific Kim Ki-duk. Two families live next door to each other in identical suburban white houses with green lawns. One family is from South Korea, the other is a fake family assembled from North Korean spies. The North Koreans must strictly obey every order from their regime, who holds their real families hostage. The problem is that the families affect each other and after a while, the political rift in the North Korean house becomes apparent. Naturally, there also occurs cross-border romantic entanglements between old and young alike.

Below the streets of New York is a dark and dangerous world hidden in the shadows of abandoned subway tunnels and miles of forgotten infrastructure. When a young documentary filmmaker goes into these tunnels to uncover the unseen stories of the people living below our feet, she finds out that there is more to be afraid of than the dark. A mysterious figure, living beyond the reach of the law, has declared war on the outside world that threatens to tear apart the fragile underground society living in the tunnels and maybe even the city above it.